1. 任何一部影片的英語影評100字左右
tatanic
It's a very sad mobie.It told us a great love store.It told us find the ture love is the most iamporter in our lives.
In the film.The store happened at 1912.Jack,a poor drawer got a ticket for the Tatanic by playing cards.To his surprises,he found his true love in the ship,her name is Rose.She has been a rich girl.But after her father died.She and her mother became poor soon.So her mother wanted Rose to got marrid with the richman Rose didn't like. So Rose didn't like the rich life and fell into the love river with Jack as quick as possibe.But the richman and her mother stoped them,her mother told her,if Rose won't marrid the richman,they will lose their rich lives and told Rose not to look for Jack any more.I felt the mother just lives for herself,and she only could the other persons she knowed lives for herself.
But love is so madical.It let everybody lost theirselves.Rose ran away with Jack.But they have lost,they caught back.But on that night,Tatanic hit the iceborg,and started to sink.They ran away again.But there haven't any liveboat more.As the back of the ship sank first,so they climbed to the head of the ship.After a while,the head of the ship started to sink,too,at the last time.Jack found a wode,he told Rose get on,and he lost his live.At the last time of his life,he said to Rose to enjoy her life.In the film,I found the best thing in the wrold,there is love,at the accident,I found the love bettwen the persons;At the last I found the love bettwen Jack and Rose.So the film told me find the love is the most iamporter thing in our lives
2. 求好看的國外電影的英語影評
[127小時] 在夾縫中重生
<127小時>是一部值得深思的電影,影片講述探險者阿倫在一次戶外探險中發生意外,手臂被滾落的石頭夾在石縫中不能動彈,經過五天的思想斗爭,阿倫泱定用小刀割斷手臂並成功逃生.真實事件改編足以引起關注,沒有復雜的電影手法與語言,導演丹爾保爾將阿倫被困五天內的幻想影象化,並採用半紀錄片的方式展現.主演詹姆斯 弗朗哥的表演也將阿倫被困的冷靜到急燥到害怕再到絕望表現的淋漓盡致.影片的高潮就在那三分鍾的斷臂,導演做的很好,適可而止的血腥加上緊張十足的配樂再加上詹姆斯的表演,成就了這場精彩的斷臂戲,使觀眾體會到了阿倫的痛苦.這是丹尼保爾的又一力作,一部奧斯卡級別的作品,一部證明詹姆斯 弗朗哥演技技的影片. 個人評分8.5 imdb評分8.3
3. 求英語電影影評
100字？？不可能完成你的要求
推薦你尼古拉斯凱奇的《天氣預報員》，情節就不講了 樓主自己看看
劇情與喜劇的作用因子，苦辣酸澀的味道盡在其中。它以一種幽默的視角點觸了美國文化中的一個常論不衰的議題，舉重若輕地表現社會問題、把尖銳的社會諷刺融入輕快的喜劇氛圍中。也就是說，喜劇片也有表現嚴肅主題的可能，並不都是些令人掩鼻的廁所笑話。
有一句台詞 This shit life,we must chuck some things,we must chuck them,in this shit life 在這個糟糕的生活中有些東西我們必須摒棄.
這是改變主人公生活的一句話！ 當然，他拋棄了跟前妻復合的想法，而去爭取新的生活，最後他終於發揮了自己的才能。從而生活的更加快樂吧。。
主人公到最後為什麼不被人扔了，是因為他的思想發生了變化 所以生活發生了變化 其實電影要表達的思想我覺得就是當生活不如意的時候改變思想比改變世界重要，因為思想決定了生活。。
4. 求英語電影英語的影評。
簡愛
Kent State University's school of theatre and dance performed a rendition of the classic, Jane Eyre this month. The show was a musical with all of the necessary elements to lift you from your seat and submerse youinto a society in nineteenth century England from the time the cell phone shut-off announcement was made until the last note at the curtain call. The recurring arches, darkened, soft lighting, and the use of a classic chorus to go along with them alluded that a sinister underbelly of social status and reputation were present in the performance.
One of the first things that an audience member noticed was the grandeur of the set. It was composed of a gothic-style foreground with rustic twigs of a root-like earthy appearance. There were grand arches for windows and entries as well. Also, the background was a large arch with the silhouette of roots. There were also two matching greek-style pillar arches on either side of the stage. They added a lot to many messages of the show. For one, they were grand structures that were barren inside which is much like Mr. Rochester himself. He was a man of high social stature but felt enslaved by his trick of a marriage and his grand yet incomplete (without a true love) home. The arches also suggest the importance of reputation with the same sort of fundamental grand image yet emptiness. The way that people are enslaved yet scramble to ascertain that solid image amongst their peers. The arches were almost inviting the audience to come inside to reveal their secret, the thing that was hidden deep inside that could send the structure crumbling in ruin.
5. 適合寫影評的英文電影（推薦5個吧）
推薦電影復仇者聯盟，和恐怖電影死神來了，都是大片，最近有一部電影也很不錯，推薦你看，名叫無名之輩，好看的不得了。
該片圍繞一把丟失的老槍，講述了一對低配版的劫匪，一個落魄的保安，一個身體殘疾卻性格彪悍的毒舌女，這些「無名之輩」身上發生的一系列荒誕故事。
總之是一部優秀電影。
6. ！！！！急求英語電影的英語影評
簡愛
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.
7. 英文電影影評
Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.
Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。這是我最喜歡的一部電影之一，我在維基網路上找的資料，你根據那裡的資料改一改，至於觀點，你可以寫堅持自己的興趣和愛好這一方面，寫興趣是最好的老師什麼的，給你個鏈接
8. 求幾篇短點的英語影評(急用)！！！！
給你推薦一個網址：http://www.veryabc.cn/movie/new/index.html
這是中文版的，但其中影評全是老外寫的。
我挑了兩篇好的掛在這里。
愛麗絲夢遊仙境 Alice In Wonderland 英文影評 review by ROGER EBERT
As a young reader, I found Alice in Wonderland creepy and rather distasteful. Alice's adventures played like a series of encounters with characters whose purpose was to tease, puzzle and torment her. Few children would want to go to wonderland, and none would want to stay. The problem may be that I encountered the book too young and was put off by the alarming John Tenniel illustrations. Why did Alice have such deep, dark eye sockets? Why couldn't Wonderland be cozy like the world of Pooh? Watching the 1951 Disney film, I feared the Cheshire Cat was about to tell me something I didn't want to know.
Tim Burton's new 3-D version of "Alice in Wonderland" answers my childish questions. This has never been a children's story. There's even a little sadism embedded in Carroll's fantasy. It reminds me of uncles who tickle their nieces until they scream. "Alice" plays better as an alt hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails. It was a wise idea by Burton and his screenwriter, Linda Woolverton, to devise a reason that Alice (Mia Wasikowska) is now a grown girl in her late teens, revisiting a Wonderland that remains much the same, as fantasy worlds must always do.
Burton is above all a brilliant visual artist, and his film is a pleasure to regard; I look forward to admiring it in 2-D, where it will look brighter and more colorful. No artist who can create these images is enhancing them in any way by adding the annoying third dimension. But never mind that.
He brings to Carroll's characters an appearance as distinctive and original as Tenniel's classic illustrations. These are not retreads of familiar cartoon images. They're grotesques, as they should be, from the hydrocephalic forehead of the Red Queen (Helena Bonham Carter) to Tweedledee and Tweedlem (Matt Lucas), who seem to have been stepped on. Wonderland itself is not limited to necessary props, such as a tree limb for the Cheshire Cat and a hookah for the Caterpillar, but extends indefinitely as an alarming undergrowth beneath a lowering sky. Why you can see the sky from beneath the earth is not a fair question. (The landscape was designed by Robert Stromberg of "Avatar.")
When we meet her again, Alice has decidedly mixed feelings about her original trip down the rabbit hole, but begins to recall Wonderland more favorably as she's threatened with an arranged marriage to Hamish Ascot (Leo Bill), a conceited snot-nose twit. At the moment of truth in the wedding ceremony, she impulsively scampers away to follow another rabbit down another rabbit hole and finds below that she is actually remembered from her previous visit.
Burton shows us Wonderland as a perturbing place where the inhabitants exist for little apparent reason other than to be peculiar and obnoxious. Do they reproce? Most species seem to have only one member, as if nature quit while she was ahead. The ringleader is the Mad Hatter, played by Johnny Depp, that rare actor who can treat the most bizarre characters with perfect gravity. Whoever he plays (Edward Scissorhands, Sweeney Todd, Jack Sparrow, Willy Wonka, Ichabod Crane), he is that character through and through.
This is a Wonderland that holds perils for Alice, played by Wasikowska with beauty and pluck. The Red Queen wishes her ill, and the White Queen (Anne Hathaway) wishes her well, perhaps because both are formed according to the rules of Wonderland queens. To be sure, the insecure White Queen doesn't exhaust herself in making Alice welcome. The Queens, the Mad Hatter, Alice, the Knave of Hearts (Crispin Glover) and presumably Tweedledee and Tweedlem are versions of humans; the others are animated, voiced with great zest by such as Stephen Fry (Cheshire), Alan Rickman (Absolem the Caterpillar), Michael Sheen (White Rabbit), Christopher Lee (Jabberwocky), Timothy Spall (Bayard) and Barbara Windsor (Dormouse).
The film is enchanting in its mordant way until, unfortunately, it arrives at its third act. Here I must apologize to faithful readers for repeating myself. Time after time I complain when a film develops an intriguing story and then dissolves it in routine and boring action. We've seen every conceivable battle sequence, every el, all carnage, countless showdowns and all-too-long fights to the finish.
Why does "Alice in Wonderland" have to end with an action sequence? Characters not rich enough? Story run out? Little minds, jazzed by sugar from the candy counter, might get too worked up without it? Or is it that executives, not trusting their artists and timid in the face of real stories, demand an action climax as insurance? Insurance of what? That the story will have a beginning and a middle but nothing so tedious as an ending?
野性的召喚 Call of the Wild 英文影評 review by Justin Felix
It's one of those names still included in literature anthologies to this day. Like many who read this review, I suspect, I had to read some of London's writing as I went through school. My favorite tale of his is a short story about a man trying to survive in extreme elements called To Build a Fire - if you've never read it, it's worth checking out. However, London is best known for two novels, both with animals as lead characters: Call of the Wild and White Fang.
Since London is still a recognizable name (and since his work is in the public domain), it's a no-brainer that various studios over the years have tried to capitalize on his writing. And hence, there's Jack London's Call of the Wild, a 2000 made-for-television proction. Like the recently cancelled Dead Zone series, Call of the Wild assumes some of the character names and concepts from the book but otherwise strays from the source material. Surprisingly, it's not that bad.
This version of Call of the Wild follows Miles Challenger, a 15-year-old boy out in the Yukon who becomes enamored with a sled dog named Buck. At the start of the film, Buck is up for auction, and while Miles puts up a feeble bid for the dog, Buck is won by another man, a mail carrier in need of dogs for his sled. Miles lives his mother and stepfather, John Thornton, who debate his future in a similar manner to Luke Skywalker and his Uncle Owen in the original Star Wars. Like Luke, Miles wants to venture off and, in this case, become a guide, but his stepfather wants him in school and worries he's too inexperienced for the dangers of leading others through the hostile and cold environment. The first half of the movie interweaves Buck and Miles's stories before they inevitably cross paths again. In the second half, Buck becomes the lead sled dog for a couple of inexperienced travelers who then hire Miles as their guide. These characters' tale of survival in the wilderness becomes the central plot for the remainder of the film.
While Call of the Wild never really rises above television quality, for what it is, it's entertaining. The story is paced well - although it's pretty obvious where things are headed. The actors are professional, and scenes are punctuated by some nice-looking wilderness shots (the movie was shot in Vancouver). It's a shame this was made in full screen rather than widescreen as the locations are beautiful. The score is whimsical and melodramatic, and seems out of place at times. However, it doesn't overwhelm.
Allumination Filmworks, distributor of this DVD, emphasizes the "family-friendly" quality of this proct, and I would agree to a certain point. This is fairly inoffensive stuff, but I do think really little ones might be disturbed by a couple scenes involving dog fights. The characters also come across a man and his sled team frozen dead. So, parents of the very young might want to be present while watching this. The DVD's cover art states an approximate 120 minute runtime, but the feature actually runs 1:35:59. They're probably going by how long this would have run on commercial television with all commercials included.
In sum, Jack London fans may bristle at the radical departure from the novel's storyline, but as a made-for-television movie about dogs and a young boy's coming-of-age, this isn't bad. Rent it.
9. 英語電影影評
侏羅紀公園3英文影評 Jurassic Park III(2001)2010年1月25日 "Jurassic Park III" is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting alon侏羅紀公園2失落的世界The Lost World英文影評(1997)2010年1月22日 Where is the awe? Where is the sense that if dinosaurs really walked the earth, a film about them would be more than a monster movie? Where are the ooohs and ahhhs? ``The Lost World: Jurassic Park''侏羅紀公園Jurassic park英文影評(1993)2010年1月20日 When young Steven Spielberg was first offered the screenplay for "Jaws," he said he would direct the movie on one condition: That he didn't have to show the shark for the first hour. By sl 後天The Day After Tomorrow英文影評(2004)2010年1月15日 It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters ha 全金屬外殼Full Metal Jacket英文影評(1987)2010年1月13日 "Full Metal Jacket" is more like a book of short stories than a novel. Many of the passages seem self-contained, some of them are masterful and others look like they came out of the bottom 狂蟒之災3英文影評(2008)2010年1月10日 It's not surprising to note that Anaconda 3: Offspring immediately establishes itself as the weakest entry within this ongoing series, as the film boasts many of the problems and deficiencies one geDeep in the jungles of Borneo lurks the blood orchid, which blooms only once in seven years, and whose red flowers contain a mysterious ingredient, which extends the ability of living cells to reproEvery preconceived notion audiences might have about "Anaconda" is correct. This supposed serpentine shocker features doomed adventurers wading through murky water while a deadly snake app U-571英文影評When it comes to films that take place in submarines, World War II is still the favorite time period. There have been exceptions - The Hunt for Red October and Crimson Tide spring to mind - but the