教授电影影评英语怎么说

Ⅰ ！！！！急求英语电影的英语影评

简爱
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.

Ⅱ 英语影评一篇

《功夫熊猫》采用纯东方家庭伦理的叙事逻辑，使得整个故事更轻松。

Kung Fu Panda adopts the narrative logic of pure Oriental family ethics, which makes the whole story more relaxed.

这样处理使得“主题”略显单薄，但确实更适合小朋友去看。

This treatment makes the "theme" slightly thin, but it is more suitable for children to see.

这部作品不会感动到落泪，也不会无厘头到笑翻天，但是这个平衡点才是“小朋友”最轻松的观看环境。

This work will not be moved to tears, nor will it be ridiculous to laugh, but this balance point is the most relaxed viewing environment for "children".

(2)教授电影影评英语怎么说扩展阅读

影评目的——

电影评论的目的在于分析、鉴定和评价蕴含在银幕中的审美价值、认识价值、社会意义、镜头语言等方面，达到拍摄影片的目的，解释影片中所表达的主题，既能通过分析影片的成败得失，帮助导演开阔视野，

提高创作水平，以促进电影艺术的繁荣和发展；又能通过分析和评价，影响观众对影片的理解和鉴赏，提高观众的欣赏水平，从而间接促进电影艺术的发展。

Ⅲ 英语影评怎么写

写作思路：首先介绍影评基本信息，接着介绍影片主要剧情，最后写出自己对影片的评价。

范文：

Beauty and the Beast， directed by Bill Condon， is an amazing American fantasy film. Adapted from a cartoon film of the same name， which was created by the same company in 1991， the new version＇s characters are real persons.

由比尔·康登执导的《美女与野兽》是一部令人惊叹的美国奇幻电影，改编自1991年由同一家公司创作的同名卡通电影，新版的角色都是真人

In order to save her father， who was trapped by an ugly beast， Belle， a brave and beautiful girl， had to live with the frightening beast in a cave. Having been a prince， the beast was changed by an evil witch. Only if he could get true love， could he become a person again.

为了救被一只丑陋野兽困住的父亲，美丽勇敢的女孩贝尔不得不和那只可怕的野兽住在一个山洞里。作为一个王子，野兽被一个邪恶的女巫改变了。只有他能得到真爱，他能重新做人吗。

After they went through plenty of difficulties，the beast earned Belle＇s love.

在他们经历了许多困难之后，野兽赢得了贝尔的爱

The film， with lovely characters， beautiful soundtrack and interesting plot， is really a success. It is worth watching

这部电影人物可爱，配乐优美，情节有趣，非常成功，值得一看

Ⅳ 英语影评怎么写

你可以写故事的总结，你对其中某一现象的感想等等，就跟汉语中写观后感一样的。你要范文不？ The King's Speech
The film is about a guy named Bertie(伯蒂) how to fix a voice and become a confident leader.
After his father died, his bother chooses beauty rather than the nation, Bertie has to take charge of the country regardless of his unwillingness. He is warm-hearted, diligent and friendly, but he sufferes a serious physical problems. He could not speak out fluently because of timidness, even a few very simple words in public speaking. As countries graally evolves into the horrors of war, the state and the people desperately need a wise leader. With the help of his wife, he knows a language therapists named Leon na er (莱格). Through a series of training, the new king gets a very big improvement, Leon na er upright character also wins the people's respect and honor to be the king's friends. Then George vi publishes famous Christmas speech, inspired the British military and civilian in world war II, and the story becomes history anecdotes.
Form the story, we know that nothing is impossible for the strong-willed person, we can get over every difficult with confidence and proper ways

Ⅳ 影评的英语怎么说

影评: [ yǐng píng ]

1. film review

其它相关解释:
<cinecism> <picture criticism> <picture review>

例句与用法:
1. 影评家对这部电影做了详细的分析。
The film has been minutely dissected by the critics.

2. 影评家把这部影片贬得一无是处。
The film was rubbished by the critics.

3. 我现在为本地报纸写影评.
I'm writing up the film for the local paper.

4. 这部电影遭到影评家的猛烈的抨击.
The film was blasted by the critics.

5. 我没有时间去看这部影片--再说, 影评也诸多贬斥.
I haven't time to see the film besides, it's had dreadful reviews.

Ⅵ 英文电影英语影评怎么写

建议的写作内容：
1.先写一下在什么情况下看了这部电影，对这部电影的整体评价。
2.简单介绍影片内容，以及影片的背景信息。例如：编剧、导演、主演的其他作品等。
3.选择一个方面对影片作出具体的评价。例如：故事情节、角色性格、配音、特效、音乐等。
4.做出结论，是否向他人推荐，适合什么样的人观看。

Ⅶ 写5个关于英文电影的英语影评！要英语的！每个20个单词。

蜘蛛侠情节想必都知道，以下是影评 You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. 美国逃犯 Jesse James (Colin Farrell), his brother Frank (Gabriel Macht) and their cousin Cole Younger (Scott Caan) seem to have arrived on the scene just in time for the invention of the electric guitar. It wails on the soundtrack and makes this western, which doubtless considers itself to be a reimagining (as did ''Planet of the Apes''), sound as if it came from the mind of Jon Bon Jovi. Directed with anonymous pep by Les Mayfield, ''Outlaws'' is a dreary populist telling of the story of the James gang. And the Bon Jovi reference is apropos, since the movie treats the fellas like a touring band that breaks up because of feuding egos and the stresses of the road. Cole, incensed over the news focus on the James boys, wants to share the billing. In fact, as their notoriety grows, Cole wants top billing -- the Younger-James Gang -- leading to ruminative riffing by his amiable brother Bob (Will McCormack): ''Wouldn't people wonder if there was an older James gang?'' It would need only a drug casualty to turn into ''Behind the Music: Jesse James,'' though -- choke, sob -- the James tour does claim a couple of lives, and it's easy to predict which ones. This could be the story of any disintegrating band, except that in this group, the Jameses complete each other, as someone said in ''Jerry Maguire.'' Their personalities are worked out in the kind of schematics taught in screenwriting classes. Frank is the plotter and Jesse is all impulse. At the outset, Union soldiers ambush a group of unsuspecting Rebels that includes Jesse, Frank and Cole. Pinned behind a wagon by both cannon and Gatling gunfire, the sharpshooter Frank asks Jesse for a diversion. A smile pulling at the corners of his face, Jesse creates an eye-catching one. At various moments, ''American Outlaws'' looks as if it wants to try something different and make Jesse an infantile psychopath who is awakened by his taste for violence. He lights up when he has a gun in his hand, but he has no conflicts about his nature; he may make you long for the Chekhovian depth of Emilio Estevez's Billy the Kid in the ''Young Guns'' movies. (Missing is the epic emotional scale of previous James Gang movies like ''The Great Northfield, Minnesota Raid'' and ''The Long Riders,'' both worth seeking out.) ''American Outlaws'' paints all of its young stars as happy guys, so uncomplicated that they're thrilled to hear that Lee has surrendered at Appomattox; none of them seem bothered by the fact that the South has just lost the war. Upon returning home, they find that the railroad tycoon Thaddeus Rains (Harris Yulin) is behind a scheme to run them off their farms. (In this age of entertainment conglomerates like AOL-Time Warner, it seems droll for a Warner Brothers picture to single out the big-moneyed interest in one small town as a black-hatted villain.) ''As we have the most power, we may move with impunity,'' Rains snarls to his martinet (Terry O'Quinn), who is only too happy to carry out Rains's orders. Jesse, Frank and the others are forced down the road of vengeance after arson at their farm takes the life of their ma (Kathy Bates, whose maternal hamminess may bring misery to viewers). When Jesse and the gang follow Frank's notion of giving money they've taken from banks back to the poor farmers, they become heroes, and a true menace to Rains. ''They're disciplined and have a charismatic leader,'' notes Allan Pinkerton (Timothy Dalton), the 19th-century rent-a-cop hired by Rains to track down the gang. What Pinkerton doesn't mention, though he doesn't really have to, is that the real leader of the ''Outlaw'' band is Frank, played by Mr. Macht with desert-dry aplomb. It doesn't hurt that he gets the best lines. ''It's the scientific method I hear is all the rage,'' he says when plying a new technique ring a crime. The script by Roderick Taylor and John Rogers has made Frank the film's George Burns, wiling away the movie by commenting on the world as it passes him by. 功夫熊猫Kung fu panda, this is the interesting film. Paul wanted to become a wu3 lin2's ace (near master) kung-fu to save those who were in danger, teacher taught him how to fight, and let him go to save the world, at last, he defeated 3 Tailung, he met not friends, I think he is a great hero, I like the movie, because... I like the film . . Each meets his story with emotions ranging from enraptured to derision, as they learn with the audience the incredible life Forrest has led. This includes him starring in the All American Football team, winning a Congressional Medal of Honour in Vietnam, exposing the Watergate scandal and making millions from 'Bubba-Gump shrimping instries', while meeting three different U.S Presidents along the way. The film ends on a poignant note, with Jenny and Forrest meeting again and having a son, as Jenny dies of HIV/AIDS. 歌舞青春 Along with Tom Hanks in the title role Forrest Gump featured an excellent supporting cast, with career bests from Robin Wright Penn as Jenny and Gary Sinise as the legless Vietnam veteran Lt. Dan Taylor. I was inspired by the wonder of a man experiencing his life without realising its significance to the world, just simply wishing for an emotionally damaged woman who goes on to live a lonely life without him. She rejects Forrest, telling him 'he doesn't know what love is', before eventually realising that no-one would ever love her more. 哈里，波特 The musical numbers here are, to be frank, laughable. This certainly isn't the fault of the cast, though. These kids quite obviously have talent both in singing and dancing. The problem comes from the choreography and songs themselves. Nowhere is director Kenny Ortega's "bigger is better" method more appalling than in these numbers. The dancing on display is too steeped in modern sensibilities to be timeless, and yet it's too showy and stagey to be looked at through serious modern eyes. In other words, it's too hip for Broadway and too Broadway for modern dance. All of the songs have a distinctly electronic sound to them and try desperately to be seen more as MTV-style singles than Broadway standards. They don't even contribute much to the storyline. The number one sin in film musicals is having songs that stop the story dead in its tracks. Three-quarters of the numbers here do just that. They're often self-inlgent, and when they aren't, they simply (and needlessly) re-emphasize what's already been established via dialogue. 第一部是蜘蛛侠，第二部是美国逃犯，第三部是功夫熊猫，第四部是歌舞青春，第五部是哈里，波特

Ⅷ 英语的影评应该怎么写

影评的写法包括这几个方面：

1、提炼电影的主题。

用一种质疑的心理，分析影片中的各个元素是如何为主题服务的。

2、和电影对话。

片名和情节有什么联系？注意电影中哪些元素使你产生陌生或困惑的感觉？哪些元素一直在重复强调某一观点？ 为什么以这样的画面开场（结束）？摄影机运动是否有什么特定含义？景别的跳接、叠化有什么特定的意义？哪组镜头是高潮镜头？等等。

3、做笔记。

在看电影的过程中你可以记下一些关键词。可以是电影传达出的感情，也可以是一些技术层面的东西，书中提供了一些速记的方法可以参考，也可以根据个人习惯选择适合自己的速记方法。（建议刚开始时，不要放在第一次看一部影片的时候去做，那样会没有办法集中注意力去欣赏影片，应该在重复去看同一部影片时再进行，到后期熟练后可尝试。）

(8)教授电影影评英语怎么说扩展阅读

开始前的准备工作。

1、学习了解一些关于电影潜在的且与你兴趣相关的问题。与其他艺术的融合，例如音乐、建筑、美术、文学、舞蹈、戏剧等。与技术的关系，技术的进步是怎样影响了电影工业的进步的，如从黑白到彩色，无声到有声，胶片到数码。思考商业和经济条件对一部电影的影响是怎样的，保持开放和质疑的态度去看待所谓的低成本和大片。

2、改变“瞄一眼”的习惯，全神贯注的去观看一部影片，甚至是你不喜欢的一部影片。

Ⅸ 1篇英文电影影评，用英语写，100词左右，写的别太好，能轻松看懂最好

《Big Fish》
It is a fairy tale talking about family bonds. When the father was young, it was his favorite to tell stories to his little boy. But when the boy grew up, he thought those stories were all fake. As a result, he disliked his father and lived far away from his father. Many years later, the father caught cancer and didn't have much time to live, so the son came back home to look after him. This time the son realized the strong love contained in those fancy stories and the two forgave each other. From this movie, I learned how to deal with generation gap between father and son.

纯手工写的
希望能帮到你~
喜欢的话可以加分~

Ⅹ 请各位英语高手用英文帮我写四篇电影影评

1. 虎胆龙威（DIE HARD)：

What makes Die Hard the all-time classic it has rightfully become was the lack of extravagance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could have been caught at that party and had to face the situation.

Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.

Even if you haven't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.

2. 铁血战士（PREDATOR)：

Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.

John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable e to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shaving with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.

The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.

The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.

3. 青春年少（RUSHMORE）：

Rushmore is an extremely well written movie about obsessive love.

The acting is a quality of Rushmore that contributes greatly to its appeal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his appearance shows more years than the mere 15 he is supposed to be. Olivia Williams is subtle and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.

The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to have cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.

4. 死亡证据（DEATH PROOF)：

Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behaves with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.

The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't apply to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting st.

Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.

My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.