superman電影觀後感怎麼寫

1. 超人總動員觀後感用英語怎麼寫

早在影片還沒公映前，就聽我一個在美國的朋友強烈推薦，說此片怎麼怎麼好看（美國上映日期是2004年11月5日），還叫我「必須」去看。說得就好像命令似的。可想而之，這片對她來說有多棒！可PIXAR（皮克斯）公司從未讓我們失望過啊，難道《INCREDIBLES》有更加新穎的獨到之處？！

DISNEY和PIXAR的商標登場，背景音樂帶有濃厚的間諜片的味道。我們的兩大主人公，INCREDIBLE先生和他妻子ELASTGIRL的話筒前的接受采訪及演說拉開了序幕。這時，開頭的氣氛一轉，鏡頭從劫匪在驅車逃逸，手持機槍掃射尾追的警車，再轉到正要去教堂結婚典禮的INCREDIBLE先生，似乎已經給觀眾帶來了新鮮感。當INCREDIBLE先生接到報警求救信號，最酷的一幕開始了。鏡頭再次從駕座的裝備再切換到INCREDIBLE先生穿上皮衣整裝待發，無一不透露出異樣的色彩。而在我腦海里不由浮現出的竟然是——007。突然來了個惡搞的小鬼，自稱是INCREDIBLE的超級粉絲NO.1，居然名叫Incredi-Boy，還硬要毛遂自薦要當INCREDIBLE的PARTNER，哈哈，太搞笑了。第三次切換鏡頭：INCREDIBLE先生正想抓最後一個漏網之魚之時，我們的ELASTGIRL MM終於登場了，「搶了INCREDIBLE」的功。呵呵，音樂這時立刻又帶有浪漫色彩。在男女主人公的深情一吻下，看得我如痴如醉！在要解決那個法國佬的過程中，INCREDI-BOY又來添亂，這給以後的大轉換埋下了伏筆。有情人終成眷屬！INCREDIBLE先生和ELASTGIRL MM喜結良緣。打算婚後退出江湖。以後的情節大家都知道了，我也就不多羅嗦了。

對於《The Incredibles》，PIXAR真的帶給我們巨大的變化和驚喜。整個故事情節完全是架構在現代社會的大背景下，並附以科幻色彩。這是PIXAR動畫史上的新創舉，也給整個3D技術，乃至整個動畫電影市場寫下了嶄新的篇章。以前動畫史上一些傳統，還有很多建立在神話、寓意等多數都是面向青少年和兒童，可《The Incredibles》這種以真人為主角的概念，成為了吸引成人的法寶。PIXAR真是用心良苦！同樣是英雄主義的片子，《INCREDIBLES》更加深入到了男女主人公的生活中，又帶給觀眾平易近人的感覺。但是，喜劇和無厘頭似的搞笑，同樣也層出不窮：INCREDIBLE先生中年危機；工作崗位的壓力重重；女兒Violet看上了學校的小帥哥；兒子Dash常被「請」到校長室，等等。不過，我個人覺得特別搞笑的兩個場景是：那個騎單車，嚼口香糖小朋友（特別是第二次，INCREDIBLE說「What are you waiting for?」，小朋友答道：「I don』t know. Something amazing, I guess」）的三次出現是最好笑的。另外一個場景是由Samuel L. Jackson配音的那個Frozone問老婆要武裝外套。除此之外，影片結尾典型的好萊塢式「開放式」結局也是導演給我們的一個「噱頭」。

總之，《The Incredibles超人特攻隊》濃郁的親和度，加上親情、愛情、喜劇、冒險……等元素，再配上絕妙的背景音樂，來烘托主題。就像電影片名的英文解釋，真叫人「不可思議」啊！！！強烈推薦給大家！

Early in the film didn't listen to me before the release, a friend in America is strongly recommended film, saying how good (American release date is on November 5, 2004), also called me "must" to see. Speak like command. Can think and, this is great for her! PIXAR (PIXAR) company can never let us down, isn't the INCREDIBLES has more novel unique? !

Gentlemen and PIXAR's trademark, background music with a strong taste of the spy. Our two great hero, 'Mr. And his wife ELASTGIRL microphone before the interview and speech. Then, the atmosphere, from the robbers drove escape in lens, holding WeiZhui strafed vehicles, turn again to going to church wedding ceremony, Mr. 'the audiences seem to have brought freshness. When Mr. 'received alarm distress signal, the coolest scene started. Lens again the equipment from driving to switch to wear leather ready 'sir, don't show any color. But in my mind was not emerged, 007. Suddenly a kuso imp, claiming it is a big fan of '- 1, Incredi - Boy, named are forced to when the job PARTNER, ha ha,' so funny. The third switch lens: Mr. 'is to catch the last LouWangZhiYu when we finally comes ELASTGIRL MM, "rob'". Ha ha, music and then immediately with romance. The heroine in a loving kiss, see fascinates me! To solve the France in the process, INCREDI - BOY came after the chaos, the great transition to the set. Jack shall have Jill! Mr. And ELASTGIRL MM '. After going to quit. After the plot everybody knows, I also won't bothersome.

For The law, The Incredibles PIXAR really bring us great changes and surprise. The story is set in modern society background, each accompanied by a science fiction. PIXAR animation is the history of the new creation, also give whole 3D technology, and even the entire animation film market down new chapters. Some traditional animation history before, many myths, as in most are facing moral teens and children, but in reality The Incredibles, such as The concept, became attract alts. PIXAR's do-do! Likewise, the film is heroism of the INCREDIBLES deeper into the hero and heroine of life, and gives the audience approachable feeling. But, like funny comedy and wulitou, also emerge in endlessly, 'mid-life crisis, Mr. Work stress, After school Violet daughter handsome boy, Son: "please" Dash is often to the principal's office, etc. However, I feel very funny two scenes are: the bike, chewing gum children (especially for the second time, 'said: "I am getting waiting for?", replied: "I get maps, amazing," for three times) is the most funny. In another scene by practical l. Jackson's voice that Frozone ask a wife to armed coat. In addition, the typical of the Hollywood film end "open" end of a director for us, "trick".

Anyhow, The Incredibles superman attack The team of strong affinity, plus The affection, love, comedy, adventure,... Such elements, deserve to go up again the wonderful music background, foil theme. Like the English film titles explanation, it is "unbelievable"!!!!!!!!!!!!!!! Strongly recommended to everyone!

2. 求一篇英文電影的觀後感

電影《肖申克的救贖》The ShawShank Redemption 觀後感。
Hello, everyone, my topic today is 「The ShawShank Redemption」. Prison as a special place for prisoners is part of the society. It』s special because of its depriving the freedom of the prisoners. The prisoners in that situation are more sensitive to freedom than people in other situations. When they lost it, they found that it was so necessary to them that they looked forward to regaining it. By contrast, the people lived in the political society were interested in courting the fame and gain. They lost most of their inherent character. They put their soul into the fence of their own. They gave up the freedom of thinking. They forgot their original dream. The demands of the spirit were materialized to a position or some numbers.

A prisoner spent almost all the life in the prison. When he got the parole, which was applied for many years but without reply, he didn』t feel happy, but sad. He wanted to go to the prison again. He wanted to live in the place he knew. In the prison, he was a key who had knowledge and position. But when he went out of the prison, he found he was only an old man without anything. He couldn』t finish his work quickly because his hands had suffered the arthritis. Unfortunately, he even had no power to struggle. As a result, He chose to suicide because it was the only thing he could do by himself.

Red was a superman in the prison. He could find things that weren』t in the prison at all. But when he went out of the prison, he could do nothing. He lived in the fear and felt so lonely. He loved freedom but he couldn』t realize his value. In this film, Red said, 「Hope is a dangerous thing. Drive a man insane. Nothing will take place here. You』d better get used to the idea. These walls here are kinds of funny. At the beginning, you hate them, then you will get used to them. As time passes, you will depend on them. That's institutionalizing.」

In this film, Andy as the symbol of the hope lived in the prison for 20 years. He remained his dream all the time. On one hand, he looked forward to getting freedom. On the other hand, he believed that he was innocent of the murder. The real reason was his profound thought about hope. In his opinion, hope is a good thing, maybe the best thing, and no good things ever die. It makes a strong man save himself, and a great man save another one. According to this idea, the life in prison for 20 years did not made Andy give up the hope, but made him comprehend the meaning of the life. In fact, hope is a mood without ambition but it really exists.

The sky, the sea and the beach compose a romantic picture. When Andy and Red, two weather-beaten friends, saw each other again in the island, all hardship of 20 years made Andy tougher and their friendship get harder as the same.

最好你自己也去看看，根據你的感受修改下會表現更好！這實在是一部很Man的電影，拘於困境，受盡委屈卻不屈不撓，對自我的拯救！

3. 求超人總動員觀後感300字英文

當超人挫敗了敵人的陰謀時候,他們選擇了是繼續自己平凡的生活,做一個普普通通的人,而不是繼續自己風光無限的超人生活.更加讓我清晰的看到了超人們自己的改變.如果說以前是因為不得以而為止,那麼現在是心甘情願,凸顯的是一種平...
又是一部英雄主義的影片，很符合美國電影的作風。

When Superman defeat of the enemy's scheme, they chose to continue their own is an extraordinary life, and be a common person, rather than their own scenery unlimited Superman life. Even let me see a clear change in their own super people. If the past is not to the date, so it is perfectly happy, is a prominent Ping ...
Is a hero of the movie, it is consistent with the style of American movies.

4. 求一篇英文的電影觀後感！！！！

電影《肖申克的救贖》The ShawShank Redemption 觀後感。
Hello, everyone, my topic today is 「The ShawShank Redemption」. Prison as a special place for prisoners is part of the society. It』s special because of its depriving the freedom of the prisoners. The prisoners in that situation are more sensitive to freedom than people in other situations. When they lost it, they found that it was so necessary to them that they looked forward to regaining it. By contrast, the people lived in the political society were interested in courting the fame and gain. They lost most of their inherent character. They put their soul into the fence of their own. They gave up the freedom of thinking. They forgot their original dream. The demands of the spirit were materialized to a position or some numbers.

A prisoner spent almost all the life in the prison. When he got the parole, which was applied for many years but without reply, he didn』t feel happy, but sad. He wanted to go to the prison again. He wanted to live in the place he knew. In the prison, he was a key who had knowledge and position. But when he went out of the prison, he found he was only an old man without anything. He couldn』t finish his work quickly because his hands had suffered the arthritis. Unfortunately, he even had no power to struggle. As a result, He chose to suicide because it was the only thing he could do by himself.

Red was a superman in the prison. He could find things that weren』t in the prison at all. But when he went out of the prison, he could do nothing. He lived in the fear and felt so lonely. He loved freedom but he couldn』t realize his value. In this film, Red said, 「Hope is a dangerous thing. Drive a man insane. Nothing will take place here. You』d better get used to the idea. These walls here are kinds of funny. At the beginning, you hate them, then you will get used to them. As time passes, you will depend on them. That's institutionalizing.」

In this film, Andy as the symbol of the hope lived in the prison for 20 years. He remained his dream all the time. On one hand, he looked forward to getting freedom. On the other hand, he believed that he was innocent of the murder. The real reason was his profound thought about hope. In his opinion, hope is a good thing, maybe the best thing, and no good things ever die. It makes a strong man save himself, and a great man save another one. According to this idea, the life in prison for 20 years did not made Andy give up the hope, but made him comprehend the meaning of the life. In fact, hope is a mood without ambition but it really exists.

The sky, the sea and the beach compose a romantic picture. When Andy and Red, two weather-beaten friends, saw each other again in the island, all hardship of 20 years made Andy tougher and their friendship get harder as the same.
滿意請採納哦！謝謝啦~

5. 求兩篇英語電影影評（一片要動畫片）

《WALL.E》
影片的前40分鍾——幾乎沒有對話，銀幕上也幾乎沒有出現人類形象——是一出風趣優美的電影詩篇，觀眾要過許久才會深入它黑暗的隱喻之中。場景是一個雜亂的城市，密布著摩天大樓，除了一個破舊的勤快機器人和他忠心的蟑螂夥伴外，沒有任何人類出現。朦朧的陽光透過灰塵，照著一片可怕的風景，顯示「後啟示錄」的死寂。這是一個沒有人類的世界，你或許可以說沒有任何生機，盡管有過去生命存在的證據。

我們已經習慣了期待皮克斯的驚奇，但是《星際總動員》確實開辟了新天地。它帶給我們G級(成年與兒童都適宜觀看的)的、電腦產生的、我們潛在滅絕的圖景。這不是近來投入此陰森主題的唯一電影。隨著全球變暖，人類的消失成為一個熱門話題，許多導演都對之關注，如史蒂芬-斯皮爾伯格(《人工智慧》)、弗郎西斯-勞倫斯(《我是傳奇》)、奈特-沙馬蘭 (《滅頂之災》)以及維納-赫爾佐格。在他最近的記錄片《在世界盡頭相遇》中，赫爾佐格先生沉思道「人類在此星球上的存在不會真正永續」，這個觀點在《星際總動員》的下半部中幾乎是逐字逐句地表達出來。當異想天開的皮克斯工程師和情緒化的德國導演發出同樣的信息時，也許我們該報以注意了。

《星際總動員》並不全是陰郁和毀滅。毫無疑問地，它是一部鄭重其事絕非簡單化的生態寓言，但它還是一個令人沉醉的、甜蜜簡單的愛情故事，感情的純潔帶著卓別林式的風格。在另一個層面，它帶著科幻的色彩，提到了《2001太空漫遊》、《異形》、《 酷狗寶貝：月球野餐記》中的一切。但是電影最公開、最堅持的引用對象是《俏紅娘》，這部老舊的錄影帶為主角提供舞蹈和愛情方面的指導。那首古老的、快被人遺忘的音樂，隨同Jerry Herman的歌詞、Louis Armstrong的低聲吟唱，成為瓦力(片中機器人)對我們的紀念。他是一個凹痕累累的苦力小機器人，已經過了計劃的報廢期，整天做著徒勞、機械的作業：收集、壓縮垃圾。他的名字Wall-E是「廢物安置裝載運送者-地球類」的縮寫。但是對於瓦力來說，並不是他發現的一切都沒有價值。在他和蟑螂躲避塵暴的銹鐵船中，他小心收藏了一些寶貝，包括芝寶打火機、炊事用具和一個魔方。

瓦力對一個失落文明工藝品的親切珍視是可以理解的，畢竟他也是人類心智的產物。而《星際總動員》(由皮克斯的骨幹Andrew Stanton導演、由Andrew Stanton和Jim Reardon編劇)的天才之處是，他提醒人們，創造和毀滅是硬幣的兩面。人類被致力於製造和消費更多物質的經濟行為驅離家園——瓦力最終知道我們沒有消失。但是人類產生的一些東西證明是有用、有趣、珍貴的。一些東西甚至能夠創造出靈魂。

觀察瓦力的周圍環境，觀眾們了解到，在過去的某個時候，一家叫Bnl(英語「買N大」的縮寫)的集團公司，用它的超大型商場和數以噸計的垃圾充斥了地球。最終公司把它的重要客戶載到一個太空站上(艦長是Jeff Garlin)，在那兒他們漸漸變成由新一代特殊機器人服務的、肥胖懶惰的群體。一個叫做伊夫的研究探查機器人(所有機器人的姓名均為縮寫，性別均由儀表顯示)，降臨地球，令瓦力動心。

他們的求愛過程帶著一些熟悉的模式。如果把本片看作浪漫喜劇，情節類似於一個卑微的清潔工愛上了一位超模兼槍法精湛的頂尖科學家。(我承認對此有所顧慮，但電影片名讓我釋然。——譯註：電影英文名Wall-E，是「廢物安置裝載運送者-地球類」的縮寫。)瓦力是傳統的老式盒子機器人，咯吱作響，布滿鉚釘，外表凹痕累累、銹跡斑斑。他意志堅定，但不夠聰明，也不酷。而伊夫，身形猶如加長的蛋，就象下一代的iPhone一樣酷，輕聲細語，除了興奮的時候能夠毀滅一切。她和瓦力通過喳喳嘰嘰的聲音交流，有時候能夠拼成詞語。不知怎麼地，他們對於渴望、惱怒、不在乎、忠誠、焦慮的微妙表達，實現了一種超自然的修辭。

他們被賦予如此豐富的人性，是因為皮克斯標志性的細心造型設計和經典攝影剪輯。豐富的技術資源讓瓦力輕而易舉地跳離廢棄的地球，來到空間站的純凈大氣層中，這是與製作人員帶給角色和主題的嚴格完整相一致的。

Stanton先生並沒有把這個環境劇變的寓言變成一個責罵他人、自我滿意的訓斥，他熟知在使用大眾電影媒體進行企業消費文化批判時固有的矛盾。空間站的居民，習慣了被機器人照顧，退化成了類似巨嬰的物種，面部柔軟、軀干圓滾、四肢弱小。消費資本主義分析任何潛在需要、讓顧客使用盡可能方便，具有一種將消費者幼兒化的力量。但是當這些空間居民靠在躺椅上，眼睛盯著顯示屏，從巨大的杯子里獲取卡路里，這些過度發育的太空巨嬰看上去就象電影院里的觀眾。

換句話說，他們就是我們。而和我們一樣的是，他們也不盡壞。來自瓦力的悖論是：驅動社會發明新事物，改進舊事物，從而產生銷售、購買、製造、收集行為，創造潛在災難的同時也發現了規避災難的可能。或者說，創造瓦力這個垃圾世界(我們的世界)的沖動，同時也通過藝術讓世界變得美好。
《達芬奇密碼》
從原著小說被翻譯成44種語言、在全球銷量超過5000萬本的熱潮，到作者丹-布朗被指剽竊掀起的軒然大波，再到被西方教會目為反基督的異端電影遭到梵*蒂*岡的抵制,《達芬奇密碼》（The Davinci Code）從面世的那一天起便註定要對傳統的基督教帶來顛覆性的沖擊，值得慶幸的是教會掌握政權的日子早已成為歷史，無須再擔心打著耶穌幌子的黑色恐怖瘟疫會再次蔓延，多元化的社會里，基督教不可一世的地位終於露出了平凡的一面。

自己一向對宗教文化不感冒，之所以能堅持看完原著多半是因為丹-布朗精妙的文筆與高潮迭起的懸念情節，不過對把原著搬上熒光幕的商業行為持懷疑態度，畢竟文字帶來的想像空間與視覺、聽覺等多重感知形成的復雜認知截然不同，許多東西一旦具體形象化往往就容易失去原有的吸引力，尤其是《達芬奇密碼》這類靠製造懸念、解讀復雜西方宗教歷史神學符號、營造心理驚悚的作品。結果雖然有Ron Howard、Tom Hanks和Audrey Tautou攜手合作，雖然作為電影藝術最高殿堂嘎納電影節的開幕電影，《達芬奇密碼》依然差強人意，只是費力不討好的製造了120分鍾的沉悶懸疑。

即使寬容的看待電影，把是否忠於原著放在一旁，《達芬奇密碼》也缺乏連貫的緊迫感和抽絲剝繭的驚悚元素，Tom Hanks和Audrey Tautou在影片中的角色本來註定他們不是《職業特工隊》式的「Superman」，過多的火爆場面只會起到喧賓奪主的反效果，可影片開始Ron Howard偏要安排Audrey Tautou來一段超「辣」的車技Show，這馬上就將一個弱智女流定位成超凡脫俗的強者，Hollywood式的娛樂標准即霸道又惹人生厭。按照小說的風格與結構，《達芬奇密碼》應該是一部充滿文藝懸念的電影，如何把復雜的謎題化繁為簡，讓觀眾參與到解迷中，可以說是影片成功與否的關鍵。可惜零散的劇情、蒼白的人物塑造，單純依靠Tom Hanks比手劃腳就解開神學符號，未免太過兒戲，尤其是最後「Apple」的解密過程簡直就是大話西遊，令人啼笑皆非。Tom Hanks的力不從心、Audrey Tautou的不入戲，兩人無法擦出預期的火花，加上巴黎倫敦濃郁的藝術氣息、以及宗教的神聖、膜拜氣氛又只是停留在表面的走馬觀花，都成為《達芬奇密碼》空有包羅萬有的野心，卻有漏洞百出的臭皮囊一樣，成為食之無味的「雞肋」。

全片最光芒四射的應該是苦行僧Silas這個角色，他背負的罪惡感，他心靈上承受的痛苦遠甚於傷痕累累的切膚之痛，在狂熱的宗教信仰和冷酷的眼神中，我們讀到了很濃厚的悲劇味道，Ron Howard在他身上著墨不多，但卻顯示了深厚的功力，無論鏡位還是背景音樂的烘托，他赤裸的身體充滿神秘感與強烈的威懾力，遠比兩位主角更具有感染力。

對於宗教信仰的問題不想討論太多，如果像我般對晦澀的西方宗教觀點束手無策的話，《達芬奇密碼》的電影會比小說更生動也更通俗，這個故事有點像野史，可以觸動人們骨子裡先天的好奇心（其實也就是八卦），康斯坦丁大帝的「豐功偉績」在我看來最能代表宗教的本質，說穿了只不過是統治者的工具和謊言而已，基督教清除「女巫」的運動倒讓我想起電影大師德萊葉的《憤怒之日》，人性的殘忍與黑暗，即使冠以堂皇的借口，依然令人觸目驚心。

6. 電影功夫俠觀後感500字左右

雖然拍攝在先，但是《功夫俠》既然遲於較為多知的《太極俠》上映，類似的名字和同一個主演，就不可能不被拿出來作比較。只說這個「俠」字，《太極俠》的Man of
TaiChi我感覺是林虎在地下搏擊真人秀裡面的一個Title，所以一直覺得電影名應該和片中一樣翻成「太極之子」會比較順口而且大氣……而《功夫俠》的Kungfu
Man就和我們平時說的鋼鐵俠蝙蝠俠一個意思。認識我的人應該都知道我是個超級英雄粉兒。各路有超能力有裝備有技術的英雄們，出沒在人間，用他們的能力幫助需要幫助的人，打敗反派，拯救世界。這樣的故事百看不厭，當然不僅是因為酷炫的動作場面，而多半是因為他們的內心，所以大都在翻譯上使用了「俠」字。查不到最早這個用法是在哪位的身上，但是古語說俠者善德仁勇，終歸都是配得上這個字型大小。（不過超人並沒有這么翻……）

虎大自己在微博里提到《功夫俠》的時候，總是用的「兒童電影」這個詞。開始覺得是對黑歷史的自嘲，但是看完電影之後想起我在鋼鐵俠三的觀影報告里寫到一段關於孩子的。「真正認同超級英雄，無關政治威懾作用，無關商業價值，無關其他的，單單崇敬他們的精神，崇敬勇敢和奉獻的，總是那些孩子，總是那些有天真單純心靈的人們。」這個故事從小朋友的角度入手講述，覺得至少在這一點上著實挺棒的。

陳平說自己的時候，「平是平常的平。」就只是個平常的人，雖然會功夫，但不是超級英雄。他怕高，怕讓父親失望，看店的時候玩兒游戲機，但是雖然普普通通，遇到事兒的時候終究會站出來，該做的事情總是要做；懷著簡單堅定的心，雖然沒有SuperMan，但我是你的KungfuMan。

開頭一氣兒說了這么多有點接不下去……乾脆直接開始不客觀得了。我怎麼會覺得這個片「略黑」呢！在粉還是黑上《功夫俠》簡直走的是兩個極端啊？！鏡頭萌的能萌翻，黑的能黑得底兒掉。09年沒減肥的虎大大，臉上還是有點兒肉的，但是絕對真是剛好啊？！這個形象對小孩子來說更有親和力不是嗎！（對底下看電影的這仨人也更有親和力啊簡直……）（什麼）給了好多近景大臉鏡頭真是……而且福利也杠杠的不是嗎……格子襯衫真可愛啊………………（這段掐了別發出來啊喂）而功夫方面的表現力可能就要弱於《太極俠》一些了，或者也不是說弱，外行如我是感覺有點飄，鏡頭比較碎，覺得看得不太舒服，音效上也有些違和。片子里虎大的腳上功夫展現得更多，對於喜歡看這個的我真是覺得很棒嘿嘿！大都是多打一，少數幾場一打一和二打一（打女孩子也是毫不留情啊噗，不過那個姐姐身手漂亮得很>
<）都很精彩，竹竿打大刀那段好棒的啊啊！！大個兒一出場我們幾個都忍不住喊起來：「大個兒~」場景破壞力真是驚人啊哈……

虎大沒有用原聲感到有些可惜，不過終究有其考慮沒有辦法。片中夾帶的《不死鳥》響起來的時候心情也歡快起來，片尾漫畫風格的圖都點贊！順便取景基本都是在雲南對吧，作為半個雲南人看到那些個去過的地方，看到紅土地也覺得好開心啊~小Chris非常可愛，腦內的動畫化場景也非常可愛！小孩子容易篤信英雄，跟著父親在海上漂來漂去，沒有漂成個1900，天真的心裡活著超人那樣的英雄。摔倒在地的時候有高大的身影向他伸出手，擦背的時候會小心避開傷口，什麼時候都照顧著他，對他來說，就是我起的這個半通不通的標題啦，——

Su不super，都是好man啊。

7. Superman的介紹

超人（Superman），由克里斯托弗·里夫（Christopher Reeve）主演, 理查德·唐納 （Richard Donner）的動作冒險電影，於1978年12月美國上映，片長143分鍾。氪星即將毀滅之際，為保持種族的延續，科學家喬·艾爾通過飛船將他尚在襁褓中的兒子卡爾送往地球。卡爾被地球上的肯特夫婦撫養成人，他具有超人的能力，將成為地球上正義和真理的守護者。長大了的卡爾來到大都市，成為《行星日報》的記者。平時，他是溫文爾雅的普通記者，危急時刻就變成穿著緊身衣、披著斗篷在空中自由飛翔的守護神超人。當邪惡的魯索妄圖統治全世界時，超人是唯一能夠制止他的人。

8. aquaman英語影評怎麼寫

用中文寫再翻成英文
或真懶惰的話
上imdb或爛番茄找吧

9. 超人總動員英文觀後感

當超人挫敗了敵人的陰謀時候,他們選擇了是繼續自己平凡的生活,做一個普普通通的人,而不是繼續自己風光無限的超人生活.更加讓我清晰的看到了超人們自己的改變.如果說以前是因為不得以而為止,那麼現在是心甘情願,凸顯的是一種平...
又是一部英雄主義的影片，很符合美國電影的作風。

When Superman defeat of the enemy's scheme, they chose to continue their own is an extraordinary life, and be a common person, rather than their own scenery unlimited Superman life. Even let me see a clear change in their own super people. If the past is not to the date, so it is perfectly happy, is a prominent Ping ...
Is a hero of the movie, it is consistent with the style of American movies.