superman电影观后感怎么写

1. 超人总动员观后感用英语怎么写

早在影片还没公映前，就听我一个在美国的朋友强烈推荐，说此片怎么怎么好看（美国上映日期是2004年11月5日），还叫我“必须”去看。说得就好像命令似的。可想而之，这片对她来说有多棒！可PIXAR（皮克斯）公司从未让我们失望过啊，难道《INCREDIBLES》有更加新颖的独到之处？！

DISNEY和PIXAR的商标登场，背景音乐带有浓厚的间谍片的味道。我们的两大主人公，INCREDIBLE先生和他妻子ELASTGIRL的话筒前的接受采访及演说拉开了序幕。这时，开头的气氛一转，镜头从劫匪在驱车逃逸，手持机枪扫射尾追的警车，再转到正要去教堂结婚典礼的INCREDIBLE先生，似乎已经给观众带来了新鲜感。当INCREDIBLE先生接到报警求救信号，最酷的一幕开始了。镜头再次从驾座的装备再切换到INCREDIBLE先生穿上皮衣整装待发，无一不透露出异样的色彩。而在我脑海里不由浮现出的竟然是——007。突然来了个恶搞的小鬼，自称是INCREDIBLE的超级粉丝NO.1，居然名叫Incredi-Boy，还硬要毛遂自荐要当INCREDIBLE的PARTNER，哈哈，太搞笑了。第三次切换镜头：INCREDIBLE先生正想抓最后一个漏网之鱼之时，我们的ELASTGIRL MM终于登场了，“抢了INCREDIBLE”的功。呵呵，音乐这时立刻又带有浪漫色彩。在男女主人公的深情一吻下，看得我如痴如醉！在要解决那个法国佬的过程中，INCREDI-BOY又来添乱，这给以后的大转换埋下了伏笔。有情人终成眷属！INCREDIBLE先生和ELASTGIRL MM喜结良缘。打算婚后退出江湖。以后的情节大家都知道了，我也就不多罗嗦了。

对于《The Incredibles》，PIXAR真的带给我们巨大的变化和惊喜。整个故事情节完全是架构在现代社会的大背景下，并附以科幻色彩。这是PIXAR动画史上的新创举，也给整个3D技术，乃至整个动画电影市场写下了崭新的篇章。以前动画史上一些传统，还有很多建立在神话、寓意等多数都是面向青少年和儿童，可《The Incredibles》这种以真人为主角的概念，成为了吸引成人的法宝。PIXAR真是用心良苦！同样是英雄主义的片子，《INCREDIBLES》更加深入到了男女主人公的生活中，又带给观众平易近人的感觉。但是，喜剧和无厘头似的搞笑，同样也层出不穷：INCREDIBLE先生中年危机；工作岗位的压力重重；女儿Violet看上了学校的小帅哥；儿子Dash常被“请”到校长室，等等。不过，我个人觉得特别搞笑的两个场景是：那个骑单车，嚼口香糖小朋友（特别是第二次，INCREDIBLE说“What are you waiting for?”，小朋友答道：“I don’t know. Something amazing, I guess”）的三次出现是最好笑的。另外一个场景是由Samuel L. Jackson配音的那个Frozone问老婆要武装外套。除此之外，影片结尾典型的好莱坞式“开放式”结局也是导演给我们的一个“噱头”。

总之，《The Incredibles超人特攻队》浓郁的亲和度，加上亲情、爱情、喜剧、冒险……等元素，再配上绝妙的背景音乐，来烘托主题。就像电影片名的英文解释，真叫人“不可思议”啊！！！强烈推荐给大家！

Early in the film didn't listen to me before the release, a friend in America is strongly recommended film, saying how good (American release date is on November 5, 2004), also called me "must" to see. Speak like command. Can think and, this is great for her! PIXAR (PIXAR) company can never let us down, isn't the INCREDIBLES has more novel unique? !

Gentlemen and PIXAR's trademark, background music with a strong taste of the spy. Our two great hero, 'Mr. And his wife ELASTGIRL microphone before the interview and speech. Then, the atmosphere, from the robbers drove escape in lens, holding WeiZhui strafed vehicles, turn again to going to church wedding ceremony, Mr. 'the audiences seem to have brought freshness. When Mr. 'received alarm distress signal, the coolest scene started. Lens again the equipment from driving to switch to wear leather ready 'sir, don't show any color. But in my mind was not emerged, 007. Suddenly a kuso imp, claiming it is a big fan of '- 1, Incredi - Boy, named are forced to when the job PARTNER, ha ha,' so funny. The third switch lens: Mr. 'is to catch the last LouWangZhiYu when we finally comes ELASTGIRL MM, "rob'". Ha ha, music and then immediately with romance. The heroine in a loving kiss, see fascinates me! To solve the France in the process, INCREDI - BOY came after the chaos, the great transition to the set. Jack shall have Jill! Mr. And ELASTGIRL MM '. After going to quit. After the plot everybody knows, I also won't bothersome.

For The law, The Incredibles PIXAR really bring us great changes and surprise. The story is set in modern society background, each accompanied by a science fiction. PIXAR animation is the history of the new creation, also give whole 3D technology, and even the entire animation film market down new chapters. Some traditional animation history before, many myths, as in most are facing moral teens and children, but in reality The Incredibles, such as The concept, became attract alts. PIXAR's do-do! Likewise, the film is heroism of the INCREDIBLES deeper into the hero and heroine of life, and gives the audience approachable feeling. But, like funny comedy and wulitou, also emerge in endlessly, 'mid-life crisis, Mr. Work stress, After school Violet daughter handsome boy, Son: "please" Dash is often to the principal's office, etc. However, I feel very funny two scenes are: the bike, chewing gum children (especially for the second time, 'said: "I am getting waiting for?", replied: "I get maps, amazing," for three times) is the most funny. In another scene by practical l. Jackson's voice that Frozone ask a wife to armed coat. In addition, the typical of the Hollywood film end "open" end of a director for us, "trick".

Anyhow, The Incredibles superman attack The team of strong affinity, plus The affection, love, comedy, adventure,... Such elements, deserve to go up again the wonderful music background, foil theme. Like the English film titles explanation, it is "unbelievable"!!!!!!!!!!!!!!! Strongly recommended to everyone!

2. 求一篇英文电影的观后感

电影《肖申克的救赎》The ShawShank Redemption 观后感。
Hello, everyone, my topic today is “The ShawShank Redemption”. Prison as a special place for prisoners is part of the society. It’s special because of its depriving the freedom of the prisoners. The prisoners in that situation are more sensitive to freedom than people in other situations. When they lost it, they found that it was so necessary to them that they looked forward to regaining it. By contrast, the people lived in the political society were interested in courting the fame and gain. They lost most of their inherent character. They put their soul into the fence of their own. They gave up the freedom of thinking. They forgot their original dream. The demands of the spirit were materialized to a position or some numbers.

A prisoner spent almost all the life in the prison. When he got the parole, which was applied for many years but without reply, he didn’t feel happy, but sad. He wanted to go to the prison again. He wanted to live in the place he knew. In the prison, he was a key who had knowledge and position. But when he went out of the prison, he found he was only an old man without anything. He couldn’t finish his work quickly because his hands had suffered the arthritis. Unfortunately, he even had no power to struggle. As a result, He chose to suicide because it was the only thing he could do by himself.

Red was a superman in the prison. He could find things that weren’t in the prison at all. But when he went out of the prison, he could do nothing. He lived in the fear and felt so lonely. He loved freedom but he couldn’t realize his value. In this film, Red said, “Hope is a dangerous thing. Drive a man insane. Nothing will take place here. You’d better get used to the idea. These walls here are kinds of funny. At the beginning, you hate them, then you will get used to them. As time passes, you will depend on them. That's institutionalizing.”

In this film, Andy as the symbol of the hope lived in the prison for 20 years. He remained his dream all the time. On one hand, he looked forward to getting freedom. On the other hand, he believed that he was innocent of the murder. The real reason was his profound thought about hope. In his opinion, hope is a good thing, maybe the best thing, and no good things ever die. It makes a strong man save himself, and a great man save another one. According to this idea, the life in prison for 20 years did not made Andy give up the hope, but made him comprehend the meaning of the life. In fact, hope is a mood without ambition but it really exists.

The sky, the sea and the beach compose a romantic picture. When Andy and Red, two weather-beaten friends, saw each other again in the island, all hardship of 20 years made Andy tougher and their friendship get harder as the same.

最好你自己也去看看，根据你的感受修改下会表现更好！这实在是一部很Man的电影，拘于困境，受尽委屈却不屈不挠，对自我的拯救！

3. 求超人总动员观后感300字英文

当超人挫败了敌人的阴谋时候,他们选择了是继续自己平凡的生活,做一个普普通通的人,而不是继续自己风光无限的超人生活.更加让我清晰的看到了超人们自己的改变.如果说以前是因为不得以而为止,那么现在是心甘情愿,凸显的是一种平...
又是一部英雄主义的影片，很符合美国电影的作风。

When Superman defeat of the enemy's scheme, they chose to continue their own is an extraordinary life, and be a common person, rather than their own scenery unlimited Superman life. Even let me see a clear change in their own super people. If the past is not to the date, so it is perfectly happy, is a prominent Ping ...
Is a hero of the movie, it is consistent with the style of American movies.

4. 求一篇英文的电影观后感！！！！

电影《肖申克的救赎》The ShawShank Redemption 观后感。
Hello, everyone, my topic today is “The ShawShank Redemption”. Prison as a special place for prisoners is part of the society. It’s special because of its depriving the freedom of the prisoners. The prisoners in that situation are more sensitive to freedom than people in other situations. When they lost it, they found that it was so necessary to them that they looked forward to regaining it. By contrast, the people lived in the political society were interested in courting the fame and gain. They lost most of their inherent character. They put their soul into the fence of their own. They gave up the freedom of thinking. They forgot their original dream. The demands of the spirit were materialized to a position or some numbers.

A prisoner spent almost all the life in the prison. When he got the parole, which was applied for many years but without reply, he didn’t feel happy, but sad. He wanted to go to the prison again. He wanted to live in the place he knew. In the prison, he was a key who had knowledge and position. But when he went out of the prison, he found he was only an old man without anything. He couldn’t finish his work quickly because his hands had suffered the arthritis. Unfortunately, he even had no power to struggle. As a result, He chose to suicide because it was the only thing he could do by himself.

Red was a superman in the prison. He could find things that weren’t in the prison at all. But when he went out of the prison, he could do nothing. He lived in the fear and felt so lonely. He loved freedom but he couldn’t realize his value. In this film, Red said, “Hope is a dangerous thing. Drive a man insane. Nothing will take place here. You’d better get used to the idea. These walls here are kinds of funny. At the beginning, you hate them, then you will get used to them. As time passes, you will depend on them. That's institutionalizing.”

In this film, Andy as the symbol of the hope lived in the prison for 20 years. He remained his dream all the time. On one hand, he looked forward to getting freedom. On the other hand, he believed that he was innocent of the murder. The real reason was his profound thought about hope. In his opinion, hope is a good thing, maybe the best thing, and no good things ever die. It makes a strong man save himself, and a great man save another one. According to this idea, the life in prison for 20 years did not made Andy give up the hope, but made him comprehend the meaning of the life. In fact, hope is a mood without ambition but it really exists.

The sky, the sea and the beach compose a romantic picture. When Andy and Red, two weather-beaten friends, saw each other again in the island, all hardship of 20 years made Andy tougher and their friendship get harder as the same.
满意请采纳哦！谢谢啦~

5. 求两篇英语电影影评（一片要动画片）

《WALL.E》
影片的前40分钟——几乎没有对话，银幕上也几乎没有出现人类形象——是一出风趣优美的电影诗篇，观众要过许久才会深入它黑暗的隐喻之中。场景是一个杂乱的城市，密布着摩天大楼，除了一个破旧的勤快机器人和他忠心的蟑螂伙伴外，没有任何人类出现。朦胧的阳光透过灰尘，照着一片可怕的风景，显示“后启示录”的死寂。这是一个没有人类的世界，你或许可以说没有任何生机，尽管有过去生命存在的证据。

我们已经习惯了期待皮克斯的惊奇，但是《星际总动员》确实开辟了新天地。它带给我们G级(成年与儿童都适宜观看的)的、电脑产生的、我们潜在灭绝的图景。这不是近来投入此阴森主题的唯一电影。随着全球变暖，人类的消失成为一个热门话题，许多导演都对之关注，如史蒂芬-斯皮尔伯格(《人工智能》)、弗郎西斯-劳伦斯(《我是传奇》)、奈特-沙马兰 (《灭顶之灾》)以及维纳-赫尔佐格。在他最近的记录片《在世界尽头相遇》中，赫尔佐格先生沉思道“人类在此星球上的存在不会真正永续”，这个观点在《星际总动员》的下半部中几乎是逐字逐句地表达出来。当异想天开的皮克斯工程师和情绪化的德国导演发出同样的信息时，也许我们该报以注意了。

《星际总动员》并不全是阴郁和毁灭。毫无疑问地，它是一部郑重其事绝非简单化的生态寓言，但它还是一个令人沉醉的、甜蜜简单的爱情故事，感情的纯洁带着卓别林式的风格。在另一个层面，它带着科幻的色彩，提到了《2001太空漫游》、《异形》、《 酷狗宝贝：月球野餐记》中的一切。但是电影最公开、最坚持的引用对象是《俏红娘》，这部老旧的录影带为主角提供舞蹈和爱情方面的指导。那首古老的、快被人遗忘的音乐，随同Jerry Herman的歌词、Louis Armstrong的低声吟唱，成为瓦力(片中机器人)对我们的纪念。他是一个凹痕累累的苦力小机器人，已经过了计划的报废期，整天做着徒劳、机械的作业：收集、压缩垃圾。他的名字Wall-E是“废物安置装载运送者-地球类”的缩写。但是对于瓦力来说，并不是他发现的一切都没有价值。在他和蟑螂躲避尘暴的锈铁船中，他小心收藏了一些宝贝，包括芝宝打火机、炊事用具和一个魔方。

瓦力对一个失落文明工艺品的亲切珍视是可以理解的，毕竟他也是人类心智的产物。而《星际总动员》(由皮克斯的骨干Andrew Stanton导演、由Andrew Stanton和Jim Reardon编剧)的天才之处是，他提醒人们，创造和毁灭是硬币的两面。人类被致力于制造和消费更多物质的经济行为驱离家园——瓦力最终知道我们没有消失。但是人类产生的一些东西证明是有用、有趣、珍贵的。一些东西甚至能够创造出灵魂。

观察瓦力的周围环境，观众们了解到，在过去的某个时候，一家叫Bnl(英语“买N大”的缩写)的集团公司，用它的超大型商场和数以吨计的垃圾充斥了地球。最终公司把它的重要客户载到一个太空站上(舰长是Jeff Garlin)，在那儿他们渐渐变成由新一代特殊机器人服务的、肥胖懒惰的群体。一个叫做伊夫的研究探查机器人(所有机器人的姓名均为缩写，性别均由仪表显示)，降临地球，令瓦力动心。

他们的求爱过程带着一些熟悉的模式。如果把本片看作浪漫喜剧，情节类似于一个卑微的清洁工爱上了一位超模兼枪法精湛的顶尖科学家。(我承认对此有所顾虑，但电影片名让我释然。——译注：电影英文名Wall-E，是“废物安置装载运送者-地球类”的缩写。)瓦力是传统的老式盒子机器人，咯吱作响，布满铆钉，外表凹痕累累、锈迹斑斑。他意志坚定，但不够聪明，也不酷。而伊夫，身形犹如加长的蛋，就象下一代的iPhone一样酷，轻声细语，除了兴奋的时候能够毁灭一切。她和瓦力通过喳喳叽叽的声音交流，有时候能够拼成词语。不知怎么地，他们对于渴望、恼怒、不在乎、忠诚、焦虑的微妙表达，实现了一种超自然的修辞。

他们被赋予如此丰富的人性，是因为皮克斯标志性的细心造型设计和经典摄影剪辑。丰富的技术资源让瓦力轻而易举地跳离废弃的地球，来到空间站的纯净大气层中，这是与制作人员带给角色和主题的严格完整相一致的。

Stanton先生并没有把这个环境剧变的寓言变成一个责骂他人、自我满意的训斥，他熟知在使用大众电影媒体进行企业消费文化批判时固有的矛盾。空间站的居民，习惯了被机器人照顾，退化成了类似巨婴的物种，面部柔软、躯干圆滚、四肢弱小。消费资本主义分析任何潜在需要、让顾客使用尽可能方便，具有一种将消费者幼儿化的力量。但是当这些空间居民靠在躺椅上，眼睛盯着显示屏，从巨大的杯子里获取卡路里，这些过度发育的太空巨婴看上去就象电影院里的观众。

换句话说，他们就是我们。而和我们一样的是，他们也不尽坏。来自瓦力的悖论是：驱动社会发明新事物，改进旧事物，从而产生销售、购买、制造、收集行为，创造潜在灾难的同时也发现了规避灾难的可能。或者说，创造瓦力这个垃圾世界(我们的世界)的冲动，同时也通过艺术让世界变得美好。
《达芬奇密码》
从原著小说被翻译成44种语言、在全球销量超过5000万本的热潮，到作者丹-布朗被指剽窃掀起的轩然大波，再到被西方教会目为反基督的异端电影遭到梵*蒂*冈的抵制,《达芬奇密码》（The Davinci Code）从面世的那一天起便注定要对传统的基督教带来颠覆性的冲击，值得庆幸的是教会掌握政权的日子早已成为历史，无须再担心打着耶稣幌子的黑色恐怖瘟疫会再次蔓延，多元化的社会里，基督教不可一世的地位终于露出了平凡的一面。

自己一向对宗教文化不感冒，之所以能坚持看完原著多半是因为丹-布朗精妙的文笔与高潮迭起的悬念情节，不过对把原著搬上荧光幕的商业行为持怀疑态度，毕竟文字带来的想象空间与视觉、听觉等多重感知形成的复杂认知截然不同，许多东西一旦具体形象化往往就容易失去原有的吸引力，尤其是《达芬奇密码》这类靠制造悬念、解读复杂西方宗教历史神学符号、营造心理惊悚的作品。结果虽然有Ron Howard、Tom Hanks和Audrey Tautou携手合作，虽然作为电影艺术最高殿堂嘎纳电影节的开幕电影，《达芬奇密码》依然差强人意，只是费力不讨好的制造了120分钟的沉闷悬疑。

即使宽容的看待电影，把是否忠于原著放在一旁，《达芬奇密码》也缺乏连贯的紧迫感和抽丝剥茧的惊悚元素，Tom Hanks和Audrey Tautou在影片中的角色本来注定他们不是《职业特工队》式的“Superman”，过多的火爆场面只会起到喧宾夺主的反效果，可影片开始Ron Howard偏要安排Audrey Tautou来一段超“辣”的车技Show，这马上就将一个弱智女流定位成超凡脱俗的强者，Hollywood式的娱乐标准即霸道又惹人生厌。按照小说的风格与结构，《达芬奇密码》应该是一部充满文艺悬念的电影，如何把复杂的谜题化繁为简，让观众参与到解迷中，可以说是影片成功与否的关键。可惜零散的剧情、苍白的人物塑造，单纯依靠Tom Hanks比手划脚就解开神学符号，未免太过儿戏，尤其是最后“Apple”的解密过程简直就是大话西游，令人啼笑皆非。Tom Hanks的力不从心、Audrey Tautou的不入戏，两人无法擦出预期的火花，加上巴黎伦敦浓郁的艺术气息、以及宗教的神圣、膜拜气氛又只是停留在表面的走马观花，都成为《达芬奇密码》空有包罗万有的野心，却有漏洞百出的臭皮囊一样，成为食之无味的“鸡肋”。

全片最光芒四射的应该是苦行僧Silas这个角色，他背负的罪恶感，他心灵上承受的痛苦远甚于伤痕累累的切肤之痛，在狂热的宗教信仰和冷酷的眼神中，我们读到了很浓厚的悲剧味道，Ron Howard在他身上着墨不多，但却显示了深厚的功力，无论镜位还是背景音乐的烘托，他赤裸的身体充满神秘感与强烈的威慑力，远比两位主角更具有感染力。

对于宗教信仰的问题不想讨论太多，如果像我般对晦涩的西方宗教观点束手无策的话，《达芬奇密码》的电影会比小说更生动也更通俗，这个故事有点像野史，可以触动人们骨子里先天的好奇心（其实也就是八卦），康斯坦丁大帝的“丰功伟绩”在我看来最能代表宗教的本质，说穿了只不过是统治者的工具和谎言而已，基督教清除“女巫”的运动倒让我想起电影大师德莱叶的《愤怒之日》，人性的残忍与黑暗，即使冠以堂皇的借口，依然令人触目惊心。

6. 电影功夫侠观后感500字左右

虽然拍摄在先，但是《功夫侠》既然迟于较为多知的《太极侠》上映，类似的名字和同一个主演，就不可能不被拿出来作比较。只说这个“侠”字，《太极侠》的Man of
TaiChi我感觉是林虎在地下搏击真人秀里面的一个Title，所以一直觉得电影名应该和片中一样翻成“太极之子”会比较顺口而且大气……而《功夫侠》的Kungfu
Man就和我们平时说的钢铁侠蝙蝠侠一个意思。认识我的人应该都知道我是个超级英雄粉儿。各路有超能力有装备有技术的英雄们，出没在人间，用他们的能力帮助需要帮助的人，打败反派，拯救世界。这样的故事百看不厌，当然不仅是因为酷炫的动作场面，而多半是因为他们的内心，所以大都在翻译上使用了“侠”字。查不到最早这个用法是在哪位的身上，但是古语说侠者善德仁勇，终归都是配得上这个字号。（不过超人并没有这么翻……）

虎大自己在微博里提到《功夫侠》的时候，总是用的“儿童电影”这个词。开始觉得是对黑历史的自嘲，但是看完电影之后想起我在钢铁侠三的观影报告里写到一段关于孩子的。“真正认同超级英雄，无关政治威慑作用，无关商业价值，无关其他的，单单崇敬他们的精神，崇敬勇敢和奉献的，总是那些孩子，总是那些有天真单纯心灵的人们。”这个故事从小朋友的角度入手讲述，觉得至少在这一点上着实挺棒的。

陈平说自己的时候，“平是平常的平。”就只是个平常的人，虽然会功夫，但不是超级英雄。他怕高，怕让父亲失望，看店的时候玩儿游戏机，但是虽然普普通通，遇到事儿的时候终究会站出来，该做的事情总是要做；怀着简单坚定的心，虽然没有SuperMan，但我是你的KungfuMan。

开头一气儿说了这么多有点接不下去……干脆直接开始不客观得了。我怎么会觉得这个片“略黑”呢！在粉还是黑上《功夫侠》简直走的是两个极端啊？！镜头萌的能萌翻，黑的能黑得底儿掉。09年没减肥的虎大大，脸上还是有点儿肉的，但是绝对真是刚好啊？！这个形象对小孩子来说更有亲和力不是吗！（对底下看电影的这仨人也更有亲和力啊简直……）（什么）给了好多近景大脸镜头真是……而且福利也杠杠的不是吗……格子衬衫真可爱啊………………（这段掐了别发出来啊喂）而功夫方面的表现力可能就要弱于《太极侠》一些了，或者也不是说弱，外行如我是感觉有点飘，镜头比较碎，觉得看得不太舒服，音效上也有些违和。片子里虎大的脚上功夫展现得更多，对于喜欢看这个的我真是觉得很棒嘿嘿！大都是多打一，少数几场一打一和二打一（打女孩子也是毫不留情啊噗，不过那个姐姐身手漂亮得很>
<）都很精彩，竹竿打大刀那段好棒的啊啊！！大个儿一出场我们几个都忍不住喊起来：“大个儿~”场景破坏力真是惊人啊哈……

虎大没有用原声感到有些可惜，不过终究有其考虑没有办法。片中夹带的《不死鸟》响起来的时候心情也欢快起来，片尾漫画风格的图都点赞！顺便取景基本都是在云南对吧，作为半个云南人看到那些个去过的地方，看到红土地也觉得好开心啊~小Chris非常可爱，脑内的动画化场景也非常可爱！小孩子容易笃信英雄，跟着父亲在海上漂来漂去，没有漂成个1900，天真的心里活着超人那样的英雄。摔倒在地的时候有高大的身影向他伸出手，擦背的时候会小心避开伤口，什么时候都照顾着他，对他来说，就是我起的这个半通不通的标题啦，——

Su不super，都是好man啊。

7. Superman的介绍

超人（Superman），由克里斯托弗·里夫（Christopher Reeve）主演, 理查德·唐纳 （Richard Donner）的动作冒险电影，于1978年12月美国上映，片长143分钟。氪星即将毁灭之际，为保持种族的延续，科学家乔·艾尔通过飞船将他尚在襁褓中的儿子卡尔送往地球。卡尔被地球上的肯特夫妇抚养成人，他具有超人的能力，将成为地球上正义和真理的守护者。长大了的卡尔来到大都市，成为《行星日报》的记者。平时，他是温文尔雅的普通记者，危急时刻就变成穿着紧身衣、披着斗篷在空中自由飞翔的守护神超人。当邪恶的鲁索妄图统治全世界时，超人是唯一能够制止他的人。

8. aquaman英语影评怎么写

用中文写再翻成英文
或真懒惰的话
上imdb或烂番茄找吧

9. 超人总动员英文观后感

当超人挫败了敌人的阴谋时候,他们选择了是继续自己平凡的生活,做一个普普通通的人,而不是继续自己风光无限的超人生活.更加让我清晰的看到了超人们自己的改变.如果说以前是因为不得以而为止,那么现在是心甘情愿,凸显的是一种平...
又是一部英雄主义的影片，很符合美国电影的作风。

When Superman defeat of the enemy's scheme, they chose to continue their own is an extraordinary life, and be a common person, rather than their own scenery unlimited Superman life. Even let me see a clear change in their own super people. If the past is not to the date, so it is perfectly happy, is a prominent Ping ...
Is a hero of the movie, it is consistent with the style of American movies.