❶ 我们学校英语演讲,我要做过关于黑客帝国的电影的PPT
http://www.imdb.com/title/tt0133093/
http://whatisthematrix.warnerbros.com/
http://en.wikipedia.org/wiki/The_Matrix
❷ 求 电影英文对白 文本资料
PART 1
1 INT -- CABIN -- NIGHT (1946)
A dark, empty room.
The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than they're all over each other, ripping at clothes, pawing at flesh, mouths locked together.
He gropes for a lamp, tries to turn it on, knocks it over instead. Hell with it. He's got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her skirt. We hear fabric tear.
He enters her right then and there, roughly, up against the wall. She cries out, hitting her head against the wall but not caring, grinding against him, clawing his back, shivering with the sensations running through her. He carries her across the room with her legs wrapped around him. They fall onto the bed.
CAMERA PULLS BACK, exiting through the window, traveling smoothly outside...
2 EXT -- CABIN -- NIGHT (1946) 2
...to reveal the bungalow, remote in a wooded area, the lovers' cries spilling into the night...
...and we drift down a wooded path, the sounds of rutting passion growing fainter, mingling now with the night sounds of crickets and hoot owls...
...and we begin to hear FAINT MUSIC in the woods, tinny and incongruous, and still we keep PULLING BACK until...
...a car is revealed. A 1946 Plymouth. Parked in a clearing.
3 INT -- PLYMOUTH -- NIGHT (1946) 3
ANDY DUFRESNE, mid-20's, wire rim glasses, three-piece suit. Under normal circumstances a respectable, solid citizen; hardly dangerous, perhaps even meek. But these circumstances are far from normal. He is disheveled, unshaven, and very drunk. A cigarette smolders in his mouth. His eyes, flinty and hard, are riveted to the bungalow up the path.
He can hear them fucking from here.
He raises a bottle of bourbon and knocks it back. The radio
plays softly, painfully romantic, taunting him:
You stepped out of a dream... You are too wonderful... To be what you seem...
He opens the glove compartment, pulls out an object wrapped in a rag. He lays it in his lap and unwraps it carefully --
-- revealing a .38 revolver. Oily, black, evil.
He grabs a box of bullets. Spills them everywhere, all over the seats and floor. Clumsy. He picks bullets off his lap, loading them into the gun, one by one, methodical and grim. Six in the chamber. His gaze goes back to the bungalow.
He shuts off the radio. Abrupt silence, except for the distant lovers' moans. He takes another shot of bourbon courage, then opens the door and steps from the car.
4 EXT -- PLYMOUTH -- NIGHT (1946) 4
His wingtip shoes crunch on gravel. Loose bullets scatter to the ground. The bourbon bottle drops and shatters.
He starts up the path, unsteady on his feet. The closer he gets, the louder the lovemaking becomes. Louder and more frenzied. The lovers are reaching a climax, their sounds of passion degenerating into rhythmic gasps and grunts.
WOMAN (O.S.)
Oh god...oh god...oh god...
Andy lurches to a stop, listening. The woman cries out in
orgasm. The sound slams into Andy's brain like an icepick. He
shuts his eyes tightly, wishing the sound would stop.
It finally does, dying away like a siren until all that's left
is the shallow gasping and panting of post-coitus. We hear
languorous laughter, moans of satisfaction.
WOMAN (O.S.)
Oh god...that's sooo good...you're the best...the best I ever had...
Andy just stands and listens, devastated. He doesn't look like much of a killer now; he's just a sad little man on a dirt path in the woods, tears streaming down his face, a loaded gun held loosely at his side. A pathetic figure, really.
FADE TO BLACK: 1ST TITLE UP
5 INT -- COURTROOM -- DAY (1946) 5
THE JURY listens like a gallery of mannequins on display, pale-faced and stupefied.
D.A. (O.S.)
Mr. Dufresne, describe the confrontation you had with your wife the night she was murdered.
ANDY DUFRESNE
is on the witness stand, hands folded, suit and tie pressed, hair meticulously combed. He speaks in soft, measured tones:
ANDY
It was very bitter. She said she was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno.
D.A.
What was your response?
ANDY
I told her I would not grant one.
D.A.
(refers to his notes)
"I'll see you in Hell before I see you in Reno." Those were the words
you used, Mr. Dufresne, according to the testimony of your neighbors.
ANDY
If they say so. I really don't remember. I was upset.
FADE TO BLACK: 2ND TITLE UP
D.A.
What happened after you and your wife argued?
ANDY
She packed a bag and went to stay with Mr. Quentin.
D.A.
Glenn Quentin. The golf pro at the Falmouth Hills Country Club. The
man you had recently discovered was her lover.
(Andy nods)
Did you follow her?
ANDY
I went to a few bars first. Later, I decided to drive to Mr. Quentin's
home and confront them. They weren't there...so I parked my car
in the turnout...and waited.
D.A.
With what intention?
ANDY
I'm not sure. I was confused. Drunk. I think mostly I wanted to scare them.
D.A.
You had a gun with you?
ANDY
Yes. I did.
FADE TO BLACK: 3RD TITLE UP
D.A.
When they arrived, you went up to the house and murdered them?
ANDY
No. I was sobering up. I realized she wasn't worth it. I decided to
let her have her quickie divorce.
D.A.
Quickie divorce indeed. A .38 caliber divorce, wrapped in a
handtowel to muffle the shots, isn't that what you mean? And then
you shot her lover!
ANDY
I did not. I got back in the car and drove home to sleep it off.
Along the way, I stopped and threw my gun into the Royal River. I feel I've been very clear on this point.
D.A.
Yes, you have. Where I get hazy, though, is the part where the
cleaning woman shows up the next morning and finds your wife and her lover in bed, riddled with .38 caliber bullets. Does that strike
you as a fantastic coincidence, Mr. Dufresne, or is it just me?
ANDY
(softly)
Yes. It does.
D.A.
I'm sorry, Mr. Dufresne, I don't think the jury heard that.
ANDY
Yes. It does.
D.A.
Does what?
ANDY
Strike me as a fantastic coincidence.
D.A.
On that, sir, we are in accord...
FADE TO BLACK! 4TH TITLE UP
D.A.
You claim you threw your gun into the Royal River before the murders took place. That's rather convenient.
ANDY
It's the truth.
D.A.
You recall Lt. Mincher's testimony?
He and his men dragged that river for three days and nary a gun was
found. So no comparison can be made between your gun and the bullets taken from the bloodstained corpses of the victims. That's also rather convenient, isn't it, Mr. Dufresne?
ANDY
(faint, bitter smile)
Since I am innocent of this crime, sir, I find it decidedly inconvenient
the gun was never found.
FADE TO BLACK: STH TITLE UP
6 INT -- COURTROOM -- DAY (1946) 6
The D.A. holds the jury spellbound with his closing summation:
D.A.
Ladies and gentlemen, you've heard all the evidence, you know all the
facts. We have the accused at the scene of the crime. We have foot
prints. Tire tracks. Bullets scattered on the ground which bear his fingerprints. A broken bourbon bottle, likewise with fingerprints.
Most of all, we have a beautiful young woman and her lover lying
dead in each other's arms. They had sinned. But was their crime so
great as to merit a death sentence?
He gestures to Andy sitting quietly with his ATTORNEY.
D.A.
I suspect Mr. Dufresne's answer to that would be yes. I further
suspect he carried out that sentence on the night of September
21st, this year of our Lord, 1946, by pumping four bullets into his
wife and another four into Glenn Quentin. And while you think about
that, think about this...
He picks up a revolver, spins the cylinder before their eyes like a carnival barker spinning a wheel of fortune.
D.A.
A revolver holds six bullets, not eight. I submit to you this was not
a hot-blooded crime of passion! That could at least be understood,
if not condoned. No, this was revenge of a much more brutal and
cold-blooded nature. Consider! Four bullets per victim! Not six shots
fired, but eight! That means he fired the gun empty...and then
stopped to reload so he could shoot each of them again! An extra bullet per lover...right in the head.
(a few JURORS shiver)
I'm done talking. You people are all decent, God-fearing Christian
folk. You know what to do.
FADE TO BLACK: 6TH TITLE UP
INT -- JURY ROOM -- DAY (1946) 7
CAMERA TRACKS down a long table, moving from one JUROR to the next. These decent, God-fearing Christians are chowing down on
a nice fried chicken dinner provided them by the county, smacking greasy lips and gnawing cobbettes of corn.
VOICE (O.S.)
Guilty. Guilty. Guilty. Guilty...
We find the FOREMAN at the head of the table, sorting votes.
FADE TO BLACK: 7TH TITLE UP
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你可以去这里下载.
http://ye2008.blog.xunlei.com/
❸ 金凯瑞搞笑电影中的经典台词
1、楚门的世界
Truman: Good morning, and in case I don't see ya, good afternoon, good evening, and good night!
Truman:假如再也见不到你,就祝你下午好，晚上好，晚安！
Sylvia: Look at what you've done to him!
Sylvia: 看看你都对他作了什么！
Christof: I have given Truman the chance to lead a normal life. The world, the place you live in, is the sick place.
Christof:我给了Truman过正常生活的机会。而你所生活的世界，是一个病态的世界。
Network Executive: For God's sake, Chris! The whole world is watching. We can't let him die in front of a live audience!
Network Executive: 看在上帝的份上，Chris!全世界都看着呢。我们不能让他当众死亡!
Christof: He was born in front of a live audience.
Christof:但他当众出生.
Truman Burbank: Was nothing real?
Truman:一切都是假的?
Christof: You were real. That's what made you so good to watch...
Christof:你是真的，大家都爱看你……
2.大话王
Max Reede: My dad? He's... a liar.
Max:我爸爸？他是个……骗子。
Teacher: A liar? I'm sure you don't mean a liar.
老师：骗子？我肯定你不是这个意思。
Max Reede: Well, he wears a suit and goes to court and talks to the judge.
Max：他穿着西装去法庭，并且跟法官说话。
Teacher: Oh, you mean he's a lawyer.
老师：哦，你是说他是个律师。
------------------------------------------------------------------ Max Reede: My teacher tells me beauty is on the inside.
Max:老师说美是内在的。
Fletcher: That's just something ugly people say.
Fletcher: 只有那些长得丑的人才这么说。
Jerry: I love you!
Jerry:我爱你！
Audrey: Thank you.
Audrey:谢谢。
Jerry: Well, that's wasn't exactly the answer I was hoping for...
Jerry:那不是我想要的答案……
Audrey: Thank you very much?
Audrey:非常感谢？
3.飞机神探头：
Melissa：You know what? I'm not even going to talk to you. Would you please leave.
梅利莎：你懂什么？我不想和你说话，请你离开。
Ace Ventura：Why? So you can beat him?
艾斯：为什么？这样你就能揍他了？
Ace Ventura：Fatty.
艾斯：真肥。
Melissa：You're unbelievable. Hiring you was the biggest mistake I ever made.
梅利莎：你让人难以置信，雇用你是我犯过的最大错误。
Riddle：How in the hell do you loose a five hundred pound fish?
瑞多：你究竟是怎么把一条500磅重的鱼弄丢的？
Melissa：I'm sorry sir, I was just going to say, that it's not a fish, it's a mammal.
梅利莎：对不起先生，我只是想说，它不是条鱼，它是哺乳动物。
Riddle：Thank you, miss Jacques Cousteau.
瑞多：谢谢你，雅克·库斯多（著名海洋学家）小姐。
❹ 求以下电影的英文影评，每篇两百词左右
1.《Dead Poets Society》
Dead Poets Society was a movie that took some in depth realization. Robin Williams did a fantastic job depicting indivialism and how to walk on your own. He realized that these young men were going to be shaped in either a bad way or could shape themselves into the type of men they wanted to become.Sure, everyone around them were jerks and stiffs but that is the environment of the school. People just didn't go up against all odds, and everything was OK. That is exactly what Dead Poets Society was showing. Even though there were consequences to the boys being inspired and re-forming "Dead Poets Society" they still learned to march to their own drummer. They could be boys and go for their own dreams and ambitions. This movie showed Williams in a different light and i have so much respect for his character. He believed enough in these boys to loose his job. Standing on desks may not make everything better, but it shows the real meaning of the movie. These boys had been taught to conform and put their beliefs aside, but Williams opened up their hearts and made a lot of people, whether they liked it or not, realize that tradition is not always the way to push your children. If all you can look at is the expression on Neil Perrys fathers face, when he realized what his son had done, then you really didn't get the point. This was not Mr. Perrys life, and Williams knew that and was not about to cover up Neils dreams and tell him exactly the opposite of what he had been teaching him all along. Dead Poets Society was an unbelievable movie that showed how this teacher believed so much in his students, that it changed their lives.
2. 《The Joy Luck Club》
Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.
If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.
This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to enre.
It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.
In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.
The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.
Everyone should see this film. It's one of the most honest human dramas out there.
3.《The Devil Wears Prada》
I had been told that Merryl Streep is great in this movie but the movie isn't really very good, so I went in with very low expectations. Maybe that was good: I really liked "The Devil Wears Prada" a lot.
Maybe I liked it because of two things I had in common with Andy: first, I have had the experience of starting a new job with only the vaguest idea of what I was supposed to do (and how to do it) and finding that everyone expected me to perform competently, without any training or help, right away. Second, I have had a boss (female) who was so difficult to please and so willing to tell her underlings how stupid they were that several quit without even waiting until they could find other jobs. In other words, I could really relate to Andy's situation. Stuff like that actually does happen in the real world. Perhaps, that is the reason that I was possibly the only person in the theater who was hoping Andy would not make the choice she made.
One thing that Miranda Priestley (Merryl Streep) had going that my Boss From Hell did not was class. It would have been very easy to create Miranda as a monster, but, wisely and skillfully, Merryl Streep allowed her to have a dignity and intelligence that made her seem to be demanding but not sadistic.
Stanley Tucci is superb as Nigel, the ambitious, hard working man who dreams of having a position of power like Miranda's some day.
"The Devil Wears Prada" is a very funny movie that is not as far divorced from the real world as, I believe, the procers of this movie may have thought.
4. 《Philadelphia》
In 1993, not many films major films with top stars had taken on the AIDS as a topic, so Jonathan Demme really was taking a risk here. He made the smart move about keeping the movie true to the story and outlining how all of us are prejudice in one form or another. He also made a film about a man dying from AIDS, plain and simple.
Philadelphia does not stand on a high horse as a gay rights film, and if it did its mass appeal may well be ruined. I am very conservative by nature, but still this film makes me cry and reminds me that above all, people die a horrible death.
Hanks won a well deserved Oscar here, and I think he won mostly for the brief but pivotal scene where his lawyer (Denzel Washington) re-directs a line of questioning about skin lesions. I will not spoil for you, but if this scene fails to move you then nothing will.
I love courtroom dramas and this a great one. Denzel Washington is key - you see his character change over time from a greedy lawyer with prejudices to a compassionate friend. I do not think that the his character ever overcomes his prejudice, but grapples with it and learns what is right in spite of himself. Denzel gives a Oscar worthy performance as well.
5.《Beauty and the Beast》
This Disney classic is truly one of the most darkest but most loving films I have every seen. I don't want to say to much cause we all know that this film is very impressive no matter what level it's on.
A young prince is rude to an old lady who's trying to get out of the cold. He rejects her again and she turns into a beautiful princess (Godest) and then she transforms him into a Beast and he must have love in his heart and he must learn to love another. The other person (who is the gorgeous Belle) must love the Beast. The Beast looses all faith and keeps himself in his black, darken castle for many years.
Maurice then goes to the fair and gets lost in the woods and then Belle (who is the daughter of Maurice) goes out to look for him and ends up being a prisoner instead of her father. As the film progresses on, the Beast & Belle end up falling in love and we do have a magical ending.
i can't on how much I love this film. I think there where two sequels and they both sucked a lot of ass. The 1991 classic has a deep, emotional, loving story, characters are great, the settings are awesome and the music score of coarse is done well with both the themes of passion and darkness.
After the Lion King, this would be my second favorite.
6. 《The Queen》
An exceptionally well written, directed, and acted film. I am torn about the best picture category, but would not be disappointed if this film won. I would, however, feel that the Academy would be making a tremendous mistake if they did not honor Helen Mirren with a statue, in spite of the other fine actresses in the category. Ms. Mirren put a face on the most recognized yet most isolated monarch in the world. Kudos! I am far from a royalist sympathizer, but I do appreciate the human element this or any story provides. I was equally moved by the symbology employed by way of "stalking the stag." Princes Philip, Charles, William, and Harry, while at Balmoral would go out daily to stalk a 14-point stag for a hunting expedition in order to distract the younger princes from the horror of their mother's untimely and brutal death. Queen Elizabeth encounters the stag in one of the films most beautiful and emotional moments. The Queen's Range Rover breaks down as she tries to ford a river. While waiting for help, the stag appears. Standing before the Queen, the noble animal represents the British Monarchy; its ability to survive despite attempts on its life parallels the longevity of the Crown. The stag's tenuous hold on life mirrors the Queen's trouble at maintaining the monarchy e to rising unpopularity. Her attempt to honor the Spencer family's right to private mourning is seen as inaction and a lack of compassion by her subjects who mourn en masse. When the Queen acquiesces to Prime Minister Blair's recommendations to return to London and acknowledge the mourners she learns of the stag's death. Significant is the fact that the stag was not killed by a "royal" but by a "common" investment banker from London. An act portending the fate of the monarchy at the hands of the British subjects if the Windsors fail to modernize. It is not so much that the British, as portrayed in the film, were shouting down with the Queen, but were looking to their Sovereign for consolation ring their collective mourning. Mirren and the entire cast succeed at putting this small slice of British history into perspective, and for that this film succeeds.
7. 《Troy》
Troy is without a doubt one of the greatest movies of all time. Those who think differently should be ashamed of themselves. This movie as most people know is based on Homer's the Illiad. The movie is way off from the book but who cares. This movie excels in every aspect.
I thought this movie excelled in the acting aspect. Every actor drew me into there character. I found myself cheering for Hector when he fights Achilles and was sad when he died. Many reviews did not like Brad Pitt's performance because he didn't let you get into his character. However if you know anything about the book you will realize that Achilles is just a tough, egotistical man and Brad Pitt portrayed that very well. Eric Bana was outstanding as Hector and I liked his character the best, and I liked how the director showed the struggle with him debating whether to fight Achilles or not. I'm not a huge Orlando Bloom fan but he portrayed a very good coward in the character of Paris. They picked the perfect woman to play Helen because hey, isn't Helen supposed to be extremely hot. Last but not least Brian Cox does a phenomenal job as Agamemnon. Brian Cox plays every bad guy in his movies to perfection.
❺ 十部英语电影中的30句话英文加中文(10个单词左右)
《功夫熊猫》
1. One meets its destiny on the road he takes to avoid it.
.往往在逃避命运的路上，却与之不期而遇。
2.There are no accidents
存在即合理
you cannot leave ,real warrior never quits.
你不能走，真的武士决不会退却
《肖申克的救赎》
A strong man can save himself,a great man can save another.
强者自救，圣者渡人
Get busy living, Or get busy dying.
忙着活，或等着死。
.Hope is a good thing, maybe the best of things, and no good thing ever dies.
希望是美好的，也许是人间至善，而美好的事物永不消逝。
《当幸福来敲门》
1.You have a dream, you got to protect it.
如果你有梦想，就要守护它。
2.People can't do something by themselves; they wanna tell you you can not do it.
当人们做不到一些事情的时候，他们就会对你说你也同样不能。
3.There is an I in "happiness",There is no Y in "happiness",It's an I
幸福的幸里面是一个“幸”，不是一个“辛”。或者理解成，Y=Why=为什么，I=我。幸福里面没有为什么，只有我
《狮子王》
1.I laugh in the face of danger. 越危险就越合我心意。
It’s like you are back from the dead. 好像你是死而复生似的
You can’t change the past. 过去的事是不可以改变的
《星球大战》
May the Force be with you. 愿原力与你同在
wars not make one great. yoda战争不会令一个人变得伟大
you must unlearn what you have learned. yoda你要忘掉以前所学
do or do not. there's no try. yoda只有做与不做，没有试一下。
if you will not be turned,you will be destroyed. darth sidious如果你不转向黑暗面，你就会被消灭。
i don't know you anymore. anakin,you're breaking my heart!you're going down a path i can't follow. padme我不再认识你了，阿纳金，你让我的心碎了，你走向了一条我无法跟随的道路
《彗星美人》
Fasten your seatbelts. It’s going to be a bumpy night. 系紧你的安全带，这将是一个颠簸的夜晚
I like that girl. That quality of quiet graciousness.
我喜欢那女孩，有种安静的高雅的特质。
Among so many quiet qualities.
这只是她众多安静的特质之一。
Keep your eyes on her. Don't let her get lonely. She's a loose lamb in a jungle.
看着她吧！别让她寂寞，她是丛林里的一只迷途羔羊。
《爱情故事》
Love means never having to say you’re sorry. 爱就是永远不必说对不起
《阿甘正传》
1.life was like a box a chocolates, never know what you're gonna get生活就像一盒巧克力：你永远不知道你会得到什么
2. If God intended everybody to be the same, he'd have given us all braces on our legs.
如果上帝要让人人都一样的话，他会给每人一双脚撑。
3.Jesus loves you more than you will know。
“耶稣对你也特别垂青”
4.A promise is a promise.
要信守诺言。
5.You got to put the past behind you before you can move on.
你只有忘记以往的事情,才能够继续前进。
《电视台风云》
I’m as mad as hell，and I’m not going to take this anymore！我疯狂得如同地狱中的恶魔，我不会再这样继续下去了
《日落大道
I am big！It’s the pictures that got small. 我是巨大的！是这些照片让我变得渺小了