sadromance是什么电影

Ⅰ 有谁能告诉我跟《DJ之星木星版》一样格式的MP4转换器谢谢了！

Total Video Converter 我用的是这个转换的，我手机和MP4的电影都是用这个的，这个比较好，可以转换任何你想要的格式。
你在天空和太平洋等著名网站都可以下载到。需要的话，我可以把下载地址发给你

Ⅱ 我需要这些电影的英文简介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文评论
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文评论
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

评论
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

评论
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

评论
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
评论
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字数太多，可去网站上自己查询

Ⅲ 悲伤的音乐有哪些

1、《十年》

这首歌是由林夕作词，陈小霞作曲，改变子陈奕迅粤语歌曲《明年今日》，这首歌可以说是陈奕迅的经典情歌之一，它代表着心绪的零乱和无止境的苦涩，有着很高的传唱度，也是KTV点唱次数最多的歌曲之一。

2、《悲伤的浪漫》

“SadRomance”是一首由钢琴伴奏的小提琴独奏，优美中带着悲伤。它出自韩国电视剧《青青草原》，由越南作曲家ThaoNguyenXanh作曲。恣意的曲调，给人一种灵魂到处飘荡的忧伤，仿佛是在无人的深夜，一个人沉浸在黑暗中，跟随着心的呼唤寻找着希望。

3、《你怎么舍得我难过》

《你怎么舍得我难过》是由黄品源作词、编曲及演唱的一首歌曲，收录于黄品源1990年4月14日发行的专辑《男配角心声》中。2001年上映的电影《蓝宇》选用该曲作为片尾曲。2017年，该曲获全球中文音乐榜上榜周冠军。

4、遥远的她

《遥远的她》是由谷村新司谱曲，潘源良填词，卢东尼编曲，张学友演唱的歌曲。原歌词表达的是作者独自徘徊在一个不知名的火车站的站台，看着纷飞的大雪，由铁路左右边引发的思考，与爱情无关，而粤语版则由香港填词人潘源良填词后，演绎出了别样的味道，赋予了歌曲一个伤感的爱情故事，也给予了歌曲新的灵魂。

5、白色恋人

《白色恋人》是游鸿明演唱的一首歌曲，述说了一段凄美的早恋悲剧。歌曲由林利南作词，游鸿明作曲，于2006年发行，收录在专辑《诗人的眼泪》当中。

游鸿明最初进入歌坛，是纯粹做幕后工作。但他很喜欢唱歌，身边有一些朋友，也经常鼓动他出唱片，在那种情况下，游鸿明开始考虑出唱片，并于2006年推出的专辑《诗人的眼泪》。

Ⅳ 麻烦大家告诉下陈百祥的所有电影

大四喜 The Lukiest Man (2008)
Da Si Xi

七擒七纵七色狼 Beauty and The 7 Beasts (2007)

雀圣3：自摸三百番 Kung Fu Mahjong 3: The Final Duel (2007) .....Grand Slam Ben
Jeuk sing 3 gi ji mor saam bak faan

窈窕熟女 Women On The Run (2005) .....毕奇理

功夫足球 Kung Fu Soccer (2004) .....Sport Commentator

精装追女仔2004 Love Is a Many Stupid Thing (2004) .....Inspector Lek
Cheng chong chui lui chai 2004

大丈夫 Men Suddenly in Black (2003) .....杨能
大丈夫之暗战男女
Daai cheung foo
Da zhang fu

赌侠大战拉斯维加斯 The Conmen in Vegas (1999) .....阿叻
赌城擒凶
Du xia da zhan La si Wei jia si
The Con Man in Las Vegas

电影鸭 Dian ying ya (1999) .....徐屈
Gigolo of Chinese Hollywood

超级整蛊霸王 Tricky King (1998) .....'Tricky King'
Chao ji zheng gu ba wang
Chiu kap ching goo ba wong

超级无敌追女仔II之狗仔雄心 Love cruise (1997)
超级无敌追女仔2之狗仔雄心
Chao ji wu di zhui nu zai er gou zai xiong xin
Super Invincible Pursues the Girl 2: Dogs Young Great Ambition

精装难兄难弟 Jing zhuang nan xiong nan di (1997) .....Ngau Tat-Wah
精装难兄难弟豪情盖天
Those Were the Days

超级无敌追女仔 Chiao ji wu di zhui nu zi (1997)
L-O-V-E... Love
Love

运财五福星 Wan choi ng fuk sing (1996) .....King of Swindlers
How to Meet the Lucky Stars
Yun cai wu fu xing

运财智叻星 Yun cai li xing (1996) .....Chiu Tak Nak/Windfall God
运财至叻星
Jingle Jingle Little Star
Twinkle Twinkle Little Star

赌圣2：街头赌圣 Du sheng 2 jie tou sheng (1995) .....Annnouncer
The Saint of Gamblers

无面俾 Mou mian bi (1995) .....Deranged Cop
冇面俾
Don't Give a Damn

一千零一夜之梦中人 Yi qian ling yi ye meng zhong ren (1995) .....Ah Man
1001 Nights
Dream Lovers

恋爱的天空 Lian ai de tian kong (1994) .....Liza's Ex
Modern Romance

黄飞鸿之铁鸡斗蜈蚣 Wong Fei-hung chi tit gai dau neung gung (1993) .....Mass Tar Wong 'Mr Pimp'
Iron Rooster Vs. the Centipede
Last Hero in China

逃学威龙Ⅲ之龙过鸡年 Tao xue wei long long guo ji nian (1993) .....Man's Cousin
第七感抓财神
Fight Back to School III
long guo ji nian

广东五虎之铁拳无敌孙中山 Guang Dong wu hu tie quan wu di Sun Zhong Shan (1993)
The Tigers: The Legend of Canton

超级学校霸王 Chao ji xue xiao ba wang (1993) .....Announcer
Future Cops
Street Fighter

至尊三十六计之偷天换日 Zhi zun zhou liu ji tou tian huan ri (1993) .....Chan Chung-Ming
至尊36计之偷天换日
The Perfect Exchange
The Sting 2

唐伯虎点秋香 Flirting Scholar (1993) .....Chuck Chi-Shan
Tang Bohu dian Qiuxiang
Tong bat fu kau chau heung

武状元苏乞儿 King of Beggars (1992) .....Minister of Justice
Miu chong yuen so hat ngai
Wu zhuang yuan: Su qi er

鹿鼎记 Lu ding ji (1992) .....Duran
Royal Tramp
Luk ding gei

漫画威龙 Fist of Fury 1991 2 (1992) .....Ngou Pi
出奇制敌 / 摩登武圣 / 出奇制敌?
Man hua wei long
Fist of Fury 1991 II

鹿鼎记II神龙教 Lu ding ji II shen long jiao (1992) .....Duran
Royal Tramp II

豪门夜宴 Party of a Wealthy Family (1991) .....Man Feeding Dog
Haomen yeyan
The Banquet

新精武门1991 Xin jing wu men 1991 (1991) .....Cameo
Fist of Fury 1991
Fist of Fury II

五福星撞鬼 Wu fu xing chuang gui (1991) .....The Ghost
Ghost Punting
Ghost Renting

整蛊专家 Zheng gu zhuan jia (1991) .....Cameo appearance (as Danny Chan)
整人专家
The Ultimate Trickster
Tricky Brains

赢钱专家 Ying qian zhuan jia (1991)
Money Maker

起尾注 Coup De Grace (1990)
抢闸孖孖星
By Hook and Crook
The Diamond Debacle

惊天十二小时 Jing tian shi er xiao shi (1990) .....Ferrai
12 Hours of Fear
12 Hours of Terror

哗鬼住正隔篱 Hua gui zhu zheng ge li (1990) .....Dragon Chan
有鬼住在隔壁
My Neighbor's Phantoms
My Neighbors Are Phantoms

天师捉奸 Tian shi zhuo jian (1990) .....Chin Sau-Yan
Ghostly Vixen

至尊计状元才 Zhi zun ji zhuang yuan cai (1990) .....Mao/Leslie
至尊计状
No Risk, No Gain
Casino raiders - the sequel

摩登如来神掌 Ma deng ru lai shen zhang (1990) .....Chi
Fai & Chi: Kings of Kung Fu
Thunderbolt '91

靓足100分 Jing zu 100 fen (1990) .....Plastic Surgeon
结婚大事
Perfect Girls
Liang zu yi fen

猛鬼撞鬼 Meng gui zhuang gui (1989)
Bloody Ghost
Funny Ghost

捉鬼大师 Zhuo gui da shi (1989) .....Master Lum
Vampire Buster

小小小警察 Xiao xiao xiao jing cha (1989)
小警察
Little Cop
Xiao jing cha

返老还童 Fan lao hai tong (1989)
Second Childhood

最佳男朋友 Perfect Match (1989) .....Security Guard
Zui jie nan peng you

猛鬼舞厅 Meng gui wu ting (1989)
Ghost Ballroom

富贵兵团 Fu gui bing tuan (1989) .....Dragon
Code of Fortune
Fortune Code

福星闯江湖 Return of the Lucky Star (1989) .....Chan
Fu xing chuang jiang hu

鬼媾人 Gui gou ren (1989) .....区公子
精装追女鬼
Ghost Fever
Gwai yau yan

神勇双妹唛 Doubles Cause Troubles (1989)
小迷糊大进击
Shen yong shuang mei mai
Double Causes Trouble

最佳损友闯情关 The Crazy Companies II (1989) .....Tam Sad-Chiu
Zui jia sun you chuang qing guan

哗鬼有限公司 Hua gui you xian gong si (1989) .....(as Danny Chan)
捉鬼有限公司
Ghost Busting
Zuo gui you xian gong si

精装追女仔续集 The Romancing Star II (1988) .....Traffic Light
精装追女仔之二 / 福星假期之2香港电视台有难
Jing zhuong zhui nu zi er

爱的逃兵 Love Soldier of Fortune (1988) .....散利痛
Ai de tao bing
Soldier of Love

黑心鬼 Hei xin gui (1988)
Three Wishes
Black Heart Ghost

大话神探 Fumbling Cops (1988) .....戴李察
Da hua shen tan

撞邪先生 Chuang xie xian sheng (1988) .....碱湿黄
Mr. Possessed

最佳损友 The Crazy Companies (1988) .....Tam Sad-Chiu
Zui jia sun you

火舞风云 Bet on Fire (1988) .....V7 Guy No. 3
Hou wu feng yun

精装追女仔 The Romancing Star (1987) .....Traffic Light
Cheng chong chui lui chai
Jing zhuong zhui nu zi

天赐良缘 Heavenly Fate (1987) .....Ben
Tian ci liang yuan
Sister Cupid

金燕子 Golden Swallow (1987) .....Boatman
Gam yin ji
Jin yan zi

魔高一丈 Return of the Demon (1987) .....侦缉队队长
Mo gao yi zhang

烂赌英雄 Born to Gamble (1987) .....王老五
Lan ying xiong

用爱捉伊人 Kino Countdown (1987) .....Cheung
Yong ai zhuo yi ren
You Are My Destiny

魔翡翠 Magic Crystal, The (1986) .....Lau Ta
Mo fei cui
Jade Crystal

鬼马飞人 Gui ma fei ren (1985)
The Flying Mr. B

智勇三宝 Mr. Boo Meets Pom Pom (1985)
Ji yung saam bo
Wisdom Courage Three Treasures

求爱反斗星 Da sao ba (1985) .....洪家宝
Crazy Romance

摩登仙履奇缘 Girl with the Diamond Slipper (1985) .....陈七
瞎猫吃母老虎
Mo deng xian lu qi yuan
Modern Cinderella

开心三响炮 Kai xin san xiang pao (1985) .....花利文
Funny Triple

奸人鬼 Gaan yan gwai (1984) .....校长
儿子红娘
A Friend from Inner Space
Jian ren gui

我爱罗兰度 Wo ai Luo Lan (1984) .....Lolanto
我爱Lolanto / 青蛙王子第二集
I Love Lolanto

南斗官三斗北少爷 Nan dou guan san dou bei shao ye (1984)

青蛙王子 The Frog Prince (1984) .....Lolanto
Ching wa wong ji
Prince Charming

好彩撞到你 Hao cai zhuang ni (1984)
Host for a Ghost

癫凤狂龙 Three Stooges Go Undercover (1984)
Dian feng kuang long

花心大少 Hong Kong Playboys (1983) .....富家子
Hua xin da shao

摩登天师 Mo deng tian shi (1982) .....Rocky
To Hell with the Devil

猎魔者 Lie mo zhe (1982) .....白兰氏
Mercenaries from Hong Kong

贼王之王 Winner Takes All (1982)
You Friend mie jing
Lepke

爱人女神 Oi yan nui san (1982) .....Lek
My Darling, My Goddess
Ai ren nu shen

贼王之王 Chaak wong ji wong (1982)

82家房客 Baat sap yee ga fong haak (1982) .....炳少
八十二家房客
Ba shi er gu fang ke
The 82 Tenants

Girl with a Suitcase (1979) .....Pong Gwong-yim
"Gwo fao sun leung"

孖生姊妹 Between the Twins (1978)
双生姊妹
"Maa sang chi mui"

追赶跑跳碰 Zhui gan pao tiao peng (1978)
Making It

Ⅳ 【游龙戏凤】有谁知道这电影里的插曲叫什么。林子祥唱的。是首英文歌，知道的说下。

游龙戏凤 01. I'm Lovin' You 02. Everybody Is A Star 03. Baby Baby 04. Chason Triste 05. I Should Have Told You 06. If You Want Me 07. Moonlight Kiss 08. Arms Wide Open 09. A Champagne Glass 10. Sad Story 11. Follow Your Love 12. Little Romance 13. A Couple Entwined 14. You Are my Only One 15. Hand In Hand 16. I'm Lovin' You (Reprise)

Ⅵ 求由刘德华、舒淇主演的电影《游龙戏凤》中的所有英文插曲的歌名

游龙戏凤 电影原声大碟 (OST) 歌手名称: 电影原声 | 纯音乐 电影原声 音乐监制: 陈光荣 推出日期: 2009-01-23 制作来源地: 中国香港 光碟格式: 镭射唱片 重量(连包装): 100 (g) 运费单位: 1 出品商: 新力 (HK) YesAsia 产品编号: 1014061723 内容简介／曲目 由刘伟强执导, 刘德华、舒淇、何韵诗、张涵予主演贺岁电影 世上，每个人都在寻找一颗属於自己的星星，让它能照亮自己的生命，也照亮身边所有人 游龙戏凤 Look For A Star 1月23日农历年假期首档上映 现同时推出由陈光荣制作之电影原声大碟 01. I'm Lovin' You 02. Everybody Is A Star 03. Baby Baby 04. Chason Triste 05. I Should Have Told You 06. If You Want Me 07. Moonlight Kiss 08. Arms Wide Open 09. A Champagne Glass 10. Sad Story 11. Follow Your Love 12. Little Romance 13. A Couple Entwined 14. You Are my Only One 15. Hand In Hand 16. I'm Lovin' You (Reprise)

Ⅶ 悲伤的音乐有哪些

1、《十年》

这首歌是由林夕作词，陈小霞作曲，改变子陈奕迅粤语歌曲《明年今日》，这首歌可以说是陈奕迅的经典情歌之一，它代表着心绪的零乱和无止境的苦涩，有着很高的传唱度，也是KTV点唱次数最多的歌曲之一。

2、《悲伤的浪漫》

“SadRomance”是一首由钢琴伴奏的小提琴独奏，优美中带着悲伤。它出自韩国电视剧《青青草原》，由越南作曲家ThaoNguyenXanh作曲。恣意的曲调，给人一种灵魂到处飘荡的忧伤，仿佛是在无人的深夜，一个人沉浸在黑暗中，跟随着心的呼唤寻找着希望。

3、《你怎么舍得我难过》

《你怎么舍得我难过》是由黄品源作词、编曲及演唱的一首歌曲，收录于黄品源1990年4月14日发行的专辑《男配角心声》中。2001年上映的电影《蓝宇》选用该曲作为片尾曲。2017年，该曲获全球中文音乐榜上榜周冠军。

4、《忽然之间》

这首歌也是一首非常好听的歌曲，而且这首歌是有一个男低音来演唱的，演唱者是阿虾，因为他的这首歌是非常有传染力的，男低音唱出来的伤感歌曲，想想都让人感觉到放松，但是这首歌却是一首非常感伤的歌曲，虽然男生的声音让人很放松但是这首歌也是一首让人感觉非常难受的一首歌。

5、《送别》

这首歌的词和曲都境界太高，朴树应该对这首歌也是顶礼膜拜的，所以唱的时候几乎没做任何改动，只是忠实表达。朴树的气质是孤独清冷而又受伤的，他来唱这首歌，越发让人感觉到挚友离去时的孤独不舍与受伤来。歌与人太契合。朴树是我认为最适合演绎这首歌的人。泪点低的人，听一场哭一场，真的，太触动人的内心深处了。

Ⅷ 急求《泰坦尼克号》电影的英语概括和英语影评，谢谢！！

一I've noticed recently how various critics and the general population treat Titanic horribly with the test of time. I find it shocking how a movie that was regarded as one of the best movies of all time has fallen ill to tons of criticisms. People seem to find it hip now days to bash Titanic and I fail to understand why. I personally find it to be the greatest movie I've seen, the Academy Awards seemed to think it was a pretty damn good movie, the critics when it first came out weren't too harsh and movie-goer's truly expressed how the general population felt about Titanic with the gigantic ticket sales.

Now, however, Titanic makes the "overblown movie" lists from several critics, enres extreme mockery and the ridicule of anyone who actually admits to liking it. This may have been e to people wanting to be different from the norm in 1997 and maybe this attitude never went away and too many people fell victim to it. Or maybe it was the cheesy scene's people like to imitate over and over which obviously must mean the entire movie is cheesy. However, I recently watched Titanic the other day and I'm going to say why I find it to my favorite movie of all time.

The ship Titanic itself expressed a mentally ring this time period in which humans felt they could overcome Mother Nature. With the sinking of this ship it made people truly eat the words "Titanic is an unsinkable ship."

With the character Rose, a first class passenger you are exposed to the arrogance high society had. Rose also opened your eyes to the luxuries high society had and how woman were truly trapped and were seen as second-class citizens. Rose almost committing suicide helps hit home how truly horrible it must have been for woman ring this time period. The dynamics between Rose and her mother also show the dynamics between how woman had to behave and in a sense how they survived in this society.

With the character Jack, a third class passenger you are exposed to how large the gab between the rich and poor was. How first class dogs went down to be walked on the lower decks, how it was the poor who actually built Titanic and how it was the poor who were treated truly unfair on Titanic just because of social status, which helped express the mentality of the time.

Having these two characters meet and expose the viewer and each other to these different lifestyles helped truly put into perspective the mentality of what this time period was like. Sure, it was in a way a clich' love story, two people from different world's falling in love. But regardless of it being typical it still exposed the different classes in a way that truly made you realize how it was for people back then. Also, many things are clich' for a reason, they most of the time work and have been shown to work time and time again.

Without this love story you would have just come away with the basics of this story, the Titanic sinking. But this love story created sympathy in which you felt for Jack and Rose. It made you truly feel how the people on the Titanic were feeling at that exact moment. Families, loved ones and friends were being torn apart. Without the emotion created from the love story you wouldn't have felt nearly as sad or seriously towards what had actually happened to these people.

As for it being morally wrong on the part of Rose. Well, she was trapped by her mother and society. The man (Cal) whom she was getting married to proved to be inconsiderate towards others, was very mean, rude and thoughtless (even before he knew of the situation between Rose and Jack). He deserved and was asking for everything he got. What Rose did was what many do in youth and sometimes you have to take what life gives you at that moment. That's exactly what she did and people shouldn't say her actions were immoral. They were done out of love at first sight and out of vengeance towards the arrogant class she was apart of.

Titanic was very authentic and very historically accurate. It did include a lot more then just the love story. It had information about the lifeboats, the binoculars, how exactly it sank, the famous people aboard the ship, and numerous other things. Even things such as the first-class band and their situation, what exactly was sung on the last time day light hit the Titanic at the morning church gathering, increasing more speed regardless of ice warnings and many more examples were all little details included in this movie which made it far more then just a "love story" if you actually paid attention.

The ending of this movie came as a shock to most people. Well, it had several things that were resolved.

-When Jack died. In most love stories they would have both survived and lived happily ever after, but this truly hit home the pain people felt after this shipwreck.
-When Rose actually had the necklace. This shocked me, although many realized it before the ending. I thought releasing it back to the water was cheesy but also very symbolic.
-When they showed the pictures of Rose doing everything her and Jack talked about and dying warm in her bed as he said she would was a wonderful way to end it in my opinion. I don't know why but it just seemed like the perfect way to end it.
-Also how Jack was waiting in the same spot he did earlier in the movie was just too cute.

Titanic did have things in it that were cheesy, like the kissing scene at the front of the boat, the drawing scene and the "I'm king of the world" scene. But these scenes's helped keep the audience drawn in regardless of their cheese factor. Also running around the ship and opening the locked gate at the last minute before they would have drowned was also cheesy. But it is a movie and you have to have suspense, and even though these things wee unlikely they were still probable and made the movie entertaining.

One of the major flaws people say this movie had was the acting. I however thought it had amazing acting and I saw nothing wrong with it. Acting is something that is hard to pin-point in terms of being good or bad. I find it an easy way to attack any film. If you say the acting is bad, you cannot really "prove" to that person it was good. Acting is something that just goes to personal opinion and you cannot really change someone's mind on it. I personally give an A+ for acting and even the script. But one thing to consider is that many shots could only be done a few times or even once because of what they had to do to the sets, making it sometimes hard to get the perfect take.

James Cameron told you some of the ending at the very start of the flim. He showed the Titanic under-water and that Rose survived. This should have made the movie boring, but it didn't. I was still glued to the screen. This really helps prove it was a good movie.二Many cite this as proof positive that modern blockbusters sacrifice everything in favour of computer-generated magic and, while the central romance isn't without its charm, it's still the weakest element of the film.

Thus, first-class rich kid Rose DeWitt Bukaer (Winslet) and steerage urchin and struggling artist Jack Dawson (DiCaprio) fall helplessly in love, inlge in some back seat cherry popping and decide on the basis of their two-day relationship that they can't live without each other - until a big iceberg gets in the way of their new-found happiness.

Cameron is no stranger to spectacle, and the amazing boat-sinking effects paper over the cracks in the story so well that even the most cynical viewer is drawn in.