sadromance是什麼電影

Ⅰ 有誰能告訴我跟《DJ之星木星版》一樣格式的MP4轉換器謝謝了！

Total Video Converter 我用的是這個轉換的，我手機和MP4的電影都是用這個的，這個比較好，可以轉換任何你想要的格式。
你在天空和太平洋等著名網站都可以下載到。需要的話，我可以把下載地址發給你

Ⅱ 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

Ⅲ 悲傷的音樂有哪些

1、《十年》

這首歌是由林夕作詞，陳小霞作曲，改變子陳奕迅粵語歌曲《明年今日》，這首歌可以說是陳奕迅的經典情歌之一，它代表著心緒的零亂和無止境的苦澀，有著很高的傳唱度，也是KTV點唱次數最多的歌曲之一。

2、《悲傷的浪漫》

「SadRomance」是一首由鋼琴伴奏的小提琴獨奏，優美中帶著悲傷。它出自韓國電視劇《青青草原》，由越南作曲家ThaoNguyenXanh作曲。恣意的曲調，給人一種靈魂到處飄盪的憂傷，彷彿是在無人的深夜，一個人沉浸在黑暗中，跟隨著心的呼喚尋找著希望。

3、《你怎麼捨得我難過》

《你怎麼捨得我難過》是由黃品源作詞、編曲及演唱的一首歌曲，收錄於黃品源1990年4月14日發行的專輯《男配角心聲》中。2001年上映的電影《藍宇》選用該曲作為片尾曲。2017年，該曲獲全球中文音樂榜上榜周冠軍。

4、遙遠的她

《遙遠的她》是由谷村新司譜曲，潘源良填詞，盧東尼編曲，張學友演唱的歌曲。原歌詞表達的是作者獨自徘徊在一個不知名的火車站的站台，看著紛飛的大雪，由鐵路左右邊引發的思考，與愛情無關，而粵語版則由香港填詞人潘源良填詞後，演繹出了別樣的味道，賦予了歌曲一個傷感的愛情故事，也給予了歌曲新的靈魂。

5、白色戀人

《白色戀人》是游鴻明演唱的一首歌曲，述說了一段凄美的早戀悲劇。歌曲由林利南作詞，游鴻明作曲，於2006年發行，收錄在專輯《詩人的眼淚》當中。

游鴻明最初進入歌壇，是純粹做幕後工作。但他很喜歡唱歌，身邊有一些朋友，也經常鼓動他出唱片，在那種情況下，游鴻明開始考慮出唱片，並於2006年推出的專輯《詩人的眼淚》。

Ⅳ 麻煩大家告訴下陳百祥的所有電影

大四喜 The Lukiest Man (2008)
Da Si Xi

七擒七縱七色狼 Beauty and The 7 Beasts (2007)

雀聖3：自摸三百番 Kung Fu Mahjong 3: The Final Duel (2007) .....Grand Slam Ben
Jeuk sing 3 gi ji mor saam bak faan

窈窕熟女 Women On The Run (2005) .....畢奇理

功夫足球 Kung Fu Soccer (2004) .....Sport Commentator

精裝追女仔2004 Love Is a Many Stupid Thing (2004) .....Inspector Lek
Cheng chong chui lui chai 2004

大丈夫 Men Suddenly in Black (2003) .....楊能
大丈夫之暗戰男女
Daai cheung foo
Da zhang fu

賭俠大戰拉斯維加斯 The Conmen in Vegas (1999) .....阿叻
賭城擒凶
Du xia da zhan La si Wei jia si
The Con Man in Las Vegas

電影鴨 Dian ying ya (1999) .....徐屈
Gigolo of Chinese Hollywood

超級整蠱霸王 Tricky King (1998) .....'Tricky King'
Chao ji zheng gu ba wang
Chiu kap ching goo ba wong

超級無敵追女仔II之狗仔雄心 Love cruise (1997)
超級無敵追女仔2之狗仔雄心
Chao ji wu di zhui nu zai er gou zai xiong xin
Super Invincible Pursues the Girl 2: Dogs Young Great Ambition

精裝難兄難弟 Jing zhuang nan xiong nan di (1997) .....Ngau Tat-Wah
精裝難兄難弟豪情蓋天
Those Were the Days

超級無敵追女仔 Chiao ji wu di zhui nu zi (1997)
L-O-V-E... Love
Love

運財五福星 Wan choi ng fuk sing (1996) .....King of Swindlers
How to Meet the Lucky Stars
Yun cai wu fu xing

運財智叻星 Yun cai li xing (1996) .....Chiu Tak Nak/Windfall God
運財至叻星
Jingle Jingle Little Star
Twinkle Twinkle Little Star

賭聖2：街頭賭聖 Du sheng 2 jie tou sheng (1995) .....Annnouncer
The Saint of Gamblers

無面俾 Mou mian bi (1995) .....Deranged Cop
冇面俾
Don't Give a Damn

一千零一夜之夢中人 Yi qian ling yi ye meng zhong ren (1995) .....Ah Man
1001 Nights
Dream Lovers

戀愛的天空 Lian ai de tian kong (1994) .....Liza's Ex
Modern Romance

黃飛鴻之鐵雞斗蜈蚣 Wong Fei-hung chi tit gai dau neung gung (1993) .....Mass Tar Wong 'Mr Pimp'
Iron Rooster Vs. the Centipede
Last Hero in China

逃學威龍Ⅲ之龍過雞年 Tao xue wei long long guo ji nian (1993) .....Man's Cousin
第七感抓財神
Fight Back to School III
long guo ji nian

廣東五虎之鐵拳無敵孫中山 Guang Dong wu hu tie quan wu di Sun Zhong Shan (1993)
The Tigers: The Legend of Canton

超級學校霸王 Chao ji xue xiao ba wang (1993) .....Announcer
Future Cops
Street Fighter

至尊三十六計之偷天換日 Zhi zun zhou liu ji tou tian huan ri (1993) .....Chan Chung-Ming
至尊36計之偷天換日
The Perfect Exchange
The Sting 2

唐伯虎點秋香 Flirting Scholar (1993) .....Chuck Chi-Shan
Tang Bohu dian Qiuxiang
Tong bat fu kau chau heung

武狀元蘇乞兒 King of Beggars (1992) .....Minister of Justice
Miu chong yuen so hat ngai
Wu zhuang yuan: Su qi er

鹿鼎記 Lu ding ji (1992) .....Duran
Royal Tramp
Luk ding gei

漫畫威龍 Fist of Fury 1991 2 (1992) .....Ngou Pi
出奇制敵 / 摩登武聖 / 出奇制敵?
Man hua wei long
Fist of Fury 1991 II

鹿鼎記II神龍教 Lu ding ji II shen long jiao (1992) .....Duran
Royal Tramp II

豪門夜宴 Party of a Wealthy Family (1991) .....Man Feeding Dog
Haomen yeyan
The Banquet

新精武門1991 Xin jing wu men 1991 (1991) .....Cameo
Fist of Fury 1991
Fist of Fury II

五福星撞鬼 Wu fu xing chuang gui (1991) .....The Ghost
Ghost Punting
Ghost Renting

整蠱專家 Zheng gu zhuan jia (1991) .....Cameo appearance (as Danny Chan)
整人專家
The Ultimate Trickster
Tricky Brains

贏錢專家 Ying qian zhuan jia (1991)
Money Maker

起章節附註 Coup De Grace (1990)
搶閘孖孖星
By Hook and Crook
The Diamond Debacle

驚天十二小時 Jing tian shi er xiao shi (1990) .....Ferrai
12 Hours of Fear
12 Hours of Terror

嘩鬼住正隔籬 Hua gui zhu zheng ge li (1990) .....Dragon Chan
有鬼住在隔壁
My Neighbor's Phantoms
My Neighbors Are Phantoms

天師捉姦 Tian shi zhuo jian (1990) .....Chin Sau-Yan
Ghostly Vixen

至尊計狀元才 Zhi zun ji zhuang yuan cai (1990) .....Mao/Leslie
至尊計狀
No Risk, No Gain
Casino raiders - the sequel

摩登如來神掌 Ma deng ru lai shen zhang (1990) .....Chi
Fai & Chi: Kings of Kung Fu
Thunderbolt '91

靚足100分 Jing zu 100 fen (1990) .....Plastic Surgeon
結婚大事
Perfect Girls
Liang zu yi fen

猛鬼撞鬼 Meng gui zhuang gui (1989)
Bloody Ghost
Funny Ghost

捉鬼大師 Zhuo gui da shi (1989) .....Master Lum
Vampire Buster

小小小警察 Xiao xiao xiao jing cha (1989)
小警察
Little Cop
Xiao jing cha

返老還童 Fan lao hai tong (1989)
Second Childhood

最佳男朋友 Perfect Match (1989) .....Security Guard
Zui jie nan peng you

猛鬼舞廳 Meng gui wu ting (1989)
Ghost Ballroom

富貴兵團 Fu gui bing tuan (1989) .....Dragon
Code of Fortune
Fortune Code

福星闖江湖 Return of the Lucky Star (1989) .....Chan
Fu xing chuang jiang hu

鬼媾人 Gui gou ren (1989) .....區公子
精裝追女鬼
Ghost Fever
Gwai yau yan

神勇雙妹嘜 Doubles Cause Troubles (1989)
小迷糊大進擊
Shen yong shuang mei mai
Double Causes Trouble

最佳損友闖情關 The Crazy Companies II (1989) .....Tam Sad-Chiu
Zui jia sun you chuang qing guan

嘩鬼有限公司 Hua gui you xian gong si (1989) .....(as Danny Chan)
捉鬼有限公司
Ghost Busting
Zuo gui you xian gong si

精裝追女仔續集 The Romancing Star II (1988) .....Traffic Light
精裝追女仔之二 / 福星假期之2香港電視台有難
Jing zhuong zhui nu zi er

愛的逃兵 Love Soldier of Fortune (1988) .....散利痛
Ai de tao bing
Soldier of Love

黑心鬼 Hei xin gui (1988)
Three Wishes
Black Heart Ghost

大話神探 Fumbling Cops (1988) .....戴李察
Da hua shen tan

撞邪先生 Chuang xie xian sheng (1988) .....鹼濕黃
Mr. Possessed

最佳損友 The Crazy Companies (1988) .....Tam Sad-Chiu
Zui jia sun you

火舞風雲 Bet on Fire (1988) .....V7 Guy No. 3
Hou wu feng yun

精裝追女仔 The Romancing Star (1987) .....Traffic Light
Cheng chong chui lui chai
Jing zhuong zhui nu zi

天賜良緣 Heavenly Fate (1987) .....Ben
Tian ci liang yuan
Sister Cupid

金燕子 Golden Swallow (1987) .....Boatman
Gam yin ji
Jin yan zi

魔高一丈 Return of the Demon (1987) .....偵緝隊隊長
Mo gao yi zhang

爛賭英雄 Born to Gamble (1987) .....王老五
Lan ying xiong

用愛捉伊人 Kino Countdown (1987) .....Cheung
Yong ai zhuo yi ren
You Are My Destiny

魔翡翠 Magic Crystal, The (1986) .....Lau Ta
Mo fei cui
Jade Crystal

鬼馬飛人 Gui ma fei ren (1985)
The Flying Mr. B

智勇三寶 Mr. Boo Meets Pom Pom (1985)
Ji yung saam bo
Wisdom Courage Three Treasures

求愛反斗星 Da sao ba (1985) .....洪家寶
Crazy Romance

摩登仙履奇緣 Girl with the Diamond Slipper (1985) .....陳七
瞎貓吃母老虎
Mo deng xian lu qi yuan
Modern Cinderella

開心三響炮 Kai xin san xiang pao (1985) .....花利文
Funny Triple

奸人鬼 Gaan yan gwai (1984) .....校長
兒子紅娘
A Friend from Inner Space
Jian ren gui

我愛羅蘭度 Wo ai Luo Lan (1984) .....Lolanto
我愛Lolanto / 青蛙王子第二集
I Love Lolanto

南斗官三斗北少爺 Nan dou guan san dou bei shao ye (1984)

青蛙王子 The Frog Prince (1984) .....Lolanto
Ching wa wong ji
Prince Charming

好彩撞到你 Hao cai zhuang ni (1984)
Host for a Ghost

癲鳳狂龍 Three Stooges Go Undercover (1984)
Dian feng kuang long

花心大少 Hong Kong Playboys (1983) .....富家子
Hua xin da shao

摩登天師 Mo deng tian shi (1982) .....Rocky
To Hell with the Devil

獵魔者 Lie mo zhe (1982) .....白蘭氏
Mercenaries from Hong Kong

賊王之王 Winner Takes All (1982)
You Friend mie jing
Lepke

愛人女神 Oi yan nui san (1982) .....Lek
My Darling, My Goddess
Ai ren nu shen

賊王之王 Chaak wong ji wong (1982)

82家房客 Baat sap yee ga fong haak (1982) .....炳少
八十二家房客
Ba shi er gu fang ke
The 82 Tenants

Girl with a Suitcase (1979) .....Pong Gwong-yim
"Gwo fao sun leung"

孖生姊妹 Between the Twins (1978)
雙生姊妹
"Maa sang chi mui"

追趕跑跳碰 Zhui gan pao tiao peng (1978)
Making It

Ⅳ 【游龍戲鳳】有誰知道這電影里的插曲叫什麼。林子祥唱的。是首英文歌，知道的說下。

游龍戲鳳 01. I'm Lovin' You 02. Everybody Is A Star 03. Baby Baby 04. Chason Triste 05. I Should Have Told You 06. If You Want Me 07. Moonlight Kiss 08. Arms Wide Open 09. A Champagne Glass 10. Sad Story 11. Follow Your Love 12. Little Romance 13. A Couple Entwined 14. You Are my Only One 15. Hand In Hand 16. I'm Lovin' You (Reprise)

Ⅵ 求由劉德華、舒淇主演的電影《游龍戲鳳》中的所有英文插曲的歌名

游龍戲鳳 電影原聲大碟 (OST) 歌手名稱: 電影原聲 | 純音樂 電影原聲 音樂監制: 陳光榮 推出日期: 2009-01-23 製作來源地: 中國香港 光碟格式: 鐳射唱片 重量(連包裝): 100 (g) 運費單位: 1 出品商: 新力 (HK) YesAsia 產品編號: 1014061723 內容簡介／曲目 由劉偉強執導, 劉德華、舒淇、何韻詩、張涵予主演賀歲電影 世上，每個人都在尋找一顆屬於自己的星星，讓它能照亮自己的生命，也照亮身邊所有人 游龍戲鳳 Look For A Star 1月23日農歷年假期首檔上映 現同時推出由陳光榮製作之電影原聲大碟 01. I'm Lovin' You 02. Everybody Is A Star 03. Baby Baby 04. Chason Triste 05. I Should Have Told You 06. If You Want Me 07. Moonlight Kiss 08. Arms Wide Open 09. A Champagne Glass 10. Sad Story 11. Follow Your Love 12. Little Romance 13. A Couple Entwined 14. You Are my Only One 15. Hand In Hand 16. I'm Lovin' You (Reprise)

Ⅶ 悲傷的音樂有哪些

1、《十年》

這首歌是由林夕作詞，陳小霞作曲，改變子陳奕迅粵語歌曲《明年今日》，這首歌可以說是陳奕迅的經典情歌之一，它代表著心緒的零亂和無止境的苦澀，有著很高的傳唱度，也是KTV點唱次數最多的歌曲之一。

2、《悲傷的浪漫》

「SadRomance」是一首由鋼琴伴奏的小提琴獨奏，優美中帶著悲傷。它出自韓國電視劇《青青草原》，由越南作曲家ThaoNguyenXanh作曲。恣意的曲調，給人一種靈魂到處飄盪的憂傷，彷彿是在無人的深夜，一個人沉浸在黑暗中，跟隨著心的呼喚尋找著希望。

3、《你怎麼捨得我難過》

《你怎麼捨得我難過》是由黃品源作詞、編曲及演唱的一首歌曲，收錄於黃品源1990年4月14日發行的專輯《男配角心聲》中。2001年上映的電影《藍宇》選用該曲作為片尾曲。2017年，該曲獲全球中文音樂榜上榜周冠軍。

4、《忽然之間》

這首歌也是一首非常好聽的歌曲，而且這首歌是有一個男低音來演唱的，演唱者是阿蝦，因為他的這首歌是非常有傳染力的，男低音唱出來的傷感歌曲，想想都讓人感覺到放鬆，但是這首歌卻是一首非常感傷的歌曲，雖然男生的聲音讓人很放鬆但是這首歌也是一首讓人感覺非常難受的一首歌。

5、《送別》

這首歌的詞和曲都境界太高，朴樹應該對這首歌也是頂禮膜拜的，所以唱的時候幾乎沒做任何改動，只是忠實表達。朴樹的氣質是孤獨清冷而又受傷的，他來唱這首歌，越發讓人感覺到摯友離去時的孤獨不舍與受傷來。歌與人太契合。朴樹是我認為最適合演繹這首歌的人。淚點低的人，聽一場哭一場，真的，太觸動人的內心深處了。

Ⅷ 急求《泰坦尼克號》電影的英語概括和英語影評，謝謝！！

一I've noticed recently how various critics and the general population treat Titanic horribly with the test of time. I find it shocking how a movie that was regarded as one of the best movies of all time has fallen ill to tons of criticisms. People seem to find it hip now days to bash Titanic and I fail to understand why. I personally find it to be the greatest movie I've seen, the Academy Awards seemed to think it was a pretty damn good movie, the critics when it first came out weren't too harsh and movie-goer's truly expressed how the general population felt about Titanic with the gigantic ticket sales.

Now, however, Titanic makes the "overblown movie" lists from several critics, enres extreme mockery and the ridicule of anyone who actually admits to liking it. This may have been e to people wanting to be different from the norm in 1997 and maybe this attitude never went away and too many people fell victim to it. Or maybe it was the cheesy scene's people like to imitate over and over which obviously must mean the entire movie is cheesy. However, I recently watched Titanic the other day and I'm going to say why I find it to my favorite movie of all time.

The ship Titanic itself expressed a mentally ring this time period in which humans felt they could overcome Mother Nature. With the sinking of this ship it made people truly eat the words "Titanic is an unsinkable ship."

With the character Rose, a first class passenger you are exposed to the arrogance high society had. Rose also opened your eyes to the luxuries high society had and how woman were truly trapped and were seen as second-class citizens. Rose almost committing suicide helps hit home how truly horrible it must have been for woman ring this time period. The dynamics between Rose and her mother also show the dynamics between how woman had to behave and in a sense how they survived in this society.

With the character Jack, a third class passenger you are exposed to how large the gab between the rich and poor was. How first class dogs went down to be walked on the lower decks, how it was the poor who actually built Titanic and how it was the poor who were treated truly unfair on Titanic just because of social status, which helped express the mentality of the time.

Having these two characters meet and expose the viewer and each other to these different lifestyles helped truly put into perspective the mentality of what this time period was like. Sure, it was in a way a clich' love story, two people from different world's falling in love. But regardless of it being typical it still exposed the different classes in a way that truly made you realize how it was for people back then. Also, many things are clich' for a reason, they most of the time work and have been shown to work time and time again.

Without this love story you would have just come away with the basics of this story, the Titanic sinking. But this love story created sympathy in which you felt for Jack and Rose. It made you truly feel how the people on the Titanic were feeling at that exact moment. Families, loved ones and friends were being torn apart. Without the emotion created from the love story you wouldn't have felt nearly as sad or seriously towards what had actually happened to these people.

As for it being morally wrong on the part of Rose. Well, she was trapped by her mother and society. The man (Cal) whom she was getting married to proved to be inconsiderate towards others, was very mean, rude and thoughtless (even before he knew of the situation between Rose and Jack). He deserved and was asking for everything he got. What Rose did was what many do in youth and sometimes you have to take what life gives you at that moment. That's exactly what she did and people shouldn't say her actions were immoral. They were done out of love at first sight and out of vengeance towards the arrogant class she was apart of.

Titanic was very authentic and very historically accurate. It did include a lot more then just the love story. It had information about the lifeboats, the binoculars, how exactly it sank, the famous people aboard the ship, and numerous other things. Even things such as the first-class band and their situation, what exactly was sung on the last time day light hit the Titanic at the morning church gathering, increasing more speed regardless of ice warnings and many more examples were all little details included in this movie which made it far more then just a "love story" if you actually paid attention.

The ending of this movie came as a shock to most people. Well, it had several things that were resolved.

-When Jack died. In most love stories they would have both survived and lived happily ever after, but this truly hit home the pain people felt after this shipwreck.
-When Rose actually had the necklace. This shocked me, although many realized it before the ending. I thought releasing it back to the water was cheesy but also very symbolic.
-When they showed the pictures of Rose doing everything her and Jack talked about and dying warm in her bed as he said she would was a wonderful way to end it in my opinion. I don't know why but it just seemed like the perfect way to end it.
-Also how Jack was waiting in the same spot he did earlier in the movie was just too cute.

Titanic did have things in it that were cheesy, like the kissing scene at the front of the boat, the drawing scene and the "I'm king of the world" scene. But these scenes's helped keep the audience drawn in regardless of their cheese factor. Also running around the ship and opening the locked gate at the last minute before they would have drowned was also cheesy. But it is a movie and you have to have suspense, and even though these things wee unlikely they were still probable and made the movie entertaining.

One of the major flaws people say this movie had was the acting. I however thought it had amazing acting and I saw nothing wrong with it. Acting is something that is hard to pin-point in terms of being good or bad. I find it an easy way to attack any film. If you say the acting is bad, you cannot really "prove" to that person it was good. Acting is something that just goes to personal opinion and you cannot really change someone's mind on it. I personally give an A+ for acting and even the script. But one thing to consider is that many shots could only be done a few times or even once because of what they had to do to the sets, making it sometimes hard to get the perfect take.

James Cameron told you some of the ending at the very start of the flim. He showed the Titanic under-water and that Rose survived. This should have made the movie boring, but it didn't. I was still glued to the screen. This really helps prove it was a good movie.二Many cite this as proof positive that modern blockbusters sacrifice everything in favour of computer-generated magic and, while the central romance isn't without its charm, it's still the weakest element of the film.

Thus, first-class rich kid Rose DeWitt Bukaer (Winslet) and steerage urchin and struggling artist Jack Dawson (DiCaprio) fall helplessly in love, inlge in some back seat cherry popping and decide on the basis of their two-day relationship that they can't live without each other - until a big iceberg gets in the way of their new-found happiness.

Cameron is no stranger to spectacle, and the amazing boat-sinking effects paper over the cracks in the story so well that even the most cynical viewer is drawn in.