我要哪個電影簡介

① 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

② 介紹點電影我要看~

燃情歲月
驚情400年
鋼琴師(不是海上鋼琴師)
天使之城
居家男人
天氣預報員
阿爾法狗
天使A
大開眼界
完美世界

③ 電影我要上學詳細劇情

劇情介紹：我要上學講述了一個山村貧困女孩求學的感人故事。贛東柳溪村小學五年級學生趙小蓮，父親因山洪暴發搶救村民不幸身亡，家境十分貧困，欠本村村民趙三寶五千塊錢債，同時又沒有錢交學雜費，因而失學為趙三寶打工還債。

在打工過程中，趙小蓮渴望讀書，又遭到趙三寶的多次責難和阻止，趙小蓮不辭而別走上拾荒之路。為了幫助趙小蓮重回學校，村民二喜叔和學校老師開始了漫長的尋找之路、在教育部門以及全社會的幫助下趙小蓮重回學校。影片反映的是當前千千萬萬貧困孩子艱難求學的一個縮影，也是當前貧困農村義務教育的真實寫照，對改變當前農村教育現狀和促進青少年的教育成長有極大的教育意義。

拓展資料

我要上學

電影《我要上學》由江西省電影家電視家協會、中共撫州市委宣傳部、上海撫州商會、撫州吳氏電梯有限公司、撫州鴻文文化傳媒有限公司聯合攝制。

拍攝故事

在拍攝過程中，他們做到了精益求精，不達要求決不罷休。有時，為完成一個鏡頭的拍攝任務，為力求演員表情到位，導演要求劇組接連拍攝了十多次。這部電影不僅展示了趙小蓮求學的精神，而且展示了撫州城市和黎川農村的美麗自然風景，是一部難得的勵志電影。

④ 我要具體的《鬼影》的劇情介紹。最好是整部電影的介紹。從網上COPY的不要了

也許這一切，本來就是命中註定的……本和簡·肖，是一對新婚的年輕夫婦。本是一位職業的攝影師，被派往日本去做一項非常重要的拍攝工作，他尋思著想帶上簡，提前幾天抵達那裡，順道把蜜月也一起度了。所以說，本和簡是在一種非常興奮的情緒下抵達日本的，不僅僅是受到了異域風情的感染，同時也包括他們許諾共度一生的幸福相守。
在開車前往富士山腳下的小木屋的路上，本和簡在經過一條荒無人煙的道路時低頭研究地圖，因為分心而躲閃不及，撞倒了一個站在路中間的年輕日本女子，隨即車又撞在了樹上，兩人都因為巨大的沖擊昏了過去……當本和簡恢復意識之後，卻驚訝地發現他們確信撞到的女孩不見了，沒留下一丁點痕跡，兩人隨即迷惑了：是幻覺？還是女孩沒受傷，自行離開了？本和簡最初的興奮，因為這個意外，而蒙上了一層陰影。
回到東京，本開始專心於他的拍攝工作。就在這個時候，怪事也隨之出現，在本拍攝的所有照片中，都出現了類似於底片曝光的大片白色斑點，如果你仔細分辨，會發現這些白斑都呈人的形狀，很像那個被他們的車撞倒的女子……因為罪惡感而備受折磨的簡堅信她和丈夫碰到了靈異事件，是那個女子來找他們復仇了。然而更讓簡百思不得其解的是，為什麼女孩在車禍後會神秘失蹤，然後卻執著地在照片中不停地現身？簡決定調查整件事，她知道這背後肯定隱藏著一個更加令她驚恐的真相。

美國版本和泰國版本我都看過了
覺得還不錯，其實並沒有說的那麼恐怖

⑤ 請大家為我推薦幾部電影及其簡介

漫步雲端 風景很美麗

once 平淡質朴的愛情故事中夾雜著盪氣回腸的音樂

夢斷花都 音樂劇，但我覺得歌劇院魅影應該是巔峰之作

夜半歌聲 中國版本的歌劇院魅影，至於好不好嘛。。。

天使愛美麗 典型法國作品

威尼斯之女 宮廷作中相當出色的一部

另一個波林家的女孩 宮廷劇，場景很美

濃情巧克力 名字很生動不是么？

每部片子在網路中都有詳細的介紹

⑥ 我要<情人>電影的介紹.

我暈，你沒進去看過（RMVB格式、文件大小523M、片長115分鍾），那我真是想分想癲了。還幫你試下載速度！！！

介紹就不復制了，BT資源，迅雷可以支持下載，我剛試著下了一分鍾，速度達到130K。
http://m.didai.com/1_14412.html

⑦ 我要兩個英文電影的簡介

片 名 Keinohrhasen/Rabbit Without Ears
簡 介

專欄作家Ludo（蒂爾·斯威格飾）及其老友——攝影師Moritz（馬提亞斯·施維赫夫飾)均是玩世不恭的花花公子，兩人終日追逐明星的足跡打探他們的隱私。不過，Ludo的好日子就快到了頭，他因違法而被法庭判處了300小時的社區服務令——必須在一間幼兒園里老老實實「服刑」。
女主角Anna（諾拉·茨切納飾）正是這間幼兒園的老師，也是Ludo的舊日相識，不過以前那個四眼鋼牙常被Ludo捉弄的小女生如今已經出落得亭亭玉立。仇人相見好戲連篇，一段浪漫的愛情故事同時也在悄悄醞釀……

片名：Good People, Bad Things
簡 介

本片是關於一個成功的建築師在捲入一場車禍後生活急劇變化的故事。當他被脅迫成為一個騙子時,他突然被推入一個犯罪世界，他必須為他的自由而戰斗。富有的女人Danny開始償還他的債務,直到他和一個叫Claire的單身母親墜入愛河。Danny試圖離開他...

GOOD People, BAD Things is the story of a successful architect whose life drastically changes one night after he gets into a car accident. He is suddenly thrust into a world of crime and must fight for his freedom as he is blackmailed into becoming a con man. Forced to prey on lonely, rich women Danny begins to pay off his debts, until he falls in love with one of his marks, a beautiful single mother named Claire. Danny tries to leave both the blackmailer and his life of crime behind.

⑧ 我要所有的迪士尼動畫片、電影的簡介（人物）。謝謝

寫在前面的話,後面有參考資料.因為網路有限制字數.我不可以一一發上來.(電影的簡介（人物）)資料去我給的資料里找就可以了.每一部都有詳細介紹!!!!!

資料地址:
http://lib.verycd.com/2005/08/08/0000059947.html

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迪士尼經典動畫 作品列表:

1937/12/21 Snow White and Seven Dwarfs（白雪公主）【CLASSICS-1】
1940/02/07 Pinocchio（木偶奇遇記）【CLASSICS-2】
1940/11/13 Fantasia（幻想曲）【CLASSICS-3】
1941/10/23 Dumbo（小飛象）【CLASSICS-4】
1942/08/13 Bambi（小鹿斑比）【CLASSICS-5】
1943/02/06 Saludos Amigos（致候吾友）【CLASSICS-6】
1945/02/03 The Three Caballeros（三騎士）【CLASSICS-7】
1946/04/20 Make Mine Music（為我譜上樂章）【CLASSICS-8】
1947/09/27 Fun and Fancy Free（米奇與魔豆）【CLASSICS-9】
1948/05/27 Melody Time（旋律時光）【CLASSIC-10】
1949/10/05 The Adventures of Ichabod and Mr. Toad（伊老師與小蟾蜍大歷險）【CLASSICS-11】
1950/02/15 Cinderella（仙履奇緣）【CLASSICS-12】
1951/07/28 Alice in Wonderland（愛麗絲夢遊仙境）【CLASSICS-13】
1953/02/05 Peter Pan（小飛俠）【CLASSICS-14】
1955/06/16 Lady and the Tramp（小姐與流氓）【CLASSICS-15】
1959/01/29 Sleeping Beauty（睡美人） 【CLASSICS-16】
1961/01/25 101 Dalmatians（101忠狗）【CLASSICS-17】
1963/12/25 The Sword in the Stone（石中劍）【CLASSICS-18】
1967/10/18 The Jungle Book（森林王子）【CLASSICS-19】
1970/12/24 The Aristocats（貓兒歷險記）【CLASSICS-20】
1973/11/08 Robin Hood（羅賓漢） 【CLASSICS-21】
1977/03/11 The Many Adventures of Winnie the Pooh（小熊維尼歷險記）【CLASSICS-22】

============我汗,超多的分割線===========================

【作品名稱】 Snow White and the Seven Dwarfs
【中文翻譯】 白雪公主
【在美推出】 1937年12月21日
【片長時間】 約84分鍾
【作品類別】 迪士尼第1部經典動畫，長篇劇情動畫片
【特殊記錄】
世界第一部長篇動畫電影
原聲帶為世界第一片電影原聲帶（以唱片型式發行）
世界第一部使用多層次攝影機拍攝的動畫
世界第一部有隆重首映的動畫電影

【原著取材】 改編自《格林童話》

【內容介紹】
華特迪士尼1928年推出世界第一部有音效卡通【蒸汽船威利】（Steamboat Willie），又於1932年推出世界第一部彩色卡通【花與樹】（Flowers and Trees），之後華特迪士尼有一個更大的夢想，他想拍一部完全是動畫的電影，世界第一部動畫電影於是誕生！《格林童話》中白雪公主與七個小矮人的故事可以說是家喻戶曉，華特迪士尼選上這個故事來當他的開天闢地之作！這部迪士尼首部動畫片當初可是華特迪士尼費盡一切心力才完成的，在本片拍攝時期，由於華特迪士尼對於每個畫面都求好心切、要求完美，因此製作預算節節上攀，拍攝此片時捉襟見肘、到處舉債借款，最後甚至連片場都抵押給銀行來貸款！當然，說服銀行接受抵押也花了不小的心力！【白雪公主】的成功與否將是華特迪士尼生命中的一大豪賭！這樣的豪賭可真是前所未有，令人瞠目結舌！而且因為如此，華特迪士尼拍攝本片的整個過程還被當時 的美國媒體戲謔稱作是＂迪士尼的傻勁″（Disney's Folly）。許多美國影評還嗤之以鼻認為沒有人會願意花錢看一部都是卡通的電影，幸好本片上映獲得空前成功，在好萊塢 Cathay Circle 戲院演出時獲得名人觀眾（包括卓別林、卡萊葛倫、雪莉坦普…等）起立鼓掌，片中歌曲「Some Day My Prince Will Come」 、「Heigh-Ho」…等等也都風靡一時，成為人們琅琅上口的旋律。【白雪公主】成功開啟了動畫史的新頁，從此卡通不再只是卡通，而成為動畫！【白雪公主】從此改寫了影史，它不但是世界上第一部動畫電影，其原聲帶更是世界上第一張電影原聲帶！迪士尼的動畫王國從此奠下龍頭地位！本片在1998年被美國電影協會選為本世紀美國百部經典名片之一。

【製作編導】
本片是由 Walt Disney 製片，由 David Hand 執導，由 Dorothy Ann Blank 、Richard Creedon 、Merrill De Maris 、Otto Englander 、Jacob Ludwig 、Earl Hurd 等人共同編劇。

【配音演員】
替白雪公主配音的 Adriana Caselotti 是華特迪士尼公開徵求而來。小矮人之中的 Dopey 因為找不到適合的配音員，所以華特迪士尼決定讓他在電影里不發一語。

【音樂製作】
由 Frank Churchill 、Leigh Harline 、Paul J. Smith 負責配樂，歌曲部分則是由 Frank Churchill 作曲，Larry Morey 作詞。

【歌曲名稱】
1. I'm Wishing
2. One Song
3. With a Smile and the Song
4. Whistle While You Work
5. Heigh-ho
6. Blubble-Ubble-Um-Dum (The Washing Song)
7. The Dwarf Yodel Song (The Silly Song)
8. Some Day My Prince Will Come

【奧斯卡紀錄】
獲得奧斯卡特別成就獎（一座大奧斯卡加上七座小奧斯卡）
獲得奧斯卡最佳原著配樂提名

【相關發行】
原本迪士尼一直把本片視為壓箱寶不發行錄影帶，因此錄影帶遲至1994年才全球同步推出，後來本片更在2001年盛大發行『白金典藏版』DVD，並請來芭芭拉史翠珊演唱流行版歌曲收在DVD當中。本片的電影原聲帶也已經發行CD版本，美國在1998年2月還推出新版的原聲帶，到了2001年，配合『白金典藏版』的推出又換新包裝推出。另外，還有改編自本片的迪士尼冰上世界表演，在迪士尼樂園裡面也有【白雪公主】造型的水池花圃以及主題游樂設施。

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【作品名稱】 Pinocchio
【中文翻譯】 木偶奇遇記
【在美推出】 1940年2月7日
【片長時間】 約88分鍾
【作品類別】 迪士尼第2部經典動畫，長篇劇情動畫片
【特殊記錄】
迪士尼第一部得到奧斯卡兩項音樂大獎的動畫電影
迪士尼史上第一部發行家庭影音產品的電影

【原著取材】 改編自義大利作家 Carlo Collodi 同名小說

【內容介紹】
本片是華特迪士尼繼【白雪公主】之後的又一傑作，故事敘述一個由老木匠 Geppetto 所雕塑的小木偶 Pinocchio 如何學會誠實、勇敢、不自私，而成為一個真正的男孩。迪士尼動畫家運用進步的技術創造出本片中海底一景，在當時令人嘆為觀止，而片中的小蟋蟀 Jiminy Cricket 是一個頗受矚目的角色，可以說是迪士尼動畫代表人物之一，片中由他所演唱的「When You Wish Upon a Star」不但得到了奧斯卡金像獎的肯定，更成為迪士尼電影開頭音樂的主旋律。然而，盡管本片成就斐然，但是因為第二次世界大戰在歐亞爆發，使得歐洲市場頓失，本片製作的高成本使得迪士尼無法獲利，早期迪士尼片廠的財務情況始終是捉襟見肘、頗為難堪。

【製作編導】
本片是由 Walt Disney 製片，由 Ben Sharpsteen 、Hamilton S. Luske 執導，由 Aurelius Battaglia 、William Cottrell 、Otto Englander 、Erdman Penner 、Joseph Sabo 、Ted Sears 等共同編劇。

【配音演員】
替 Pinocchio 配音的是12歲男孩 Dickie Jones ，他是在達拉斯電台表演四弦琴演奏而被華特迪士尼發掘，不過據說他當時表演彈得很爛、頻頻出糗。

【音樂製作】
由 Paul J. Smith 配樂，Paul J. Smith、Leigh Harline 作曲，Ned Washington 作詞。

【歌曲名稱】
1. When You Wish Upon a Star
2. Give A Little Whistle
3. Little Wooden Head
4. Hi-Diddle-Dee-Dee (An Actor's Life)
5. I've Got No Strings

【奧斯卡紀錄】
獲得奧斯卡最佳原著配樂獎
獲得奧斯卡最佳歌曲（「When You Wish Upon a Star」）

【相關發行】
電影原聲帶CD已經發行，錄影帶則是迪士尼史上第一部發行家庭影音產品的電影。原版第一區DVD也於1999年底發行，並於2000年在美國發行『黃金典藏系列』的錄影帶和DVD。而在迪士尼樂園里也有『木偶奇遇記』的游樂設施。而片中的小蟋蟀、小黑貓、金魚等角色後來都曾在迪士尼其他動畫作品中再度出現。

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⑨ 我要找一部電影，在網上怎麼也找不到以下是電影簡介：

網上資源很少了。。
http://www..com/?tn=&cl=3&word=%BB%C4%B5%BA%C7%F3%C9%FA%20Roger%20Allam+視頻&fr=vid0000
你看第二條。。下個皮皮播放器應該可以看