教授電影影評英語怎麼說

Ⅰ ！！！！急求英語電影的英語影評

簡愛
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.

Ⅱ 英語影評一篇

《功夫熊貓》採用純東方家庭倫理的敘事邏輯，使得整個故事更輕松。

Kung Fu Panda adopts the narrative logic of pure Oriental family ethics, which makes the whole story more relaxed.

這樣處理使得「主題」略顯單薄，但確實更適合小朋友去看。

This treatment makes the "theme" slightly thin, but it is more suitable for children to see.

這部作品不會感動到落淚，也不會無厘頭到笑翻天，但是這個平衡點才是「小朋友」最輕松的觀看環境。

This work will not be moved to tears, nor will it be ridiculous to laugh, but this balance point is the most relaxed viewing environment for "children".

(2)教授電影影評英語怎麼說擴展閱讀

影評目的——

電影評論的目的在於分析、鑒定和評價蘊含在銀幕中的審美價值、認識價值、社會意義、鏡頭語言等方面，達到拍攝影片的目的，解釋影片中所表達的主題，既能通過分析影片的成敗得失，幫助導演開闊視野，

提高創作水平，以促進電影藝術的繁榮和發展；又能通過分析和評價，影響觀眾對影片的理解和鑒賞，提高觀眾的欣賞水平，從而間接促進電影藝術的發展。

Ⅲ 英語影評怎麼寫

寫作思路：首先介紹影評基本信息，接著介紹影片主要劇情，最後寫出自己對影片的評價。

範文：

Beauty and the Beast， directed by Bill Condon， is an amazing American fantasy film. Adapted from a cartoon film of the same name， which was created by the same company in 1991， the new version＇s characters are real persons.

由比爾·康登執導的《美女與野獸》是一部令人驚嘆的美國奇幻電影，改編自1991年由同一家公司創作的同名卡通電影，新版的角色都是真人

In order to save her father， who was trapped by an ugly beast， Belle， a brave and beautiful girl， had to live with the frightening beast in a cave. Having been a prince， the beast was changed by an evil witch. Only if he could get true love， could he become a person again.

為了救被一隻醜陋野獸困住的父親，美麗勇敢的女孩貝爾不得不和那隻可怕的野獸住在一個山洞裡。作為一個王子，野獸被一個邪惡的女巫改變了。只有他能得到真愛，他能重新做人嗎。

After they went through plenty of difficulties，the beast earned Belle＇s love.

在他們經歷了許多困難之後，野獸贏得了貝爾的愛

The film， with lovely characters， beautiful soundtrack and interesting plot， is really a success. It is worth watching

這部電影人物可愛，配樂優美，情節有趣，非常成功，值得一看

Ⅳ 英語影評怎麼寫

你可以寫故事的總結，你對其中某一現象的感想等等，就跟漢語中寫觀後感一樣的。你要範文不？ The King's Speech
The film is about a guy named Bertie(伯蒂) how to fix a voice and become a confident leader.
After his father died, his bother chooses beauty rather than the nation, Bertie has to take charge of the country regardless of his unwillingness. He is warm-hearted, diligent and friendly, but he sufferes a serious physical problems. He could not speak out fluently because of timidness, even a few very simple words in public speaking. As countries graally evolves into the horrors of war, the state and the people desperately need a wise leader. With the help of his wife, he knows a language therapists named Leon na er (萊格). Through a series of training, the new king gets a very big improvement, Leon na er upright character also wins the people's respect and honor to be the king's friends. Then George vi publishes famous Christmas speech, inspired the British military and civilian in world war II, and the story becomes history anecdotes.
Form the story, we know that nothing is impossible for the strong-willed person, we can get over every difficult with confidence and proper ways

Ⅳ 影評的英語怎麼說

影評: [ yǐng píng ]

1. film review

其它相關解釋:
<cinecism> <picture criticism> <picture review>

例句與用法:
1. 影評家對這部電影做了詳細的分析。
The film has been minutely dissected by the critics.

2. 影評家把這部影片貶得一無是處。
The film was rubbished by the critics.

3. 我現在為本地報紙寫影評.
I'm writing up the film for the local paper.

4. 這部電影遭到影評家的猛烈的抨擊.
The film was blasted by the critics.

5. 我沒有時間去看這部影片--再說, 影評也諸多貶斥.
I haven't time to see the film besides, it's had dreadful reviews.

Ⅵ 英文電影英語影評怎麼寫

建議的寫作內容：
1.先寫一下在什麼情況下看了這部電影，對這部電影的整體評價。
2.簡單介紹影片內容，以及影片的背景信息。例如：編劇、導演、主演的其他作品等。
3.選擇一個方面對影片作出具體的評價。例如：故事情節、角色性格、配音、特效、音樂等。
4.做出結論，是否向他人推薦，適合什麼樣的人觀看。

Ⅶ 寫5個關於英文電影的英語影評！要英語的！每個20個單詞。

蜘蛛俠情節想必都知道，以下是影評 You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. 美國逃犯 Jesse James (Colin Farrell), his brother Frank (Gabriel Macht) and their cousin Cole Younger (Scott Caan) seem to have arrived on the scene just in time for the invention of the electric guitar. It wails on the soundtrack and makes this western, which doubtless considers itself to be a reimagining (as did ''Planet of the Apes''), sound as if it came from the mind of Jon Bon Jovi. Directed with anonymous pep by Les Mayfield, ''Outlaws'' is a dreary populist telling of the story of the James gang. And the Bon Jovi reference is apropos, since the movie treats the fellas like a touring band that breaks up because of feuding egos and the stresses of the road. Cole, incensed over the news focus on the James boys, wants to share the billing. In fact, as their notoriety grows, Cole wants top billing -- the Younger-James Gang -- leading to ruminative riffing by his amiable brother Bob (Will McCormack): ''Wouldn't people wonder if there was an older James gang?'' It would need only a drug casualty to turn into ''Behind the Music: Jesse James,'' though -- choke, sob -- the James tour does claim a couple of lives, and it's easy to predict which ones. This could be the story of any disintegrating band, except that in this group, the Jameses complete each other, as someone said in ''Jerry Maguire.'' Their personalities are worked out in the kind of schematics taught in screenwriting classes. Frank is the plotter and Jesse is all impulse. At the outset, Union soldiers ambush a group of unsuspecting Rebels that includes Jesse, Frank and Cole. Pinned behind a wagon by both cannon and Gatling gunfire, the sharpshooter Frank asks Jesse for a diversion. A smile pulling at the corners of his face, Jesse creates an eye-catching one. At various moments, ''American Outlaws'' looks as if it wants to try something different and make Jesse an infantile psychopath who is awakened by his taste for violence. He lights up when he has a gun in his hand, but he has no conflicts about his nature; he may make you long for the Chekhovian depth of Emilio Estevez's Billy the Kid in the ''Young Guns'' movies. (Missing is the epic emotional scale of previous James Gang movies like ''The Great Northfield, Minnesota Raid'' and ''The Long Riders,'' both worth seeking out.) ''American Outlaws'' paints all of its young stars as happy guys, so uncomplicated that they're thrilled to hear that Lee has surrendered at Appomattox; none of them seem bothered by the fact that the South has just lost the war. Upon returning home, they find that the railroad tycoon Thaddeus Rains (Harris Yulin) is behind a scheme to run them off their farms. (In this age of entertainment conglomerates like AOL-Time Warner, it seems droll for a Warner Brothers picture to single out the big-moneyed interest in one small town as a black-hatted villain.) ''As we have the most power, we may move with impunity,'' Rains snarls to his martinet (Terry O'Quinn), who is only too happy to carry out Rains's orders. Jesse, Frank and the others are forced down the road of vengeance after arson at their farm takes the life of their ma (Kathy Bates, whose maternal hamminess may bring misery to viewers). When Jesse and the gang follow Frank's notion of giving money they've taken from banks back to the poor farmers, they become heroes, and a true menace to Rains. ''They're disciplined and have a charismatic leader,'' notes Allan Pinkerton (Timothy Dalton), the 19th-century rent-a-cop hired by Rains to track down the gang. What Pinkerton doesn't mention, though he doesn't really have to, is that the real leader of the ''Outlaw'' band is Frank, played by Mr. Macht with desert-dry aplomb. It doesn't hurt that he gets the best lines. ''It's the scientific method I hear is all the rage,'' he says when plying a new technique ring a crime. The script by Roderick Taylor and John Rogers has made Frank the film's George Burns, wiling away the movie by commenting on the world as it passes him by. 功夫熊貓Kung fu panda, this is the interesting film. Paul wanted to become a wu3 lin2's ace (near master) kung-fu to save those who were in danger, teacher taught him how to fight, and let him go to save the world, at last, he defeated 3 Tailung, he met not friends, I think he is a great hero, I like the movie, because... I like the film . . Each meets his story with emotions ranging from enraptured to derision, as they learn with the audience the incredible life Forrest has led. This includes him starring in the All American Football team, winning a Congressional Medal of Honour in Vietnam, exposing the Watergate scandal and making millions from 'Bubba-Gump shrimping instries', while meeting three different U.S Presidents along the way. The film ends on a poignant note, with Jenny and Forrest meeting again and having a son, as Jenny dies of HIV/AIDS. 歌舞青春 Along with Tom Hanks in the title role Forrest Gump featured an excellent supporting cast, with career bests from Robin Wright Penn as Jenny and Gary Sinise as the legless Vietnam veteran Lt. Dan Taylor. I was inspired by the wonder of a man experiencing his life without realising its significance to the world, just simply wishing for an emotionally damaged woman who goes on to live a lonely life without him. She rejects Forrest, telling him 'he doesn't know what love is', before eventually realising that no-one would ever love her more. 哈里，波特 The musical numbers here are, to be frank, laughable. This certainly isn't the fault of the cast, though. These kids quite obviously have talent both in singing and dancing. The problem comes from the choreography and songs themselves. Nowhere is director Kenny Ortega's "bigger is better" method more appalling than in these numbers. The dancing on display is too steeped in modern sensibilities to be timeless, and yet it's too showy and stagey to be looked at through serious modern eyes. In other words, it's too hip for Broadway and too Broadway for modern dance. All of the songs have a distinctly electronic sound to them and try desperately to be seen more as MTV-style singles than Broadway standards. They don't even contribute much to the storyline. The number one sin in film musicals is having songs that stop the story dead in its tracks. Three-quarters of the numbers here do just that. They're often self-inlgent, and when they aren't, they simply (and needlessly) re-emphasize what's already been established via dialogue. 第一部是蜘蛛俠，第二部是美國逃犯，第三部是功夫熊貓，第四部是歌舞青春，第五部是哈里，波特

Ⅷ 英語的影評應該怎麼寫

影評的寫法包括這幾個方面：

1、提煉電影的主題。

用一種質疑的心理，分析影片中的各個元素是如何為主題服務的。

2、和電影對話。

片名和情節有什麼聯系？注意電影中哪些元素使你產生陌生或困惑的感覺？哪些元素一直在重復強調某一觀點？ 為什麼以這樣的畫面開場（結束）？攝影機運動是否有什麼特定含義？景別的跳接、疊化有什麼特定的意義？哪組鏡頭是高潮鏡頭？等等。

3、做筆記。

在看電影的過程中你可以記下一些關鍵詞。可以是電影傳達出的感情，也可以是一些技術層面的東西，書中提供了一些速記的方法可以參考，也可以根據個人習慣選擇適合自己的速記方法。（建議剛開始時，不要放在第一次看一部影片的時候去做，那樣會沒有辦法集中注意力去欣賞影片，應該在重復去看同一部影片時再進行，到後期熟練後可嘗試。）

(8)教授電影影評英語怎麼說擴展閱讀

開始前的准備工作。

1、學習了解一些關於電影潛在的且與你興趣相關的問題。與其他藝術的融合，例如音樂、建築、美術、文學、舞蹈、戲劇等。與技術的關系，技術的進步是怎樣影響了電影工業的進步的，如從黑白到彩色，無聲到有聲，膠片到數碼。思考商業和經濟條件對一部電影的影響是怎樣的，保持開放和質疑的態度去看待所謂的低成本和大片。

2、改變「瞄一眼」的習慣，全神貫注的去觀看一部影片，甚至是你不喜歡的一部影片。

Ⅸ 1篇英文電影影評，用英語寫，100詞左右，寫的別太好，能輕松看懂最好

《Big Fish》
It is a fairy tale talking about family bonds. When the father was young, it was his favorite to tell stories to his little boy. But when the boy grew up, he thought those stories were all fake. As a result, he disliked his father and lived far away from his father. Many years later, the father caught cancer and didn't have much time to live, so the son came back home to look after him. This time the son realized the strong love contained in those fancy stories and the two forgave each other. From this movie, I learned how to deal with generation gap between father and son.

純手工寫的
希望能幫到你~
喜歡的話可以加分~

Ⅹ 請各位英語高手用英文幫我寫四篇電影影評

1. 虎膽龍威（DIE HARD)：

What makes Die Hard the all-time classic it has rightfully become was the lack of extravagance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could have been caught at that party and had to face the situation.

Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.

Even if you haven't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.

2. 鐵血戰士（PREDATOR)：

Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.

John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable e to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shaving with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.

The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.

The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.

3. 青春年少（RUSHMORE）：

Rushmore is an extremely well written movie about obsessive love.

The acting is a quality of Rushmore that contributes greatly to its appeal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his appearance shows more years than the mere 15 he is supposed to be. Olivia Williams is subtle and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.

The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to have cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.

4. 死亡證據（DEATH PROOF)：

Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behaves with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.

The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't apply to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting st.

Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.

My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.