如何實現電影夢

⑴ 西安影視動畫軟體培訓學校能不能幫我實現電影夢 給分求答案

cgwang應該是你指的這種，西安影視動畫培訓的好壞，看一個學校學生的作品就知道實力了，當然老師的作品也是很重要的衡量標准。CGWANG牛叉就在教學質量和透明度上，他們每期學生作品都會放出來（特別牛，好萊塢大片一樣），老師每期的上課視頻也會放出來，可以讓你感受製作電影水平的實力。這樣的學校才是實力派的表現。

⑵ 愛電影會幫助我實現我的電影夢嗎

試試做編劇，或化妝，我也超喜歡電影，我的夢想就是開一家影院。

⑶ 沒有任何背景的王寶強是如何實現電影夢的

王寶強在很多人眼中的印象就是草根逆襲，其實王寶強能夠成功，完全是憑借著努力，當然也有著一定的機遇。小時候的王寶強在第1次看到李連傑在銀幕上的形象，就立志想要做一個舞蹈明星，所以王寶強懇求父親將自己送到少林寺成為俗家弟子學習武功，因此這都是王寶強在為夢想所努力的一個縮影。

雖然在婚姻愛情裡面王寶強不那麼盡如人意，但是在事業當中王寶強卻一直都在步步攀登風生水起。因此從這一點我們要清楚，上帝為你關上一扇門，也一定會為你打開一扇窗，當我們經歷人生低谷的時候，也應該往好的一面去看去想。

⑷ 求如何實現你的夢想——著名導演,電影製片人傑里·朱克英語原文演講稿，你的回答講給我很大的幫助，拜求！

Thank you Chancellor Wiley, distinguished platform party, friends, guests and the
very reason for our presence here today — the members of the class of 2003.

Before I start my remarks, I'd like everyone just to do something for me. Very simply
— so everyone can kind of just get to know everyone else — on the count of three, I'd
like everyone to turn around and shake the hand of the person sitting right behind you.
One, two, three — right now, everybody, please do that.

So, I guess you still have a few things to learn.

My parents cried when I left for California. Not because I was leaving, (but) rather, I
think, because they were afraid I'd be coming back. Not one teacher I ever had in
grade school, high school or college would've believed that there was even the
slightest chance that one day I would be asked to give the commencement address at a
major university.

Many, given the opportunity, would've bet large sums of money against it, putting up
their homes and children as collateral. Actually, I really like the idea of that, not
because I'm vindictive — although in a few minutes I'm going to read the names of all
the people in my life who never thought I would amount to anything — but because
life should be unpredictable. And I'm very grateful that I never wasted any time trying
to become somebody else's image of what I should be.

So, thirty-one years ago today, I drove from Madison, Wisconsin, to Los Angeles,
California. On the way, I passed Camp Randall, where my
college graation
ceremony was in progress. I thought about going to the ceremony, but it meant I
would've arrived in Hollywood one day later, and at the time I just didn't see the point.
I wanted to get there.

Gertrude Stein once said about Hollywood, "When you get there, there is no 'there'
there." That's true. However, there will be a swimming pool and tennis court. In the

2
/
5

end, though, it's probably not enough to justify a life's journey. Getting there,
particularly in show business, is tough enough.
You need a combination of talent,
ambition, luck and a willingness to tell actors how beautiful they look today.

In retrospect, getting there was the easy part. Finding a "there" there is much harder.
So today, before you get into your cars and race off to the rest of your lives, I want to
give you some advice on how to get there. And I want to help make sure that when
you get there, you find a "there" there.

To that end, I will give you my five rules to think about, quickly forget, but years
from now kick yourself for not having listened to.

#1:
Don't think about your future, especially right now. You'll miss my speech. There
will be plenty of time to contemplate your future right after the ceremony, but then
you'll miss all the celebrating and alation. So just wait until you get home and have
a good think about something that will happen in the future that will make you happy.

When I graated from college, I spent a lot of time thinking about how cool it would
be to be on the Johnny Carson show. A few years later, it happened. We appeared on
the "Tonight" show, Joey Bishop was the guest host. We were dreadful. For years I ran
into people who would stop me and say, "Hey, I saw you on the "Tonight" show. Huh...
What's Joey Bishop like?" Eventually I got over the embarrassment, but I never got
those years back — years I spent waiting for some future event to make me happy. I
had tricked myself into thinking, "As soon as I get there, I'll be OK."

I work in a business where almost everyone is waiting
for the next big thing.
Sometimes it comes, and sometimes it doesn't. But it doesn't matter that your dream
came true if you spent your whole life sleeping.
So get out there and go for it, but
don't be caught waiting. It's great to plan for your future. Just don't live there, because
really nothing ever happens in the future. Whatever happens happens now, so live
your life where the action is — now. And one more thing: If you're going to be on
television, don't call your friends and tell them to watch until after you've seen it.

#2:
Don't do anything that 30 years from now you'll look back at and say, "Oh, my
God, why the hell did I do that?!" I wish I had a nickel for every time I heard
someone start a sentence with, "If only, when I was younger, I would have...." So I did
a little informal survey for you, and I found out that, amazingly, all these people had
the same regret. When they graated from college, sadly, they bought furniture.

This probably needs a little explanation. Right at this moment in your life, you are in a
unique position that you may never ever be in again. You have nothing to lose.
Everything you have acquired of value is locked inside you. If you have a dream, now
is the time to pursue it, before you buy furniture.

3
/
5

I was one of the lucky ones. I graated from the University of Wisconsin with no
employable skills, unless you count jury ty. It meant I had to start from scratch and
figure out where I fit in. I didn't have money, but I could afford to fail, and there were
many failures. But I found out what I was good at. I found something I loved. And
now I have furniture — lots of furniture.

#3:
Mrs. Zubatsky's law. One day when I was a kid, our house caught on fire in
Milwaukee. A large section of the wood shingle roof was burning as the fire trucks
pulled up. The firemen ran into the back yard with a large hose and began assembling
their metal ladders and positioning them against the house.

Mrs. Zubatsky was our next door neighbor and, at the time, she was standing on her
upstairs porch taking in the laundry. She watched anxiously as the firemen struggled
with their ladders. Suddenly she leaned over the balcony and shouted down to the
professional firefighters, "Forget the ladders! Just point the hose at the fire!" The
firemen, to their credit, responded immediately. They dropped their ladders, pointed
the hose at the fire and extinguished the blaze in about 40 seconds.

There are two morals to this story. One, never assume that just because it's someone's
job, they know how to do it. And two, don't let yourself be intimidated by
professionals or their uniforms.

Growing up in Wisconsin, I never knew anyone in the movie business. I never even
knew anyone who knew anyone in the movie business. That world had a mystique
that made it seem unattainable to me. But, like Mrs. Zubatsky, I sat on my porch and I
watched someone else do it, and I said, "I have a better idea." And like her, I seized
the moment.

If you have a better idea, if your plan makes more sense, if you have a vision, then put
down your laundry and scream a little bit. Throw your hat into the ring and never let
the
professionals or their uniforms prevent you from telling anyone where to point
their hose.

#4:

If you're going to fail, fail big. If you don't, you're
never going to make a
difference. Creativity is allowing yourself to make mistakes. Art is knowing which
ones to keep. Ask yourself one question: If I didn't have to do it perfectly, what would
I try? For many of you, the biggest obstacle to getting there will be the fear that you
have carried with your since childhood — the fear of humiliation, of embarrassment,
of ridicule. That is SO stupid! Oh ... sorry. But really, you have to stop caring about
that, which brings me to Travolta's law.

My brother David and Jim Abrahams and I were having pie at Rumpelmeyer's Coffee
Shop in New York on the day after our third movie, "Top Secret," opened. The
reviews were terrible and it was bombing at the box office. We were really getting

4
/
5

into some serious moping and self-flagellation when John Travolta walked in. We
knew him from the Paramount lot and he could see right away that we were in a funk.
We immediately poured out our heart to him, explaining the pain of our humiliating
misfortune.

I'm not sure what we were expecting, but John just smiled and said, "Guys, the thing
you have to remember is (that) nobody else is paying as much attention to your
failures as you are. You're the only ones who are obsessed with the importance of
your own life. To everyone else, it's just a blip on the radar screen, so just move on.
By the way, are you going to finish that pie?"

I found that advice very liberating — that the only one who my big failure was truly
big for was me. So I thanked him and told him how beautiful he looked today, and
now when I fail big, I just go out and have a piece of apple pie and I move on. And I
always save a little piece for John Travolta. Amazingly, more often than not he shows
up to eat it.

The next time you go into a restaurant, please don't look at the waitress and say, "Can
I get some ketchup?" You're supposed to say, "May I please have some ketchup?"
Sorry — that doesn't count. Just a personal pet peeve of mine.

#5:
Don't overuse the word "love." Everyone overuses the word "love." "I love your
shoes." "I just love the new Justin Guarini CD." "I really love those little things they
put on the chicken sandwiches at Subway." In Hollywood, they say "Love ya, babe!"
So, OK, I get it. It's just the way people talk and it's probably harmless, but you
shouldn't forget the real thing. The real thing is great. It's just not so easy with actual
human beings, but if you work at it and you get it right, it will make you happier than
anything else you do in your life.

Think of the world as a big glass of water with some salt in it. You have a choice. You
can try to pick out all the salt or you can keep pouring in more water so eventually it
gets less bitter. As you begin your new journey, you can try to remove everything that
you find distasteful in the world, or you can just pour in more love. It's the only thing
that the more you give away, the more you have.

⑸ 怎樣實現演員夢

想當演員不太難，主要得有耐心，並不是說想當就可以當的。開始的時候可能沒戲接，只要肯努力，後來就會好了。

報考演員的還是比較多的，給你點建議：想當演員可以報考北京電影學院，中央戲劇學院，上海戲劇學院之類的演藝學院。這些學院文化分要求不高，但面試有一定難度，錄取機會不大，並且出來不一定是演員，在學校會機會參加電視演出，出不出名就不一定了，得靠自己努力。（例如：趙薇，章子怡，陳坤，劉燁，黃曉明，李冰冰等等很多明星都是電影學院出來的。）
另外還可以通過參加選秀節目，來獲得演藝機會。（例如：張嘉倪，貢米，白冰等等）

當演員主要是會演戲（最重要），膽子大（敢面對高危動作），放得開（戲路會比較寬）。其次長得好看（或有特色）和多才多藝也會使事業更順暢。

至於努力方向看個性而定，要有很高的心理素質，善於溝通。

打了這么多，不知道對你來說有沒有用。

⑹ 影視動畫軟體培訓學校能不能幫我實現電影夢 不給力不加分

你的電影夢是什麼？如果是特效，影視後期之類，報個培訓班，學得好的話，可以實現。如果你想做導演之類的，還是去正規院校學習吧。

⑺ 我的電影夢要怎麼實現

去橫店當群眾演員得先加入演員工會，登記了之後劇組有什麼需要的就會來演員工會求人，如果你有表演的技能和天賦，有一部戲里表演的好，其他劇組自然再來找你，當然要想成功肯定會吃很多的苦，要遠明星夢也不可能是一天兩天的事情。要有心理准備的，祝你成功哈！

⑻ 有一種說法認為,電影是"夢的藝術",請以自己看過的影片為例,說明夢境在電影中的藝術表現和功能.

電影美工：銀幕造型中的夢境

夢境永遠是有限的、主觀的、臆想的，而銀幕上的影象，盡管某些外國電影理論家喜歡把運動和時間在銀幕上的反映與夢境進行類比。這種相似是極其也是幻覺的，同時也是客觀的，正像一切美學現象一樣。在放映時我所看到的，其他觀眾也都能看到。銀幕幻象與現實生活中人的夢境的差異。其中最明顯的分別是：銀幕上的影象，雖是幻覺的，但又是客觀的，有目共睹的；而生活里的夢境只是個人主觀的幻覺。

夢境與銀幕幻象的同異應該說是容易鑒別的。但是，在銀幕上，有時也要表現某一人物的夢境。這樣的夢境卻是要觀眾都要看見的，因而有其客觀性。那麼，銀幕上的現實與銀幕上的夢境，應該如何區分呢？在電影創作中，夢也是常常出現的。在銀幕造型上准確而藝術地表現夢境，也就常常誘惑著和難為著創作者們。銀幕上的夢境應該不同於銀幕上的現實，夢境的造型應該與現實的造型有一段距離，才能使觀眾相信那就是夢。早期的電影在表現夢境時，通常是在鏡頭周圍塗上凡士林之類的物質，使畫而四周顯得模模糊糊，就算是夢境了。這種說明式的造型技巧，在今夭看來，當然是極其幼稚的。今天，人們早已淘汰了這種表現方法，而轉向從人們的心理感覺方式上來尋求相適應的造型語言。從人類的生理活動來看，夢是人的大腦皮質處於彌漫性抑制的結果。夢境是時斷時續的，似乎合於邏輯，又似乎不合於情理，因此，給夢者遺留下的印象是在虛實隱現之間。這就給創作者們以極大啟示。然而這種運用人們心理與生理活動的經驗，並將其轉化為銀幕造型的方法，卻常常被美術師和創作人員們忽視。有些影片，將夢境的表現搞得太實，似乎不過是一種場景的轉換。這樣，也就失去了在銀幕上表現夢幻美，表現虛無美，表現朦朧美的審美價值。一些影片的夢，太合乎生活邏輯，有頭有尾，過份有章法，景物造型也非常實在，結果事倍功半。要知道，夢境既有別於生活實際，人在現實中不會飛，夢里卻能翱翔千里。因此，銀幕上的夢境，人也可以長上一雙翅膀。人不能在瞬間變大變小，夢里可以七十二變。假如作品中描寫的夢境與生活實際一模一樣，那還要什麼夢境呢？在電影創作中，若要表現夢境，就應該在造型上尋找能夠表示若真若假、若隱若現、似斷似續、撲朔迷離的表現元素，使得銀幕上的夢境就變得夢味十足。

在文藝作品中，還有什麼樣的環境比夢境更加離奇，更加「想入非非」、盡情展開幻想的彩翼？夢境因造型上充滿了幻想和誇張的色彩，才更迷人，更富於感染力量。美國影片《愛德華大夫》里，有表現精神病患者的夢境。從劇作來說，他們運用了弗洛伊德的學說，表現的夢境是未能實現的願望的達成。在造型語言上，影片運用了現代主義繪畫的構成方式，因此銀幕造型顯得離奇、荒唐而富於神秘感，這樣的銀幕造型是非常容易與銀幕上現實事件的造型分別開來的。在銀幕上藉助造型來展示夢境向美術創作提出了各種難題。美術師就應該找到既能使觀眾理解，又能與現實環境造型區別開來的銀幕造型語言，這就需要藝術才能和獨具匠心。

因此，總體氛圍的成功設置與體現，是影片創作中一項艱難但十分重要的任務。只有對影片有了全面與深刻的了解；對未來影片的風格、基調等有了綜合認識，電影美術師才不會只把目光盯在一場一場的布景上，而是從全局出發，以總構思與基調、氛圍的總設計，來指導每一環境的選擇和每一堂布景的設計與體現,更好的把握夢境與銀幕造型的關系。

⑼ 你們做過哪些可以拍成電影的夢

「小外甥抓了一把小橘子，伸手要給我一個。我媽還說懂事了，給舅舅橘子呢。誰知道他給了我一片綠葉子，我跟我媽對視一笑。然後小外甥發現好像給錯了，拿橘子把葉子換回去了。」可以拍成電影哈哈。

⑽ 尋求有關夢的電影！！！或者其中夢的運用解析！

恐怖游輪。（女主角看到n個自己…）
禁閉島（男主角到底是不是精神病？）
萬能鑰匙（誰都不能相信啊、結局很奇特）
致命ID(人格分裂的大哥，2012的男主角演的）
身後事 （又一部讓人瘋掉的劇情，到底女主角死還是沒死？擦亮你的眼睛。）

老男孩（到底為什麼被關那麼久？為了尋找真相，主角真是用盡了渾身解數，最後……）
記憶碎片 （電影故事其實不太復雜，但很難看懂，這是由於它採用兩條平行故事線，一條倒敘，以彩色呈現，另一條順敘，以黑白呈現，兩條線每隔幾分鍾穿插一次，直至片尾天衣無縫地與片頭銜接在一起）

香草天空

猛鬼街3：夢之戰 恐怖片中的經典