Ⅰ 求一篇英语电影的英文影评，600字~800字，答好给20
《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."
But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.
Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.
Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.
What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.
There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.
This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.
Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.
The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.
Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.
Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.
Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.
Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.
Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
从剧情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；当然这部电影也不错你可以有空看看，打字打得累死了，嘿嘿；新年快乐啊
Ⅱ “英文电影”和“英文电视剧”用英语怎么说
你问的有些只不过是不同语法的表达，而其他的则是不同意思。以下是详细的译释:
English films 英国电影 / 英语电影 films in English 说英语的电影
TV plays 电视话剧 (不同类的电视剧统称)
TV series 电视剧集 (一套连续的电视剧)
TV episode 电视剧的回数 (即中文的第几回)
soap opera 肥皂剧 (也可作连续剧)
希望我的解释会令你明白。
Ⅲ 如何写英文电影的影评（用英语写）
I saw this movie and it took my breath away. The love story of 有短一点的，如何： 蜘蛛侠2》英语影评 So what
Ⅳ 英文电影中的单词,短语,以及影评 (请输入英文，带翻译)
Hi!I'm
a
psychologist.(来自
英语电影
:
成长的烦恼
)
你好!我是一位
心理医生
。
Ⅳ 英语电影影评五篇【影片影评都是英文】在100字左右不要太多【只要100字左右就行！！】，急求！！！
large,beautiful,surprise,clear,moved,andpeople are famous stars.there are chenglong,Jack.cheng.we love them.
Ⅵ 影评的英语怎么说
影评: [ yǐng píng ]
1. film review
其它相关解释:
<cinecism> <picture criticism> <picture review>
例句与用法:
1. 影评家对这部电影做了详细的分析。
The film has been minutely dissected by the critics.
2. 影评家把这部影片贬得一无是处。
The film was rubbished by the critics.
3. 我现在为本地报纸写影评.
I'm writing up the film for the local paper.
4. 这部电影遭到影评家的猛烈的抨击.
The film was blasted by the critics.
5. 我没有时间去看这部影片--再说, 影评也诸多贬斥.
I haven't time to see the film besides, it's had dreadful reviews.
Ⅶ 英文电影配音大赛英文、日文怎么说
英文：Dubbing the film in English Competition
日文：コンペティションでは映画の英语吹き替え
Ⅷ 请各位英语高手用英文帮我写四篇电影影评
1. 虎胆龙威（DIE HARD)：
What makes Die Hard the all-time classic it has rightfully become was the lack of extravagance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could have been caught at that party and had to face the situation.
Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.
Even if you haven't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.
2. 铁血战士（PREDATOR)：
Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.
John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable e to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shaving with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.
The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.
The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.
3. 青春年少（RUSHMORE）：
Rushmore is an extremely well written movie about obsessive love.
The acting is a quality of Rushmore that contributes greatly to its appeal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his appearance shows more years than the mere 15 he is supposed to be. Olivia Williams is subtle and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.
The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to have cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.
4. 死亡证据（DEATH PROOF)：
Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behaves with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.
The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't apply to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting st.
Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.
My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.
Ⅸ 关于一些电影的奖用英语怎么说（最佳演员、最佳导演……）
Best Film最佳影片奖
Best Director最佳导演奖
Best Actor in a Leading Role最佳男主角奖
Best Actress in a Leading Role最佳女主角奖
Best Actor in a Supporting Role最佳男配角奖
Best Actress in a Supporting Role最佳女配角奖
Best Writing最佳编剧奖
Best Special Effects最佳特效奖
Best Music最佳音乐奖
Best Costumes最佳服装奖
Best Make-Up最佳化妆奖
Best Editing最佳剪接奖
Best Music最佳音乐奖
Best Screenplay最佳剧本奖
Best Cinematography最佳摄影奖
Best Sound Mixing最佳混音奖
Best Documentary最佳记录片奖
Best Foreign Film最佳外语片奖
Best Animated Film最佳动画片奖
Hundred Flowers Awards中国电影百花奖
Huabiao Film Awards中国电影华表奖
Changchun Film Festival中国长春国际电影节
Shanghai International Film Festival中国上海国际电影节
Golden Rooster Awards中国电影金鸡奖
Hundred Flowers Awards中国电影百花奖
另珠海电影节已经停办（Zhuhai Film Festival）