A. 如何評價姜文電影中的男人
姜文不喜歡拍現代的東西,他喜歡拍亂世,抗戰、文革、北洋,只有在極端的歷史環境下,才更能表現人物的命運的激盪,想像力不受制約
主觀現實主義:這是姜文電影一直秉承的一個理念,其實這個定義很好理解,首先姜文的電影是很主觀的,他會去捕捉自己迷戀的事物,喜歡提純,不喜歡臟亂差,他會根據腦海的想像改變客觀事物,比如仙人掌上要長橘子,把動物的皮毛染成他認為該有的顏色,甚至不惜工本把整個大地的泥土都給著上了橙紅,《讓子彈飛》里姜文把月亮弄的離譜的大,前景的萬民傘一把把倒掉,很給力。
他比國內任何一個導演都熱衷於去拍特寫,就這一點讓姜文更加國際化,因為這樣能更精準直觀的傳達人物的情緒。
B. 為何姜文才導演過5部電影,卻能有那麼高的評價
因為電影是好電影,雖然不多,但是質量高。比如陳思誠的電影,北京愛情故事和唐人街探案系列都很好看,拍的很好。
C. 如何評價內地導演姜文
姜文
中國大陸演員、導演、編劇。1984年畢業於中央戲劇學院,24歲即憑借在《芙蓉鎮》中的表演獲得了1987年大眾電影百花獎最佳男演員,之後的一系列作品也都產生了較大的反響,包括獲得1988年柏林國際電影節金熊獎的《紅高粱》、獲得1993年中國電視金鷹獎的《北京人在紐約》等。作為導演的姜文亦獲得較多肯定,自編自導的處女作《陽光燦爛的日子》被《時代周刊》評為「九五年度全世界十大最佳電影」之首;抗戰題材影片《鬼子來了》在2000年第53屆戛納國際電影節上榮獲了評審團大獎;2010年末上映的賀歲電影《讓子彈飛》刷新了國產電影的多項票房紀錄,並斬獲國內大小獎項二十餘個。姜文導演的性格與氣質影響到了影片的特徵與風格,這種特質逐漸成為了他電影作品的符號,進而被業內及觀眾所認可。
生活逸聞
起名:姜文在出生時,由於父親不在身邊,母親此前又沒給起名,於是接生醫生就給他起了「姜小軍」這個名字。直到姜文10歲時,姜文的姥爺想讓淘氣的小軍文一點,才把名字改為姜文。[28]
顯老:姜文15歲那年有一天經過一個美術館,遠處一個「解放軍叔叔」朝他跑來,他正納悶的時候,對方居然問他:「叔叔,請問現在幾點了?」
入學考試:1979年,中學畢業後的姜文報考了北京電影學院,但沒被錄取,寄來的公函里勉勵他「安心工作,安心學習」。1980年報考中央戲劇學院時,形體老師和聲樂老師都覺得他在這兩個方面差強人意,兩位老師就問當時負責表演考試的老師張仁里:「如果您覺得可以,我們就打及格,讓姜文通過。」張老師認准姜文是個好苗子,就說:「留下吧!」[30] 姜文考試的時候朗誦了一段契訶夫的《變色龍》,張老師在這段朗誦里聽出了幽默。張老師認為對演員來說,其他的缺憾可以彌補,但是幽默只能靠發現。
官司:1997年,沈陽太空集團有限公司以「擅自更改文案內容致使完成的太空酒廣告片不能使用」為由,將姜文告上法庭。太空集團要求姜文退還部分酬金150萬元,並承擔利息損失。1999年,北京市朝陽區人民法院作出一審判決,駁回了沈陽太空集團有限公司的訴訟請求,原告沈陽太空集團不服,向北京市第二中級人民法院提出上訴。2000年6月2日,北京市第二中級人民法院作出終審判決:駁回上訴,維持原判。
D. 怎麼評論姜文的電影
他傳播的東西觀念不一定對,但是只要引起關注討論,有些東西就會越辯越明。這才是我們大眾最缺的東西。而不是一些看似感人的故事,以及票房奇跡。
E. 如何看待姜文的電影
我對姜文的電影有兩種感覺,演員和導演。從演員姜文的角度去看他出演的電影,我是真的喜歡他,他是一個很有實力的演員,對於每一個角色都有不一樣的詮釋,並且他出演的很多角色,也得到了大眾的認可,而且無論是喜劇,還是其他劇情,他都能很好的駕馭,確實是一個好演員。可是如果是看他導演的電影,恕我直言,我是真心看不懂,也真心看不下去,周邊很多人都是他的電影很不錯,我反正是一點都不心動的。無論是他所謂的黑色幽默,還是很深刻的隱喻,我都理解不了。
F. 觀眾說看不懂影評人卻喜歡, 姜文電影為何評價兩極分化
姜文的電影一直以來都是備受爭議的,因為他的電影看得懂的人就會覺得非常的精妙絕倫,但是看不懂的人就覺得平平無奇。他的電影如此兩極分化,主要就是因為它運用了大量的隱喻和象徵在他的電影中,而且他的電影初看其實是比較普通的。不過,姜文的電影其實和真正的商業電影是有很大的區別的。而由於現在的觀眾很多都是看著商業電影長大的,所以姜文的電影。就會感覺是有點無聊,可能沒有那麼嘩眾取寵。不過,姜文的電影確實別有自己的一番含義,我們要從深度去挖掘,而不是只是單純的看錶面。只有這樣子看姜文電影,我們才能真正領悟到他想要表達的思想。
G. 外國人最喜歡的中國電影竟是這五部,你都看過嗎
第一名:霸王別姬
作為華語影壇藝術成就最高的影片之一,《霸王別姬》集文藝性和觀賞性與一身,
在保留導演創作理念的同時,也很好的兼顧了觀眾的審美情趣,是一部近乎完美的經典電影!
這也是陳凱歌的巔峰之作,也是張國榮的神作,往事不要再提,人生已多風雨,這真的不是電影,而是人生!
你認為中國的優秀電影還有哪些呢?
H. 急急急急急!求姜文所導演的四部電影的英文影評
《The day with bright sunshine》
"The day with bright sunshine", adapted from wang's novel animal ferocity ", in 1994 the most popular Chinese focus on a domestic movies, jiang wen's first director, was only 16 years old in summer rain with the film in a corner MaXiaoJun won the Venice of the movie king title.
In the shadow of the aura, as a fan, I find it hard to not expect it proces. The resulting consequence is that after watching it I feel some lost. I didn't get imagined the pleasant sensation, or resonance, or moved. And still stay in memory religon, is it always dim tonal, is it diffuse ring the smell of hormone, is MaXiaoJun or sorrow or restless mood.
Forget is which people once said: "I see" the day with bright sunshine "not touched, because it is jiang wen's youth, not me."
This is probably the first time I have finished could not say it's the feeling well cause of right, memory I didn't so crazy, youth float in the sky of time always seems to be with quiet shadow, restless heart also cover up among them. But look at them in the together madness of the pillow fight, look them riding a bicycle in the streets and lanes dog pat, looking MaXiaoJun to prove yourself from tall chimney jumped down a full face of MeiHei also hey hey laugh, looked at him crazy in love with milan because she and crazy.I feel the body is a lack of character. Just because I don't have these memories and experiences, I body that was supposed to be youth release passion restless the factor were buried in most deep place, that his thought they don't exist. Wait until the similar movie will they aroused from a deep sleep. Then, the desire to explore desire and not experience regret will as the first not familiar with slowly comes dispersedly, and in memory left another a scenery line, a pair of be blotted out become the golden picture scroll, a refreshing music.
Yearning things will usually be subjective beautification, jiang and tried to restore memories also have the same place, and at this point, I found the fit with the film.
《The devil came》
Finally saw jiangwen banned public show of the devil come ", many people will be the film's ban for the film release commentary in the communist party keep anti-japanese, first and last, did not appear a party member image, thus caused dissatisfaction. But look at the film didn't know never because of this reason.
China's farmers is simple and take things as they are, they are many forces oppressed for two thousand years, the disposition is gentle wise and good. Can imagine, when the little devil did not slaughter the burnt, common people although understanding have unwilling, but it's still not rise to MingXiang stroke (and not to say that people will not patriotic, but in such a self-sufficient, closed and uncivilized period, "patriotic" or a false idea).
Tragedy is good things to see broken. This film is the result of the whole village GuaJia table in the fire of the devil disappeared in the butcher's knife, and Chinese Anti-Japanese War generals and let FuPi Japanese prisoners of war by all three son to have captured the little devil. This is how the Chinese people sad. Why such a vast land and large population of ethnic is an island country trample on the whole eight years, this film gave us some enlightenment. Most of the time, not someone else's ferity and powerful, but our own ignorance and self-mutilation.
《The sun also rises》
In fact the story of the film with the sun didn't matter. So, the sun is but finally, is also the biggest metaphor. Compared to use sex oppression to suggest depressive s, the sun at the end of the dot eyeball. The sun is but utopia .Oscar in narrative as a magic realism color story, but finally put the story placed in "the sun" below. This is the largest jiang ambitions, he still didn't give up his most eager to express the theme. Si kong-tu said, without a word, all will be merry. He can put the whole movie no one place pen and ink to critical sensitive content, but in the end a cyclotron, the whole story is in the expression of his critique.
Think of guangdong of "south window magazine title page once quoted a words: the sun every day is new. Yes, depressive s past, sun also born on, the sun rises as jiang wen's appearance. But once the sun has gone to annihilation, once the pure love, once the ideal and passion, had to be the youthful years, along with the new rising sun and the complete annihilation.
This is jiang, in a critical words are not (so film can one knife not to cut out), he still expressed his image.
《Let the bullets fly》
Finish see let bullets fly, the feeling is very is for force, feel from the beginning to the end, the thought with the blood boiling, happy, enjoyable, to end also have helpless and at sea, a good movie has the element, theme, purposive, plot, connotation... The film had. (though from the devil came to the film, more or less there is always a little akira kurosawa "seven samurai" traces)... This and von guide of hide everywhere, in government and people between two opposite side, both sides who also did not dare to offend, part sing people's army; Side and for public perfunctory of torsion under several different itch, jiangwen or the fluid, skin of that kind of hemorrhagic and man smell have not changed a bit, but this time we become more mature and strategic.As a pock-marked deal with yellow four lang, against the special talent and strategy, more against the man unique hemorrhagic and the pursuit of justice, freedom and personality and indomitable spirit. In the face of jiang in that administration of radio, film and television bastard; In the face of this movie circle, and finally achieved a victory over...
If our ideal in front of reality by the setback, can't we like jiangwen so, ten years rub a sword, but finally it grinding high degree of professional proficiency, a drawn and surprised the world. The world origin have no road, with legs, there is also a way. The whole country is not there can be no ideal, only is that you are willing to use how long, how many perseverance and how many to be difficult to complete and achieve your ideal...
Jiangwen, let us see the ideal and hope. And this kind of hope, not only should only existed in the film...
I. 如何看待姜文所導演的電影以及他在電影中所扮演的角色
姜文是一個非常優秀的演員,也是一名政治性很強的導演。姜文至今執導的四部電影,全都是把政治題材隱藏在個人故事中的電影,討論的政治議題也都是中國社會中爭論得最撕裂的那一類。所以,理解姜文這樣的導演和他的電影,必須引入政治的視角。沒有基本的政治認識,則很難看懂姜文在電影中寄寓的各種隱喻。