如何实现电影梦

⑴ 西安影视动画软件培训学校能不能帮我实现电影梦 给分求答案

cgwang应该是你指的这种，西安影视动画培训的好坏，看一个学校学生的作品就知道实力了，当然老师的作品也是很重要的衡量标准。CGWANG牛叉就在教学质量和透明度上，他们每期学生作品都会放出来（特别牛，好莱坞大片一样），老师每期的上课视频也会放出来，可以让你感受制作电影水平的实力。这样的学校才是实力派的表现。

⑵ 爱电影会帮助我实现我的电影梦吗

试试做编剧，或化妆，我也超喜欢电影，我的梦想就是开一家影院。

⑶ 没有任何背景的王宝强是如何实现电影梦的

王宝强在很多人眼中的印象就是草根逆袭，其实王宝强能够成功，完全是凭借着努力，当然也有着一定的机遇。小时候的王宝强在第1次看到李连杰在银幕上的形象，就立志想要做一个舞蹈明星，所以王宝强恳求父亲将自己送到少林寺成为俗家弟子学习武功，因此这都是王宝强在为梦想所努力的一个缩影。

虽然在婚姻爱情里面王宝强不那么尽如人意，但是在事业当中王宝强却一直都在步步攀登风生水起。因此从这一点我们要清楚，上帝为你关上一扇门，也一定会为你打开一扇窗，当我们经历人生低谷的时候，也应该往好的一面去看去想。

⑷ 求如何实现你的梦想——著名导演,电影制片人杰里·朱克英语原文演讲稿，你的回答讲给我很大的帮助，拜求！

Thank you Chancellor Wiley, distinguished platform party, friends, guests and the
very reason for our presence here today — the members of the class of 2003.

Before I start my remarks, I'd like everyone just to do something for me. Very simply
— so everyone can kind of just get to know everyone else — on the count of three, I'd
like everyone to turn around and shake the hand of the person sitting right behind you.
One, two, three — right now, everybody, please do that.

So, I guess you still have a few things to learn.

My parents cried when I left for California. Not because I was leaving, (but) rather, I
think, because they were afraid I'd be coming back. Not one teacher I ever had in
grade school, high school or college would've believed that there was even the
slightest chance that one day I would be asked to give the commencement address at a
major university.

Many, given the opportunity, would've bet large sums of money against it, putting up
their homes and children as collateral. Actually, I really like the idea of that, not
because I'm vindictive — although in a few minutes I'm going to read the names of all
the people in my life who never thought I would amount to anything — but because
life should be unpredictable. And I'm very grateful that I never wasted any time trying
to become somebody else's image of what I should be.

So, thirty-one years ago today, I drove from Madison, Wisconsin, to Los Angeles,
California. On the way, I passed Camp Randall, where my
college graation
ceremony was in progress. I thought about going to the ceremony, but it meant I
would've arrived in Hollywood one day later, and at the time I just didn't see the point.
I wanted to get there.

Gertrude Stein once said about Hollywood, "When you get there, there is no 'there'
there." That's true. However, there will be a swimming pool and tennis court. In the

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end, though, it's probably not enough to justify a life's journey. Getting there,
particularly in show business, is tough enough.
You need a combination of talent,
ambition, luck and a willingness to tell actors how beautiful they look today.

In retrospect, getting there was the easy part. Finding a "there" there is much harder.
So today, before you get into your cars and race off to the rest of your lives, I want to
give you some advice on how to get there. And I want to help make sure that when
you get there, you find a "there" there.

To that end, I will give you my five rules to think about, quickly forget, but years
from now kick yourself for not having listened to.

#1:
Don't think about your future, especially right now. You'll miss my speech. There
will be plenty of time to contemplate your future right after the ceremony, but then
you'll miss all the celebrating and alation. So just wait until you get home and have
a good think about something that will happen in the future that will make you happy.

When I graated from college, I spent a lot of time thinking about how cool it would
be to be on the Johnny Carson show. A few years later, it happened. We appeared on
the "Tonight" show, Joey Bishop was the guest host. We were dreadful. For years I ran
into people who would stop me and say, "Hey, I saw you on the "Tonight" show. Huh...
What's Joey Bishop like?" Eventually I got over the embarrassment, but I never got
those years back — years I spent waiting for some future event to make me happy. I
had tricked myself into thinking, "As soon as I get there, I'll be OK."

I work in a business where almost everyone is waiting
for the next big thing.
Sometimes it comes, and sometimes it doesn't. But it doesn't matter that your dream
came true if you spent your whole life sleeping.
So get out there and go for it, but
don't be caught waiting. It's great to plan for your future. Just don't live there, because
really nothing ever happens in the future. Whatever happens happens now, so live
your life where the action is — now. And one more thing: If you're going to be on
television, don't call your friends and tell them to watch until after you've seen it.

#2:
Don't do anything that 30 years from now you'll look back at and say, "Oh, my
God, why the hell did I do that?!" I wish I had a nickel for every time I heard
someone start a sentence with, "If only, when I was younger, I would have...." So I did
a little informal survey for you, and I found out that, amazingly, all these people had
the same regret. When they graated from college, sadly, they bought furniture.

This probably needs a little explanation. Right at this moment in your life, you are in a
unique position that you may never ever be in again. You have nothing to lose.
Everything you have acquired of value is locked inside you. If you have a dream, now
is the time to pursue it, before you buy furniture.

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I was one of the lucky ones. I graated from the University of Wisconsin with no
employable skills, unless you count jury ty. It meant I had to start from scratch and
figure out where I fit in. I didn't have money, but I could afford to fail, and there were
many failures. But I found out what I was good at. I found something I loved. And
now I have furniture — lots of furniture.

#3:
Mrs. Zubatsky's law. One day when I was a kid, our house caught on fire in
Milwaukee. A large section of the wood shingle roof was burning as the fire trucks
pulled up. The firemen ran into the back yard with a large hose and began assembling
their metal ladders and positioning them against the house.

Mrs. Zubatsky was our next door neighbor and, at the time, she was standing on her
upstairs porch taking in the laundry. She watched anxiously as the firemen struggled
with their ladders. Suddenly she leaned over the balcony and shouted down to the
professional firefighters, "Forget the ladders! Just point the hose at the fire!" The
firemen, to their credit, responded immediately. They dropped their ladders, pointed
the hose at the fire and extinguished the blaze in about 40 seconds.

There are two morals to this story. One, never assume that just because it's someone's
job, they know how to do it. And two, don't let yourself be intimidated by
professionals or their uniforms.

Growing up in Wisconsin, I never knew anyone in the movie business. I never even
knew anyone who knew anyone in the movie business. That world had a mystique
that made it seem unattainable to me. But, like Mrs. Zubatsky, I sat on my porch and I
watched someone else do it, and I said, "I have a better idea." And like her, I seized
the moment.

If you have a better idea, if your plan makes more sense, if you have a vision, then put
down your laundry and scream a little bit. Throw your hat into the ring and never let
the
professionals or their uniforms prevent you from telling anyone where to point
their hose.

#4:

If you're going to fail, fail big. If you don't, you're
never going to make a
difference. Creativity is allowing yourself to make mistakes. Art is knowing which
ones to keep. Ask yourself one question: If I didn't have to do it perfectly, what would
I try? For many of you, the biggest obstacle to getting there will be the fear that you
have carried with your since childhood — the fear of humiliation, of embarrassment,
of ridicule. That is SO stupid! Oh ... sorry. But really, you have to stop caring about
that, which brings me to Travolta's law.

My brother David and Jim Abrahams and I were having pie at Rumpelmeyer's Coffee
Shop in New York on the day after our third movie, "Top Secret," opened. The
reviews were terrible and it was bombing at the box office. We were really getting

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into some serious moping and self-flagellation when John Travolta walked in. We
knew him from the Paramount lot and he could see right away that we were in a funk.
We immediately poured out our heart to him, explaining the pain of our humiliating
misfortune.

I'm not sure what we were expecting, but John just smiled and said, "Guys, the thing
you have to remember is (that) nobody else is paying as much attention to your
failures as you are. You're the only ones who are obsessed with the importance of
your own life. To everyone else, it's just a blip on the radar screen, so just move on.
By the way, are you going to finish that pie?"

I found that advice very liberating — that the only one who my big failure was truly
big for was me. So I thanked him and told him how beautiful he looked today, and
now when I fail big, I just go out and have a piece of apple pie and I move on. And I
always save a little piece for John Travolta. Amazingly, more often than not he shows
up to eat it.

The next time you go into a restaurant, please don't look at the waitress and say, "Can
I get some ketchup?" You're supposed to say, "May I please have some ketchup?"
Sorry — that doesn't count. Just a personal pet peeve of mine.

#5:
Don't overuse the word "love." Everyone overuses the word "love." "I love your
shoes." "I just love the new Justin Guarini CD." "I really love those little things they
put on the chicken sandwiches at Subway." In Hollywood, they say "Love ya, babe!"
So, OK, I get it. It's just the way people talk and it's probably harmless, but you
shouldn't forget the real thing. The real thing is great. It's just not so easy with actual
human beings, but if you work at it and you get it right, it will make you happier than
anything else you do in your life.

Think of the world as a big glass of water with some salt in it. You have a choice. You
can try to pick out all the salt or you can keep pouring in more water so eventually it
gets less bitter. As you begin your new journey, you can try to remove everything that
you find distasteful in the world, or you can just pour in more love. It's the only thing
that the more you give away, the more you have.

⑸ 怎样实现演员梦

想当演员不太难，主要得有耐心，并不是说想当就可以当的。开始的时候可能没戏接，只要肯努力，后来就会好了。

报考演员的还是比较多的，给你点建议：想当演员可以报考北京电影学院，中央戏剧学院，上海戏剧学院之类的演艺学院。这些学院文化分要求不高，但面试有一定难度，录取机会不大，并且出来不一定是演员，在学校会机会参加电视演出，出不出名就不一定了，得靠自己努力。（例如：赵薇，章子怡，陈坤，刘烨，黄晓明，李冰冰等等很多明星都是电影学院出来的。）
另外还可以通过参加选秀节目，来获得演艺机会。（例如：张嘉倪，贡米，白冰等等）

当演员主要是会演戏（最重要），胆子大（敢面对高危动作），放得开（戏路会比较宽）。其次长得好看（或有特色）和多才多艺也会使事业更顺畅。

至于努力方向看个性而定，要有很高的心理素质，善于沟通。

打了这么多，不知道对你来说有没有用。

⑹ 影视动画软件培训学校能不能帮我实现电影梦 不给力不加分

你的电影梦是什么？如果是特效，影视后期之类，报个培训班，学得好的话，可以实现。如果你想做导演之类的，还是去正规院校学习吧。

⑺ 我的电影梦要怎么实现

去横店当群众演员得先加入演员工会，登记了之后剧组有什么需要的就会来演员工会求人，如果你有表演的技能和天赋，有一部戏里表演的好，其他剧组自然再来找你，当然要想成功肯定会吃很多的苦，要远明星梦也不可能是一天两天的事情。要有心理准备的，祝你成功哈！

⑻ 有一种说法认为,电影是"梦的艺术",请以自己看过的影片为例,说明梦境在电影中的艺术表现和功能.

电影美工：银幕造型中的梦境

梦境永远是有限的、主观的、臆想的，而银幕上的影象，尽管某些外国电影理论家喜欢把运动和时间在银幕上的反映与梦境进行类比。这种相似是极其也是幻觉的，同时也是客观的，正像一切美学现象一样。在放映时我所看到的，其他观众也都能看到。银幕幻象与现实生活中人的梦境的差异。其中最明显的分别是：银幕上的影象，虽是幻觉的，但又是客观的，有目共睹的；而生活里的梦境只是个人主观的幻觉。

梦境与银幕幻象的同异应该说是容易鉴别的。但是，在银幕上，有时也要表现某一人物的梦境。这样的梦境却是要观众都要看见的，因而有其客观性。那么，银幕上的现实与银幕上的梦境，应该如何区分呢？在电影创作中，梦也是常常出现的。在银幕造型上准确而艺术地表现梦境，也就常常诱惑着和难为着创作者们。银幕上的梦境应该不同于银幕上的现实，梦境的造型应该与现实的造型有一段距离，才能使观众相信那就是梦。早期的电影在表现梦境时，通常是在镜头周围涂上凡士林之类的物质，使画而四周显得模模糊糊，就算是梦境了。这种说明式的造型技巧，在今夭看来，当然是极其幼稚的。今天，人们早已淘汰了这种表现方法，而转向从人们的心理感觉方式上来寻求相适应的造型语言。从人类的生理活动来看，梦是人的大脑皮质处于弥漫性抑制的结果。梦境是时断时续的，似乎合于逻辑，又似乎不合于情理，因此，给梦者遗留下的印象是在虚实隐现之间。这就给创作者们以极大启示。然而这种运用人们心理与生理活动的经验，并将其转化为银幕造型的方法，却常常被美术师和创作人员们忽视。有些影片，将梦境的表现搞得太实，似乎不过是一种场景的转换。这样，也就失去了在银幕上表现梦幻美，表现虚无美，表现朦胧美的审美价值。一些影片的梦，太合乎生活逻辑，有头有尾，过份有章法，景物造型也非常实在，结果事倍功半。要知道，梦境既有别于生活实际，人在现实中不会飞，梦里却能翱翔千里。因此，银幕上的梦境，人也可以长上一双翅膀。人不能在瞬间变大变小，梦里可以七十二变。假如作品中描写的梦境与生活实际一模一样，那还要什么梦境呢？在电影创作中，若要表现梦境，就应该在造型上寻找能够表示若真若假、若隐若现、似断似续、扑朔迷离的表现元素，使得银幕上的梦境就变得梦味十足。

在文艺作品中，还有什么样的环境比梦境更加离奇，更加“想入非非”、尽情展开幻想的彩翼？梦境因造型上充满了幻想和夸张的色彩，才更迷人，更富于感染力量。美国影片《爱德华大夫》里，有表现精神病患者的梦境。从剧作来说，他们运用了弗洛伊德的学说，表现的梦境是未能实现的愿望的达成。在造型语言上，影片运用了现代主义绘画的构成方式，因此银幕造型显得离奇、荒唐而富于神秘感，这样的银幕造型是非常容易与银幕上现实事件的造型分别开来的。在银幕上借助造型来展示梦境向美术创作提出了各种难题。美术师就应该找到既能使观众理解，又能与现实环境造型区别开来的银幕造型语言，这就需要艺术才能和独具匠心。

因此，总体氛围的成功设置与体现，是影片创作中一项艰难但十分重要的任务。只有对影片有了全面与深刻的了解；对未来影片的风格、基调等有了综合认识，电影美术师才不会只把目光盯在一场一场的布景上，而是从全局出发，以总构思与基调、氛围的总设计，来指导每一环境的选择和每一堂布景的设计与体现,更好的把握梦境与银幕造型的关系。

⑼ 你们做过哪些可以拍成电影的梦

“小外甥抓了一把小橘子，伸手要给我一个。我妈还说懂事了，给舅舅橘子呢。谁知道他给了我一片绿叶子，我跟我妈对视一笑。然后小外甥发现好像给错了，拿橘子把叶子换回去了。”可以拍成电影哈哈。

⑽ 寻求有关梦的电影！！！或者其中梦的运用解析！

恐怖游轮。（女主角看到n个自己…）
禁闭岛（男主角到底是不是精神病？）
万能钥匙（谁都不能相信啊、结局很奇特）
致命ID(人格分裂的大哥，2012的男主角演的）
身后事 （又一部让人疯掉的剧情，到底女主角死还是没死？擦亮你的眼睛。）

老男孩（到底为什么被关那么久？为了寻找真相，主角真是用尽了浑身解数，最后……）
记忆碎片 （电影故事其实不太复杂，但很难看懂，这是由于它采用两条平行故事线，一条倒叙，以彩色呈现，另一条顺叙，以黑白呈现，两条线每隔几分钟穿插一次，直至片尾天衣无缝地与片头衔接在一起）

香草天空

猛鬼街3：梦之战 恐怖片中的经典